Archive for the 'The Writing Life' Category

13
May
12

The Pyrite War… FINISHED!

The plan continues apace…

Despite a remarkably busy week, including an insane schedule of End of Course testing at work and preparing the play I’m currently directing (Alan Ball’s Five Women Wearing the Same Dress — four more performances at the Thibodaux Playhouse, beginning Thursday), I managed to find time this week to finally finish the first draft of my current Work in Progress, The Pyrite War. This is a great feeling. It started as my NaNoWriMo project for 2010, and although I hit the required 50,000 word mark, the story wasn’t nearly finished. Unfortunately, as tends to happen, I lost the thread of the story for a while after that, getting distracted by other things. I found it again a couple of months ago, and although I haven’t reclaimed the furious pace NaNoWriMo requires, since I returned to it, The Pyrite War has been my sole fiction project. A few days ago, I wrote the last word of the book (the word, if you’re interested, is “do”) — 90’027 words total, spread over 17 chapters and an epilogue. And The Pyrite War version 1.0 is finished.

Other People’s Heroes, at its core, is the story of a young man who believes in heroes helping a lost city to find its way. The Pyrite War is about an older man, a more cynical one, who must overcome that cynicism so that the same city isn’t lost at the very dawn of the first heroic age. Set in 1939, The Pyrite War is the story of Siegel City’s first superhero. Although none of our friends from OPH appear in this book, their are threads that reach back in time. I am a true lover of heroic legacies. This story will show you how some of the legacies in OPH began.

It’s not ready to share, not yet. This is just the first draft, after all. But I’m quite proud of the story and the fact that it’s finished.

So my plans for the next few months are as follows:

•Complete final editing on Opening Night of the Dead. Then, as soon as the cover for that book is completed, it will be made available in print and eBook.
•Do a second draft of The Pyrite War. This time around I intend to add a few bits, specifically intended to strengthen the mystery (yes, mystery) and give a little more depth to one of the more important relationships in the story I don’t think got quite enough screentime in the first go-around.
•Send the second draft to the Legion of Beta Readers for comments and editing. Also send it to the great Jacob Bascle, who has designed the cover art for all the Siegel City stories thus far and, I hope, will be willing to do so for a very long time. The goal is to finish all edits and the cover and have this book available to you before the end of the year.
•Jump into the next fiction project. I don’t actually know what that will be yet. I may return to an incomplete project, of which I have several (including two more “World of Siegel City” novels). I may take a third attempt at the true sequel to OPH, 14 Days of Asphalt, which I’ve already done two versions of but I still feel goes in a strange (and not in a good way) direction about halfway through, and I can’t quite figure out a fix. I may start something else entirely, although at the moment I don’t have any brand new ideas fully formed enough to really start on. Whatever I ultimately decide to do, I’ll keep you posted.

That’s really all I’m willing to say about The Pyrite War just yet, but if you want another taste of the story, go to my Facebook Fan Page. I’ve posted costume designs for (almost) all of the heroes and villains who appear in the book… although at this stage of the game I won’t tell you much information about them. Gotta keep some secrets to myself, after all.

Keep reading…

18
Mar
12

Why writing stinks

I hate writing.

This confession will be astonishing to most people, as the sole overriding desire of my entire life, the one constant from about the time I was ten years old until today, is a burning desire to be a writer. This, of course, requires me to write. But as anybody who has ever tried to do it will tell you, writing isn’t easy. Many people (who have never written a complete paragraph and think it’s perfectly acceptable to use “U” when you mean “YOU”) assume that it’s a terribly simple process that any Tom, Dick, or Harriet could accomplish if only they had the time in their ever-so-busy schedules to sit down and do it, because really, you’re just making stuff up. How hard could that be?

The truth is, when someone says they want to be “a writer,” what we really mean is we want to have written something. Because that’s a great feeling. Looking down at a story that feels complete, that feels finished, that draws a little praise and (if you’re extremely lucky) a little money is a feeling that doesn’t compare to anything else I’ve ever experienced. And the act of coming up with an idea, similarly, is wonderful. When a good one hits you like a bolt from the blue, or when a thought that’s been mucking about in your head for a long time finally breaks free and takes a life of its own, it comes with an intense feeling of power. You’ve become a creator of worlds, and that’s awesome.

Everything in between those two stages sucks the big one.

Those moments when you stare at the blank page, trying to figure out where to go next (or even worse, where to go first). You don’t know this story well enough, you don’t know these characters, you don’t know this place. You’re not black/a woman/short/Methodist/a six-tentacled alien from Grimbullax XII… how can you possibly get across in your writing of what it’s like to be any of those people? You’re conjuring it all up and it’s all horribly inauthentic and nobody will ever want to read it and you wish you could just lie down behind the sofa and die before anybody calls you out on it.

Then there are those times when you begin to realize you’re a worthless hack. Okay, this sounds pretty good, but didn’t they do that same joke on an episode of Seinfeld once? This concept is brilliant, but c’mon, Isaac Asimov must have written virtually the same thing. These are the times when you’re certain, at any moment, the Literature Police are going to break down your door with a battering ram and someone will point at you and scream, “HIM! THAT’S HIM! EVERYTHING HE’S EVER WRITTEN WAS ALREADY DONE BY SHAKESPEARE AND EDGAR RICE BURROUGHS AND J.R.R. TOLKIEN AND THE SIMPSONS! GET HIM!” And you will calmly hold up your wrists and allow them to cart you away.

These feelings are awful, most of all, because you know on some level that they’re justified. Every creator in the world is influenced by their experiences — either by what they’ve lived through, which makes you question how you can convey the feeling of being marooned on a desert island since you’ve never done it yourself for any extended period of time, or what media they have consumed, which means that every book you have ever read and every movie you have ever watched is in your subconscious somewhere, and it may well crawl out onto the page without you even realizing it.

