Writers: Edgar Wright & Simon Pegg
Cast: Simon Pegg, Nick Frost, Kate Ashfield, Lucy Davis, Dylan Moran, Penelope Wilton, Bill Nighy, Jessica Stevenson, Peter Serafinowicz
Plot: Retail employee Shaun (Simon Pegg) is having a rough time. His job is a joke, his relationship with his stepfather Philip (Bill Nighy) is strained, and his roommate Pete (Peter Serafinowicz) has had it with Shaun’s best buddy Ed (Nick Frost) sleeping on their couch. If that wasn’t bad enough, a chance encounter with his friend Yvonne (Jessica Stevenson) reminds him that it’s his anniversary and he’s forgotten to book a table at a restaurant. He tries to convince his girlfriend Liz (Kate Ashfield) to join him for a fun-filled evening at their favorite pub, the Winchester, but Liz has wasted one too many night at the bar. She dumps him and he returns home where he has one more spat with an agitated Pete (who was bitten by a bunch of crackheads) before going to bed.
In the morning, a tired Shaun schleps down to the local convenience store and home without ever noticing the few people around him are acting strange – grunting, stumbling, and covered with blood. Returning home, he and Ed finally figure out something is wrong they are attacked. The reports on the news and the ghouls outside their house make the situation clear. Although neither Shaun nor Ed wants to say it, London is overrun with zombies. The friends fight their way clear with vinyl records and a cricket bat, getting past Pete before escaping. Shaun plans to collect his mother and Liz and hide out at the Winchester until the crisis has passed.
His mother, Barbara (Penelope Winton) is nursing Phillip, who has been bitten. Shaun reluctantly loads them into the car then heads to Liz’s flat, where she’s hiding out with her roommate Dianne (Lucy Davis) and Dianne’s boyfriend David (Dylan Moran). Although they are reluctant to go with him, the encroaching undead soon change their minds. As they flee, Phillip succumbs to his bite and they are forced to abandon the car, trapping him inside. They encounter Yvonne, who has gathered her own oddly familiar group of survivors and who is planning to find help. Shaun insists on following through his his own plan. When they reach the Winchester, they find it surrounded by zombies, and struggling actress Dianne gives the rest of the group a crash course in acting undead. Remarkably, the ruse works and they march through the army of zombies unmolested, until Ed’s mobile phone rings and blows their cover. They barely get to cover inside the bar.
In the Winchester, Shaun discovers that his mother has been hiding a bite of her own. He and David begin sniping at each other as Barbara struggles against the disease inside her, but when she finally dies and rises, Shaun puts her down with the rifle hanging over the bar. As they continue to argue, raw emotions are exposed: David is in love with Liz, something Dianne knows fully well, but she has been settling for what little affection he gives her. As they fight, the zombies overwhelm their barricades and pull David outside. Dianne snaps and rushes after him, being consumed as well. The last three break for the basement, but Ed is bitten on the way. Trapped, the three of them contemplate suicide, but before they can do anything, they find a secret hatch. Ed promises to cover Shaun and Liz as they escape. Biddign his best friend farewell, Ed can’t resist sending a fragrant flume of gas his way one more time. Making their way to the surface, Shaun and Liz are met by Yvonne, along with an entire army battalion that has arrived to put the zombies down. Six months later, Liz has moved in with Shaun and the world has adapted, using the zombies for menial labor and cheap entertainment. Shaun goes out to the shed to relax a little while, sitting down next to his best friend. Ed is now a zombie, but that doesn’t mean they two of them can’t continue to enjoy their video games.
Thoughts: I’ve said that Ghostbusters is my favorite horror/comedy and I stand by that, but damned if Shaun of the Dead doesn’t come in a close second. This film is a flawless combination of things that I love: emotionally honest characters, dry British wit, zombies, Bill Nighy… Any one of those elements is worthy of being loved, cherished, and having praise heaped upon them. Putting them together makes for one of the best horror/comedies ever made.
