One of the many wonderful things about Erin is that she not only tolerates the kind of movies I watch, she makes me promise to wait for her to watch them. So today, she and I went out to catch the remake of the 80s horror staple Friday the 13th. If you may recall, a while back I actually reviewed all of the previous films in the series (check it out: Part One and Part Two), so you can consider this a sort of addendum to that review series.
This film, like producer Michael Bay‘s remake of The Texas Chainsaw Massacre, is sort of an updating of the horror legend. The film begins some 20 years after the death of Pamela Voorhees, a mother who murdered a slew of counselors at Camp Crystal Lake whom she believed caused her son Jason’s death. (This, of course, was the plot of the first movie.) In the here and now, a group of teenagers (it’s always a group of teenagers) comes up to the lake in the hopes of finding a large crop of wild pot purported to grow here, quickly allowing the movie to cast aspersions on all three of the vices that get kids killed in these movies — sex, drugs, and alcohol. Six weeks later, the brother of one of the teens goes to the camp to search for her, at the same time as a second group of oversexed, alcoholic, pothead kids rolls up to spend a weekend away from it all.
“Away,” unfortunately for them, means “right in Jason’s backyard.”
There’s actually a lot of good in this movie. The plot isn’t just a carbon copy of any of the previous films, although the film goes out of its way to include all the tropes that made them popular. The brother, played by the kid from Supernatural whose name I can’t spell and am too lazy to look up, is a stronger male lead than most of the heroes of the franchise, and we get two fairly well-rounded female characters as well. The rest of the characters are all painful stereotypes, including the slutty blond, the jackass boyfriend and the black guy who feigns offense at unintended racial stereotypes. Seen it.
Jason himself is quite a departure from previous incarnations of the character. This is a much smarter Jason. He doesn’t just march through the film mindlessly killing everyone with whatever he has at hand. This is a Jason who thinks. Who sets traps. Who uses a light switch. He’s got a brain. As a result, he’s nearly an entirely different character.
In the end, actually, that’s the main drawback for the film. Jason is almost a different character, and the film is almost a different franchise. It’s not that it’s bad — I mean, it’s not great, but it’s at least as good as at least half of the old films. But it’s not really the same, and it’s supposed to be. It’s the Coke Zero of the franchise. You can tell it’s supposed to be the same, and it’s not bad, but it still tastes different no matter what the commercials tell you.