Several years ago, a friend of mine read an early draft of a story that eventually turned into Lost in Silver. Upon finishing, she asked me if I’d been reading a lot of C.S. Lewis lately. I had no idea what she was talking about, until she directed me to the penultimate book in the Chronicles of Narnia, The Magician’s Nephew, where Lewis described a “Woods Between Worlds” that sounded a hell of a lot like my description of Evertime. Not having read that book in about 15 years at that point, I rushed out and found a copy, read it, and immediately began bashing my head against the wall. Clearly, although virtually everything else about the story had leaked through my brain like a sieve, the Woods stayed there and, lacking context, my brain started to adapt it to the story I was trying to tell. T.S. Eliot once said that “mediocre writers borrow; great writers steal.” Eliot forgot to mention that theft is sometimes like robbing a bank in your sleep, waking up surrounded by piles of money, and deciding you must have won the lottery.

Ultimately, I kept most of that original Evertime concept, after doing what writers have been doing ever since there was a second one: I rationalized the hell out of it. It was, after all, only a small part of the grand Narnia mythos, while it was a vital part of the story I was trying to tell. And I couldn’t come up with a way to accomplish the same thing that I liked nearly as much. And it wasn’t exactly the same, it was my take on the idea. And part of the main theme of the Evertime stories is that there are enough worlds in creation for everything ever imagined to co-exist, so naturally there will be elements that seem derivative of classic creations. And they’re never going to get around to making that book into a movie anyway.

All writers do this. We have to. Because when the brain creates it needs building blocks, and it gets those blocks from every bit of information you’ve ever fed into it. Every writer is influenced by every other writer whose work they have ever experienced. And this is true whether you’re blatantly copying somebody else by moving Kevin Costner to another planet and turning the Indians blue or whether you’re intentionally throwing away every element that made vampires threatening, entertaining, or interesting to read about and replacing all that with sparkle paint. In both cases — and in every case in between — you’re still reacting to an earlier work. It’s impossible to escape.

So the hard thing about writing, you see, is trying to think of something to say that hasn’t been said before. And when you realize that’s impossible, trying to think of a way to say it that hasn’t been done.

It’s just not easy.

But if you honestly want to be a writer, you eventually shove all that crap out of your brain, sit down in front of the computer, and start hitting keys until you’ve got something that may be worth showing to someone.

Which, if you’ll excuse me, is really what I should be doing right now.

09
Mar
12

Looking for Writers’ Podcasts

I don’t listen to the radio very often. When I’m in the car, I’ve got a vast array of podcasts to keep me busy — shows about movies, TV, comics, old-fashioned radio comedies, audiobooks, and whatever the hell Monty and the Mongoose are doing these days.

One thing I’ve really been digging into lately, though, are shows featuring writers talking about writing. There’s something both entertaining and therapeutic about listening to other people who know the agony of staring at the blank page talk about how they conquered it to become successful. The Nerdist Writer’s Panel and The Q&A with Jeff Goldsmith are the two I listen to most often, but I’ve run out of new episodes of these shows and they aren’t being produced quickly enough. (Especially since, if the Q&A features the writers of a movie I want to see in that episode, I always hold off on listening to it until I can see the movie, even if I have to wait months for it to hit DVD or Netflix.)

So I’m putting out the call — help me find other shows along these lines. I want to listen to writers talk about their stories, their craft, the business of writing, the things they love and the things that drive them crazy. Besides the two shows I just mentioned, I also frequently listen to the Flying Island Flagship podcast, Word Balloon, and of course, Mur Lafferty’s I Should Be Writing.

What else should I have on my iPod?

27
Feb
12

“Wow, Blake, you’ve been quiet lately…”

Why yes. Yes, anonymous commenter on the internet who has somehow managed to usurp the title of a blog post, I have. But it’s not because I’ve gone into hibernation or anything. As many of you know, last week was the annual party/Bacchanalia we here in the great state of Louisiana call Mardi Gras, and Erin came down for one of her legendary visits during that week. It was a wonderful time and I’ll try to find the time to write more about it later in the week, for those of you who don’t just follow us on Facebook.

But now that things have gotten back to normal, I find myself busier than ever. I’m continuing work on the first draft of a new novel (I’m at 63k words at the moment, and I’m guessing I’ll have about another 20 or 30k to go before the story is finished). I’m prepping my next fiction release, which I hope to have out to you guys in the next few months. And starting… oh, about three hours ago… I’m directing the next show for the Thibodaux Playhouse, Alan Ball’s comedy Five Women Wearing the Same Dress. The first night of auditions was tonight, so now I’m going to be working in all of my usual stuff around that.

So I’m still here, and I’m still working. I just wanted you all to know that.

I love you too.

13
Feb
12

Things You Say That Irritate Language Nerds: Part I

I am, as I’m pretty sure I’ve mentioned before, a high school English teacher. As such, I have a greater-than-average awareness of language, punctuation, and correct word choice. And although I try not to be an utter grammar Nazi about it, there are some things people say that are so blatantly incorrect that it makes me want to slap them with a cold fish.

This will undoubtedly be a series.

Today’s episode: “You have two choices…”

I hear this all the time. On TV. In the movies. Around the halls of my school. And frequently said by people who are, in fact, very intelligent. Despite this, they go forth with this horribly incorrect phrase.

  • “You have two choices… live or die.”
  • “You have two choices… study hard and pass, or slack off and fail.”
  • “You have two choices… chocolate with Bavarian Cream or the engine block of a 1972 Studebaker.”

In all of these situations, the person being spoken to is told he must make two choices. But he doesn’t. He has one choice. He has two options. If a person is being told he must choose between life or death, there is only that one choice — life or death. The choice is the action — the single action, mind you — of selecting between the available options. This is true no matter how many options a person has.

  • “You have six choices… life, death, a guided tour of the Wonka chocolate factory, electrolysis for that thing on your lip, a package of AAA batteries and a partridge in a pear tree.”

This person still only has one choice to make, because he is being given the option of choosing between these six items. Also, the person giving him this option is either patently insane or the host of the strangest version of Let’s Make a Deal in history. Which I admit may be the same thing.