This film came in near the beginning of the current zombie wave, which has actually gone on much longer than I would have expected. It wasn’t the first zombie/comedy hybrid, but it was without a doubt the most effective, and I doubt the later entries into this subgenre (Fido and Zombieland, for example) would have enjoyed their respective success if Wright and Pegg hadn’t come along first and done such a remarkable job with this movie. The zombies themselves are played perfectly straight, a Type-A horror threat. In fact, they could have marched right off the set of a George Romero movie. In truth, if not for the sort of happy ending at the end of the film, one could easily make the meta-argument that it showed the British side of one of the many zombie apocalypses (apocalypsi?) that make him his own films. He himself was enough of a fan of Shaun that he invited Wright and Pegg to make a cameo appearance in Land of the Dead. (They played zombies.)
The zombie stuff works really well, and the comedy is near-flawless. Nick Frost’s Ed ranks up there with one of the great comedic bumblers. He slows down the group, makes poor decisions, and nearly gets them all killed several times. He’s like Gilligan – anybody in their right mind would have left him to die ten minutes after the zombies attacked. But for all his buffoonery, there’s some sort of inexplicable charm that makes you want to keep him around. It’s probably this, more than anything else, that helps him last right up until the very end. Let’s be honest, if Shaun had walked into the shed to reveal Pete or David chained to the wall, it would have just felt creepy. Watching him chide Ed for trying to bite him, though? It’s weirdly sweet.
Pegg himself is successful as the harried everyman, the ordinary guy who is in way over his head and needs to find a way to rise above it all if he’s to have any shot at survival, let alone getting the girl. It’s that status that makes him such a successful protagonist. Virtually everybody has felt like Shaun at one point in their life. It’s just that few of us are lucky enough to have a plague of the undead come along at just the right time to help us snap out of our funk.
Shaun’s character is just the beginning of these very real characters, though. David’s bitterness comes across as very genuine, and Dianne is a terribly sad character that you can wholeheartedly believe in. The moment of Phillip’s death is a remarkable one as well, turning a character that could have been a cartoon wicked stepfather into someone with genuine heart who just didn’t know how to express his feelings until it was too late. Liz is, if you’ll pardon the gender-specific term, the film’s straight man. She’s not particularly funny, but she allows Shaun and Ed to play off her rather well. The core of her relationship with Shaun, though, is one of true love and legitimate concern for their life. You never think poorly of her in the movie, never imagine her to be the sort of bitchy ex-girlfriend that a lot of movies would transform her into in order to make Shaun seem more heroic. I’ve come to realize that the truly great horror/comedies, whether they’re Type A or Type B, can fall into two categories: either they’re remarkably funny or surprisingly tender. Like Bubba Ho-Tep, Shaun of the Dead presents us with excellent characters that we really feel for. Their deaths aren’t just plot points or gags like in Eight Legged Freaks or Attack of the Killer Tomatoes. Each major member of this cast has a role, a purpose, a meaning.
Not to say that it’s 100 minutes of zombies wrenching feelings out of you, not at all. The film is full of sharp running gags (Shaun has red on him, Ed is addicted to his phone, etc.) and Yvonne pops up just at the right time to lend some really successful levity just after Phillip’s crushing end. Shaun’s dream sequences about fighting to the Winchester are both really funny and highly relatable – unless you honestly expect me to believe you’ve never imagined your Zombie Apocalypse Contingency Plan beginning with thrilling heroics and ending with tossing back a cold one at your favorite hangout. Yes it has. You liar.
To put it simply, Shaun of the Dead is the perfect package of horror movie monsters, dramatic story beats, and rip-snorting laughter. If anyone tries to call it a parody of zombie movies, I feel the need to correct them right away. This isn’t a parody at all, this is a zombie movie. It just happens to be one where the prospective buffet left out for the undead is made up of some very, very funny people.
Don’t forget, Lunatics and Laughter is the second Reel to Reel movie study. The first, Mutants, Monsters and Madmen, is now available as a $2.99 eBook in the Amazon Kindle store and Smashwords.com bookstore. And you can find links to all of my novels, collections, and short stories, in their assorted print, eBook and audio forms, at the Now Available page!
And while the 20 films for the first phase of Lunatics and Laughter have been selected, I’m still taking suggestions for next year’s expanded eBook edition. I’m especially looking for good horror/comedies from before 1980, so if you’ve got any ideas, please share them in the comments section.