Here’s a case where a person actually has two choices:

  • “You have two choices… save the baby’s life or allow him to grow up to be Hitler. Also, do you want fries with that?”

In this situation, the person being presented with the choice has two decisions to make. Will he allow an innocent baby to die even knowing he will eventually become history’s greatest monster? Plus — hey, fries? These are the sorts of moral implications that can weigh on a person for the rest of his life, especially if you start to consider such vital factors as “curly,” “battered,” or “cajun-style.”

But these four options come with two choices, not four, as some people will undoubtedly say.

Here’s an easy way to remember. When facing the situation, ask yourself how many decisions a person has to make. “Cake or pie” is one decision, which means one choice, which really means no choice because pie almost always wins. Unless it’s ice cream cake.

To summarize:

  • The number of choices is equal to the number of decisions, not the number of options.
  • Increasing the number of options has no effect on the number of choices that must be made.
  • Pie always trumps non-ice cream cake.
10
Jan
12

One: Kronos-Beyond Time

On New Year’s Eve I did something that, for me, is kind of unprecedented. I sat down and began writing a story with no idea, no pre-planning, and no idea of where I was going to go. I’ve never worked this way before — I usually need to have a solid premise and a final goal in mind before I even start, for fear of petering out or ending in a distinctively Stephen King-style fashion (villains with a glass jaw that wind up getting defeated way the hell too easily in the last segment of the book… and I say that as a fan).

I was honestly pretty skeptical about this experiment panning out, but it’s turned out well so far. I’ve finished the first segment of story and I’ve got a basic plot, an idea of where it’s headed, a premise with a lot of potential and several characters that I’d like to get to know better… characters that are very different from the squeaky-clean Josh Corwood or the noble but tormented Curtis Dupré that came out of my most notable works. I find myself getting really excited about the story, as I move into the second segment.

I don’t know if this is going to be a short story, a novella, or a novel. Hell, there’s a chance that it could change into something else entirely. But having finished the first story segment yesterday, I thought I would share it with you all. Hope you enjoy it. Meet the the characters that, for now at least, I’m calling the Tempus Fugitives.

ONE

Kronos-Beyond Time

There was a light.

Phillip didn’t expect to see anything that morning – didn’t expect to see anything ever again, if he was going to be honest with himself, but from the dank, grungy bed of moss at the bottom of his cell, he looked up and saw an unmistakable, piercing blue light.

“Is that you?” he whispered. If you asked him later, he wouldn’t have been able to tell you who, exactly, he thought was looking for him, but for the six years of his imprisonment he had felt plainly certain that somebody, somewhere must have been at least curious as to what had become of him. Somewhere, in the back of his mind, there were still names – Diana, Chester, Clark (or was it Clarke?) and Eden. For some reason, those four names were clinging to his memory even now, even after virtually everything but this cold, wet hole was nothing but a faded remnant of a dream he was no longer certain was his own.

There was a light.

Not just light, he realized, but a warmth. The chill he’d grown so used to was fading from his skin, the ugly black sores on his arms were slowly irising away and fading, the long gashes in his chest… reaching up and touching his ears, he felt the holes in the lobes closing up, filling with flesh, becoming whole again.

He tried speaking again.

Who are you?” he whispered.

There was no answer, but the light continued and he began to bask in it. He stretched out his arms, allowing the healing blue glow to surround him. It seemed to flow down his body, warming his legs, turning the calluses on his feet back into skin, regrowing the missing and split toenails that oozed with pus and blood from years of clacking against the cobblestone floors. The aches in his joints faded, the elephant skin on his elbows and knees healed and smoothed. He would never be aware of it, but a series of tumors lining his colon at that moment dwindled away, the matter breaking off and joining the waste material awaiting simple evacuation.

As he felt warm again, whole again for the first time in years, he felt tears begin to prick the corners of his eyes. For several long moments, he didn’t know what he was feeling, didn’t understand what he was feeling. He hadn’t cried in a very long time, hadn’t felt anything but numb misery for a very long time, and when the moisture began to run down his cheek, he giggled. It tickled, somehow, and he didn’t know what the cause was. He thought it was the light.

If he was aware of the feeling of his feet leaving the stone floor, he didn’t react. The gnarled, yellowed extremities drifted upwards, leaving the stone two, six, twelve inches beneath him, as he rose higher and higher. He reached his hands out towards the light, and saw in the beam the shadow of his fingers. His nails were long, broken, splintered in some places. If he could see them in a normal light he would see long, black streaks on his fingers from the dried, gummed blood that flowed from the nails when he first attempted to claw his way from his prison. He didn’t remember how long ago that had been, nor how many times he had injured himself trying to escape to the freedom of a world he could no longer visualize. He couldn’t see the faces of his family in his mind, was only dimly aware of such things as “mothers” and “fathers,” “sons” and “daughters.” He knew Light, if only because of the marked absence of such a thing during his long confinement, but he could not imagine the sun in the sky baking a desert, or bringing clear warmth to a field, he could not conceive of a moon slicing through darkness and bringing a small piece of day into an endless night.

If he could, he may have compared this Light, his Light to a moon, although that would have been wholly inaccurate. It was much brighter, much clearer. It broke through the darkness into his face not like a distant orb shattering a ceiling of clouds, but more like a brilliant globe drifting towards him. He reached for it, grasped at it, didn’t know that it was still too far away to touch… but it was getting closer.

And it wasn’t moving.

He felt air moving past his face, a sensation he once would have thought of as “wind,” if he still had any conception of such things, and the light started to grow brighter, and closer. His cell fell away from beneath him, and a soft blue surrounded him. Another word he hadn’t thought of in some time came to his broken mind: “tunnel.” He felt like he was in a tunnel. No… like he was flying through a tunnel… flying towards his light.

The light grew closer, the blue grew brighter, and to his eyes so unaccustomed to light, it became too intense. He didn’t want to close them, didn’t want to shut himself off deliberately from the light that had been denied him for such a long time, but the pain became intense. He couldn’t look at the light any longer. He shut his eyes just as he was about to touch it.

The wind stopped.

Suddenly, the rushing sensation from all around his body was gone, the sensation of forward motion was gone, but he still drifted. He opened his eyes – forced them open, really – and found himself in a room. It was small, and rather dark, but with many more lights than his cell. There were sconces on the wall that shed a soft blue glow, similar in color to the Light that had rescued him, if much diluted in intensity. There were lights along the walls as well – lights of many colors, some of them round, some in the shapes of letters and diagrams.

And in the middle of the room was a woman, holding a tablet that gave off a light of its own, illuminating her face. She was tall, dark-skinned, and smiling with a sly grin that he liked immediately, even if he didn’t understand it.

“Hello, Phillip,” she said. “We’ve been looking for you for a very long time.”

“Looking for me?” he said. “Who are you?”

“Friends, I promise.” She touched the tablet in her arms a few times, and with each stroke of her fingers he heard a low tone and saw a small burst of light. When she finished, whatever force was keeping him suspended ceased its operation, and he was lowered to the ground.

“I’m keeping the lights low for you,” she said. “Six years in a hole is a long time, I’m sure you’re pretty sensitive to bright lights.”

“The Light…” he pushed himself onto his knees, looking up at her face. “The Light in my cell… what was that?”

“Just our scanner, honey. We had to look all through the timestream to make sure we had the right person.”

“Right person… I’m… the right person?”

“I think you are. Kirby thinks you are. For now, that’s good enough.”

Questions came to mind… who was she, where was he, was she Kirby, was she speaking in the third person. Instead, all that came out was, “Water?”

“Of course – I know they gave you some rations down there, but honestly, I don’t know how you lived on them.” She opened a panel against the wall and pulled out a silver canteen, handing it to him. Phillip unscrewed the cap and was about to guzzle the water inside when she stopped him, putting her hand over the mouth.

“Take it easy there, champ,” she said. “It’s been a while since you had all you could drink, don’t overdo it.”

He nodded, trying to force himself to see the sense in her words even as his mouth cried to him to swallow it in huge, triumphant gulps. He tipped it slowly and let the water spill down into his mouth, cooling the dry flesh and filling the cracks in his dry, broken skin. He swallowed once, twice… He tried to control himself, but he soon felt the canteen tipping back and surrendering its entire contents into his mouth. The dark-skinned woman laughed. “I guess you know best what you need, don’t you sugar.”

She placed a hand on his shoulder and he lurched backwards, horror creeping into his eyes. She looked at him, keeping up her smile without malice, but maintaining an intensity to it. She had her hair pulled back behind her, thick locks lashed together at the crown of her skull and spilling backwards into a long tail. Her face was slim, her nose broad, her lips full, her smile sincere and firm. She had a face that could be trusted, but at the same time, demanded his trust.

“Phillip, right?” she said. “Phillip Kensington?”

“Yes,” he said, nodding slowly. “Are… are you Kirby?”

She laughed again, a gentle sound that hurt his ears for a moment, being utterly foreign to him for the past six years. “No, sugar, my name is Lyla. Kirby’s my man, he’s with the others.”

“Others?”

“Well you didn’t think you were the only one, did you? Oh, sweetheart, we’ve got so much to show you.”

She led him through a doorway into a long hall with the same low lighting as the first room he’d seen. The light was a little brighter here, though, and it dawned on him that she was trying to acclimate him to being out of the darkness. The next room, he assumed, would be brighter still, and he was right. What surprised him, though, were the room’s contents.

A bed. There was a bed here, a genuine bed with sheets and a mattress, something he hadn’t seen in… well, six years. His eyes bulged with a hunger for rest that almost matched the growling in the pit of his stomach. She smiled at that, too.

“I thought you’d want some real rest,” she said. “Or do you want to wash up first?”

“Wash? You have a bathtub?”

“No, but we’ve got a damn good shower.” She led him to a panel along the pure white wall, made of a sort of frosted glass. Touching a small silver square on the wall next to it, the glass slid away to reveal a much smaller room with a drain on the floor and a silver fixture just about head level. There was a grey screen there, and above it a cylinder full of holes, like a strainer. She reached in and touched the screen, which flashed with lighted numbers: 90. Besides the 90, two arrows appeared – a red one pointing up and a blue one pointing down. Water began to flow from the holes in the strainer.

“Water,” Phillip said. “So much water…”

“Like I said, sugar, all you need. You might not want to drink this one, though. Touch it.”

He reached a filthy arm into the stream and felt a flow of warm liquid down his arm. He looked back, startled.

“Use the arrows to adjust the temperature if it’s too hot or cold,” she said. She pointed to another door, next to the shower, and revealed a water closet. “When you’re done here,” she said, “just touch the silver contact on top of the toilet and it’ll flush.”

“Flush?”

“Man, you’re gonna love it here.” She opened two cabinets. “Soap and shampoo in this one, clean towels here to dry off. Over here we’ve got toothpaste and a brush, and over here we’ve got some clean clothes. I’m sure you’re ready to get out of those things.”

Phillip looked at what he was wearing – disgusting rags of the suit pants and shirt he’d been wearing on the day he was captured, never having been changed or washed in such a long time. For the first time he paid attention to Lyla’s attire – a pair of blue pants with a red shirt beneath a brown jacket. She had black boots as well. When he looked in the closet, he saw boots, pants, and a coat like her own, as well as several shirts in assorted colors.

“It should fit you,” she said. “I had to guess as to your sizes, but I’m usually pretty good about these things.”

He sat down on the toilet, looking around him. Such a bounty… clean water, clean clothing, soap… all things he thought he would never see again.

“I don’t believe it,” he whispered to her. “Thank you… thank you so much.”

She smiled again, and while her smile was still kind, there was a sadness in it as well. “Don’t thank me too much, baby,” she said. “We’re giving you everything you need, but we’re going to need something from you too.”

“From me?” he said. “What could someone with so much possibly want from me?”

“We need something you can do that we can’t,” she said. “And there’s a hell of a lot riding on it, so you better be as good as they said you were.”

 *   *   *

Phillip never wanted to leave the shower. That feeling, that lovely sensation of water flowing down over his body was unlike anything he’d ever experienced. When he saw the water simply coming out of the spigot, he thought it would feel like rainfall, but that wasn’t the case at all. The water was warm and soothing, rejuvenating his sore muscles even as it washed away years of filth and blood from his skin. The soap Lyla gave him was unusual as well – small enough to fit in the palm of his hand, with a soft aroma that reminded him of citrus fruit. It wasn’t as harsh on his skin as the soap he knew, and he rubbed it all over his body, working up a heavy lather and rinsing it off, then doing it again, and again.

The last thing Lyla showed him, the “shampoo,” was the strangest thing he’d seen yet. He’d heard of “shampoo” before, of course, but he’d been told it was some sort of Oriental massage of the head. This, however, was a small bottle full of a liquid that smelled similar to the soap she’d given him. He was unsure at first what it was for, but there were directions printed on the bottle (itself made not of glass, but of some strange, thin, somewhat flexible substance that only looked like glass). The bottle informed him that he was to pour the “shampoo” into his hair, lather, rinse, and repeat. He smiled at the notion that he was to be given an excuse to return to the shower. He poured half the bottle out over his head and began to rub it into his hair and beard, working up a thick, sweet-smelling lather. Working it up as nice and thick as he could, he thrust his head under the flowing water and let it pour down around him.

Second later, he was screaming.

His eyes were suddenly burning like mad, like when sweat or salt water dripped into them, only much worse. He squinted shut instinctively and stumbled out of the shower, flailing for a towel. Wiping his eyes, years flowing, he grabbed the shampoo bottle and looked at it again. Beneath the directions, in small letters, was a line he had missed before: “If shampoo makes contact with eyes, flush with water. Do not swallow.”

Well, at least they’d been kind enough to include that information. He hadn’t actually thought of drinking the stuff, but he understood now he would have to be careful about anything he found in this strange place Lyla brought him to.

*   *   *

Finally clean, finally finished with his long shower, Phillip finally stumbled into the little bedroom and lay on the bed he’d been provided. He wasn’t sure about allowing himself to sleep in this strange place with these strange people, letting his guard down, allowing himself to be vulnerable. On the other hand, no matter their true intention, if they wanted him dead they certainly could have killed him any number of times by now. Fewer than 100 seconds passed before he was sleeping very, very soundly.

He was awakened some time later – he had no way of knowing how long – by a hand on his shoulder and a quiet voice in his ear. “Mr. Kensington? Phillip? I need you to wake up, sir.”

He woke from a dream where he was drifting through a cloud, free from the bounds of earth and gravity and all the terror his world had been associated with over the last several years. He was sure he had dreamed during those days in his cell – there was little else to do, really – but he couldn’t remember any dream he’d had in years. This time, he didn’t want to wake up, but the voice was rather insistent.

He forced his eyes open and looked up at the girl in the room with him – brown hair and green eyes, with a sort of weariness to them. She was young to have such weariness – maybe 20, maybe less, about the same age as

(Edna? Was that her name?)

someone he used to know.

“Phillip, Lyla says you should wake up now.”

“Who are you?”

“My name is Diane.”

“Diana?

“Diane. Die-anne,” she emphasized. “Diane Davis.”

“Yes, nice to meet you.” He sat up and the sheet wrapped around him fell from his chest. “I’m suddenly very aware that I didn’t dress after I bathed,” he said.

“Doesn’t bother me,” she said, “But I’ll wait outside if it bothers you.”

“That would be nice, yes.”

When he stepped out of his quarters, he was wearing the odd sort of uniform Lyla had shown him, having chosen a simple black shirt to go beneath his brown jacket. In the hallway, he noticed Diane’s clothing for the first time – the same uniform, but she had a bright blue blouse underneath. It suited her, he thought.

“What time… um… what… I’m sorry, I just realized that none of the typical questions I’m inclined to ask really matter. I haven’t the slightest idea what day or what time it was when I was taken, or even when I was placed in that damnable cell.”

“That’s okay,” Diane said. “Where we are, it doesn’t make a difference. The important thing is that it’s time to eat.”

“Eat?” He thought about what he’d eaten in his cell – bowls of cold, flavorless slime, suitable perhaps for keeping him from dying but little else. The prospect of real food made his mouth began to water without even knowing what food he would be given. “What… eh… what are we eating?”

“Well, it’s breakfast time, so you’ll have your choice of the usual, I guess. Eggs, bacon, sausage. Do you like grits?”

“Grits?”

“Yeah, little bits of ground up cornmeal… kind of in a paste…”

“No. No, I do not like grits.”

She laughed. “Whatever you want then.”

The hallway was brighter now than it was when Lyla brought him here, as he rather expected. The light no longer caused him to wretch in pain, and the aroma he was sensing from down the hallway was beginning to draw him in. His eyes were growing wider, his mouth dangling open as he approached, and he realized with a start that Diane was smiling at him. “It’s been a while, hasn’t it, Mr. Kensington?”

“I don’t even know how long,” he admitted.

“Well, get ready. You’re about to get jolted into the modern age really quickly.”

A door slid open in front of them and they stepped into a large room full of people. Each of them was wearing the same costume Lyla had provided him, different only in the color of their shirts, and each of them was seated at a table, happily conversing with other people as they consumed plates full of food – eggs and bacon, as Diane had promised, but so much more. Toast, fruit, cakes, biscuits, bowls of oatmeal, cold cereals, and glasses of milk or juice and cups that gave off the unmistakable aroma of coffee.

“I’ve died,” Phillip said. “I died in that cell and you’ve brought me to Heaven.”

“I kind of thought that when I first got here too,” Diane said. “You’ll change your mind. But for now, let’s get you some food.”

She led him to a bar on one end of the room where a smiling man with white hair and a few old scars on his face was stocking tubs of eggs, breakfast meats, and other food. Diane took a plate from one end of the bar and handed it to him, picking up a second for himself

“New guy?” the man behind the bar asked.

“Phillip, this is Joey Rice. He’s a couple of hundred years ahead of you.”

“What?”

“Sorry, you haven’t been briefed yet. He’s from far away. But you know the important thing, Phillip? He’s the best cook I’ve ever met.”

“It’s true, I am,” Joey said. “What’ll it be, buddy? We’ve got scrambled eggs prepared, but f you’d rather have ‘em some other way, I’ll make ‘em to order.”

“No… no, scrambled is just fine, thank you.”

Joey smiled, picked up a silver ladle, and served up a healthy pile of yellow eggs on Phillip’s plate, following it up with a small stack of toast, three strips of bacon, and a bowl of melon, grapes, and a cubed fruit Phillip was fairly certain was known as “pineapple,” although it had been many years since he’d seen any. Diane asked how he took his coffee, and she returned with a mug of thick, black liquid, free of cream or sugar, just as he preferred it. She led him to a seat by the window at the end of the room, and as he began eating, he started to notice that everyone else was looking at him. None of them were staring, exactly, they seemed too polite for that, but each person was inarguably stealing glances in his direction

“Don’t take it personally,” Diane said, sitting across the table from him. “You’re the new guy. Everybody wants to see the new guy.”

“I don’t understand anything that’s happening here, you know,” he said.

“I know. Eat. I’ll tell you a little now, but most of it is Lyla’s thing.”

“I rather suspected it would be.”

As he started to eat, she turned her attention away from the people assembled – some 60 or 70, by Phillip’s estimation – and towards the windows. There was a night sky in front of them, clear and brilliant, with more stars than he could ever remember seeing before. “Lovely, isn’t it?” she said.

“It is. So we’re awake very early, then? What time is it?”

“It’s not.”

“Eh?”

“You think you’re looking out at a morning sky, Phillip, but that’s not true.”

“It’s not? It’s night then? Late?”

“No.”

“The daytime? Has something happened to the sun?”

She laughed at that one. “Oh heavens, no.”

“I’m sorry, then, I’m afraid I don’t know any other alternative.”

“Not your fault. Let me ask you, you obviously don’t know when it is. Where do you think you are?”

“I’m not sure. Lyla rescued me from my cell in Florida, but I don’t know of any place along the coast with cliffs like this.”

“Cliffs?”

He pointed to the window. “So high that we can’t even seen the ground or sea below us.”

“There is no ground below us, Phillip. There’s no sea, either.”

“You’re not making sense.”

“To you, I’m sure I’m not. But it’s true.”

He took a sip of his coffee – strong, slightly bitter, and just the thing to force himself just a little more awake. He became aware of his appearance for the first time – the long, knotted beard and untrimmed hair and fingernails that were on display. No wonder these people were all staring at him, he must have looked like some sort of wild man. Even Diane no doubt saw him that way, and he wondered if this strange complex Lyla brought him to had such a thing as a barber shop at his disposal.

“I’m sorry, Diane, but nothing you’re saying is making anything any clearer for me.”

“I know. Let me cut to the chase, then. What year is it?”

“Pardon?”

“The year. As close as you can figure, what year is it?”

He thought for a moment. Six years in prison was merely an estimate, but the way she asked the question, he believed an estimate would be close enough. He hadn’t thought about anything as mundane as the exact date in some time, but…

“I was imprisoned in the year 1826,” he said. “If I kept close enough track of the passage of time, it’s 1832.”

“You kept your track pretty well,” Diane said. “Lyla told me she snagged you from the 1830s.”

“What do you mean?”

“I mean it’s not 1832 anymore. In fact, I’ve never even seen the year 1832, I doubt most of the people in this room have, although I’m not sure about that. I’m 22, Phillip. So what would be the year of my birth?”

This entire conversation was becoming a mess. “Twenty-two years ago… you were born in 1810, then.”

She shook her head. “Way, way off.”

“1809? 1811?”

“2019.”

He was holding his mug of coffee very tightly, but still nearly fumbled with it. “I’m sorry?”

“I was born in the year 2019.”

“Are you telling me that the current year is 2041? That I’ve been in that horrific cell, somehow, for over 200 years?”

“No, Phillip, that’s not it at all. You’re right, you were only in your cell for six years.”

“Then how can this be 2041?”

“It isn’t. I said that I was born 22 years ago, not that this is currently 2041.”

“I… I don’t understand.”

“The simple way to put it, Phillip, is that I didn’t live those 22 years all in a row. You don’t have to, you know – nobody here does, anymore. You don’t have to anymore.”

“That’s the simple way to say it?”

“Here’s the hard way, Phillip. It’s not 1832, and it’s not 2041.”

“When is it?”

“No time at all, Phillip. We’re completely outside of time itself. Congratulations. You’re about the join the Tempus Fugitives.”

*   *   *

“Science hurting your brain yet?” Lyla asked.

“Not as much as I would have thought,” Phillip said. After breakfast, Diane brought him to a small office where Lyla handed him her tablet. It had a metal black and a glass face, which lit up the way the walls did – not only with glowing letters and numbers, but actual moving pictures. The pointed to an image of a small arrow at the bottom of the glass and tapped it with her fingertip. Above it, a picture began to move and a voice began to speak.

“This is the Timecraft Kronos,” the voice said. It was loud, booming, and seemed to consider itself extremely important , so Phillip decided to do his best to treat it as such. It was difficult, though, the voice reminded him of an uncle he had that tried desperately to tell stories of his own adventures and prowess despite the fact that no one believed a word of it.

The “timecraft” itself was a long vessel, with a bottom hull that looked somewhat like that of a sailing ship, at least in shape. It wasn’t made of wood, though, but some sort of metal painted a dull purple color. Instead of having a deck open to the air, the top of the vessel was another shell, similar in shape to the bottom half and welded to the top. Both halves featured small windows in various locations, too small for Phillip to see the people inside, but considering the sizes of the windows he saw in the eating area and here in Lyla’s office, it gave him a greater understanding of just how large the ship was.

The odd part of the ship, he noted, were the fins.

The top and sides of the Kronos had large, silver fins affixed, bolted on somehow. They looked odd, out of proportion with the rest of the vessel, and far from functional. When he saw them, he was unable to stop himself from touching the glass face of the device as if the fins were in front of him. When he did so, the image stopped moving and the voice and incidental music that had been played ceased.

“You paused it,” Lyla said. “Like the fins, huh? I’ll have to tell Kirby, he’ll be proud. Just tap the arrow again.”

He did so, and the image resumed its movement. When he heard the Very Important Voice refer to the Kronos as a “Timeship,” he rather expected to see it cruise somehow, as if sailing through the water. Instead, it was dangling in an empty void, surrounded by blackness and stars, save for the image of an immense grey spherical shape in the corner. Some of the patterns of the distressing on its surface were familiar, though… could that be the moon itself?

“The Kronos is the first and only timeship of its kind,” the voice continued. “Constructed in the Tranquility Base Lunar Shipyard, the Kronos began construction in the year 2091 and was completed in 2094. It was constructed as a joint project between the governments of the United States and Chine, with heavy subsidization from Microsoft, Pepsico, Toyota-Chevrolet and the Walt Disney Corporation.”

“I didn’t understand any of those words,” Phillip said.

“Shh! You’re missing it.”

“I apologize.” He returned his attention to the screen, where several numbers were flashing around the spinning Timeship.

“-72 meters long, capable of sustaining a population of up to 500 people, but simple enough to be operated by a crew as small as six. The Kronos is more than a craft, it’s a fully self-sufficient mobile environment, constructed in space with no intention of ever entering the atmosphere – and no need to. The onboard computers of the Kronos are tapped into virtually every database in the world, containing every document and historical record to aid in its mission – track down the most significant individuals in the history of the world and observe their triumphs and defeats, and learn from them.”

The ship disappeared from the screen, replaced by a painting Phillip had seen reproduced before. “Imagine being able to witness the chilling night when General George Washington led his stalwart army across the Delaware River.”

The image changed again, to a slender man with a beard and large nose. “Imagine listening to President Abraham Lincoln deliver the Gettysburg Address.”

Another change and he saw a much clearer image, almost as if he was there, of a man of about his own age, looking haggard and weary, accepting a tattered remains of a flag from another man kneeling before him. “Or be there when King William V accepted the unconditional surrender that brought an end to the brutal third World War.”

World Wars?” Phillip said. “Three? Lyla, what did you people do to the world after my time was over?”

“Don’t look at me, I wasn’t born until 2177.”

“The strangest thing about my life right now is that I don’t feel the need to question such a preposterous statement.”

On the device, the ship had reappeared, and the voice was continuing its story. “The Kronos was designed by Kirby Dalton, the Silicon Valley software developer who first perfected the mode of time travel used by the ship. Dalton also suggested that the ship be constructed in such a way as to not enter the atmosphere of the planet, making it more difficult for rogue elements to try to use the time travel device to attempt to alter the past. It was, in fact, Kirby’s dedication to preserving the sanctity of the time stream that made it such a shock when he stole the Kronos himself.”

As the voice made its revelation, the ship vanished from the screen, replaced by the smiling face of a man with burning red hair and green eyes that had an undeniable jocularity to them. The man was large, though, and beefy, with a smile that indicated he could easily conquer anyone who decided to put him to the test.

“I’m Kirby Dalton,” he said, in the same voice as the narrator of the presentation .Somehow, Phillip wasn’t surprised. “I designed this ship, I built this ship, and I stole this ship. I can use it to see anything, observe anything, and – thanks to a few modifications in the design that higher-ups in the shipyards were never supposed to know about, I can use it to take anything or anyone from the timestream. Why would I want to do that? The same reason mankind has done everything it’s done from the moment Ugg the Caveman figured out he could trade Gronk one of his pointy rocks for a piece of his fish – profit.”

“This Kirby uses bizarre metaphors.”

“Don’t I know it. Keep watching.”

On the screen Phillip saw the Kronos hurtling through space, stars becoming streaks in its wake, then sparking and transforming into a strange nimbus of light. The colored lights began to intertwine and twirl around the ship, transforming into a tunnel of sorts. Kirby’s narration continued.

“With the Kronos taken here in the timestream, I’ve got the freedom to go anywhere, to do anything. Any lost treasure can be mine. If a question has gone unanswered for thousands of years, the question can finally be found. The Library of Alexandria can be saved, the children of Pompeii can be rescued… we can even go to Al Capone’s vault and loot it before Geraldo gets there.”

The image changed again, back to Kirby, who now appeared to be sitting in front of a wall lined with bookshelves, heavy, leather volumes weighing them down. Phillip couldn’t quite explain it, but he had to confess the effect made Kirby seem more intelligent somehow.

“But I’m not a greedy guy. I’ll go to these wonderful anywheres and find these magnificent anythings for any charming anybody who needs my help… for a price.”

“Of course,” Phillip said. “I’d expect nothing less.”

“Here’s the tricky part… I’m pretty magnificent, as you no doubt have determined by now. But even I’m not perfect. I don’t know everything. If I’m looking for something that has been lost to history, there’s a pretty good chance I won’t know where to look. That, my friend, is where you come in.”

“Me?” Phillip looked up at Lyla. “He’s talking to me?”

“It’s prerecorded, don’t let it freak you out. We show this video to everybody.”

“If we’ve brought you on to the Kronos, sir or madam as the case may be, we’ve done that for a reason. Maybe you have – or we have reason to believe you have – information that we need to locate a target. Or maybe you have a particular skill that will help us crack a puzzle or solve some problem. That’s another magnificent thing about having the entirety of time and space at my disposal – I can get anybody from anywhere to work for me. In return for your services, we offer a good home and good food, an obscene amount of money, and free passage to any point in the timestream you wish to go once you – or I – decide that your services are no longer required here on the Kronos. We don’t make anybody join the Tempus Fugitives if they don’t want to. But there’s one other thing we can offer that nobody else can – an adventure like you’ve never seen before.

“Oh, and one other thing you should know. If you’re here, that means you’re done.”

“Done?”

Done. The timestream isn’t really as fragile as a lot of my colleagues seem to think it is, but that doesn’t mean we can go around making massive changes to it either. Time itself has a way of stopping us from changing anything that matters. If we actually tried to prevent the Lincoln Assassination, for example, the Fugitive who made the trip would get lost or sick or die, or maybe the ship itself would malfunction, maybe he’d step on a nail and get tetanus and we’d have to chop off a leg, preventing him from climbing the stairs to Lincoln’s balcony. It could be anything, really, but we can’t change something we already know. It’s actually pretty freeing from my point of view – I don’t need to worry about screwing up history because I know I can’t do it.

“But for you, my friend, it can be a little depressing. Because that means we couldn’t have taken you here if you had any impact left to make on history. From this point in your life onward, you’re not going to become a parent, win an election, invent something amazing, or do anything else that anybody would remember. Ever. Maybe you were about to die in some horrible accident. Maybe you just vanished. Maybe you were just going to waste away in a prison cell for the rest of your miserable existence. The point I’m making is that, whether you decide to join us or not, your life as you knew it was already over. Sorry. It’s the truth.

“But hey, consider that a little incentive. Here’s your chance to keep going, to do something that might matter someday, to have a little fun and make a little money while you’re doing it. So think it over. Feel free to ask Lyla any questions you have. And I’ll be there I person really soon to find out your decision.”

The screen went dark for a moment, then changed to a picture of several small symbols with words underneath them – “INTRODUCTION VIDEO,” “KRONOS WIKI,” and “SOLITAIRE” among them. Looking up at Lyla, her smile had evolved again, this time to one of understanding.

“I’m sorry he’s so abrupt about that last part. I wish he would ease people into it a little better, but… well, once Kirby decides that things are going to be done a certain way, it’s kind of difficult to change his mind.”

“I’m… done?”

“Afraid so, Phillip. But come on, don’t be so down about it. We know why you were in that cell in the first place, you know. Even if you’d ever made it out, what are the chances that you would have gone back to a real life anyway?”

“Well… I suppose that’s true.”

“I’ve gotta say, Phil, you’re taking this really well. A lot of people we pick up get all freaked out when they realize they’ve been taken out of their own time. I know I was pretty surprised the first time Kirby snagged me.”

“I suppose when I was younger, I may have been ‘freaked out’, as you put it. But considering the things I saw in the last few years before I was imprisoned…” He looked up at her, quizzical. “You know why I was in prison, you say?”

“Oh hell yeah, Phil. That’s why Kirby wanted you in the first place. Let me ask you… the history books are kind of sketchy, and we haven’t been able to find anything that describes your methods, but… is it true? Can you really do it?”

This time, it was Phillip’s turn to give a knowing smile. “Oh, Lyla. Oh, my, yes.”

They waited another ten minutes for Kirby Dalton to appear, but it was ten minutes Phillip hardly needed. He knew what his answer would be. Kirby entered the room – a man who appeared larger in person than he did in the moving pictures – the “video” – on Lyla’s pad. His hair was blazing red and, despite the beginnings of wrinkles in his features, he had not yet begun to turn gray. His eyes, green and full of energy, were both sly and jovial. He held out his hand in greeting.

“Doctor Kensington.”

Mister Kensington, to be accurate. I’m afraid I was stripped of my medical license.”

“We don’t really stand on ceremony about that sort of thing here. If it makes you feel better, it’d be easy enough to travel back a few years and pick it up for you.”

“Thank you, but that won’t be necessary.”

“You’ve seen our presentation? Had time to consider my offer?”

“I have, yes, and must say, it’s an easy decision as far as I’m concerned. You’ve already freed me from that damnable prison. If you can make me free to experiment again–”

“Oh, we can, Doctor, no qualms about that.”

“Well then, it’s worth it to place my skills in your capable hands.”

“Excellent!” Kirby pumped Phillip’s hand much harder, almost shaking the smaller man to his boots. He seemed almost as excited as Phillip had felt when he tested the shower Lyla directed him towards. “I can’t wait to get started. I tell you, Doc, we’ve got all types here… scientists and criminals, safecrackers and swindlers, archeologists and historians… and we’ve even got a few other medical doctors, so don’t worry about being on call every time somebody gets the sniffles. But you, my friend… you are the first man I’ve ever known who has the ability to raise the dead.”

*   *   *

Prior to joining the Tempus Fugitives, Diane Davis had been a student at Oxford University, an association that came to a rather abrupt end in 2039 when the University made the rather short-sighted decision to eliminate its archive of books and documents, destroying thousands of them in the process. (“Short-sighted” was actually the term her lawyer used in trying to arrange a plea bargain – Diane’s terminology rather consisted of terms such as “asinine,” “moronic,” “insane” and “the stupidest thing ever done by a bipedal creature who wasn’t still picking lice out of its mate scalp and eating them.”) The University’s position was that the vast majority of its students had never even touched a real book since graduating from “board books” as infants and picking u their first digital reader, and since all of the information in the archive had been digitized and was freely available anyway, it was a waste of resources to maintain a facility for the preservation of hundreds of thousands of documents that were going unused and were, in fact, unneeded. Diane’s position was that the president of the university could perform a certain act upon himself that, prior to her discovery that time travel really existed, she would have thought could only be accomplished via bodily mutilation or the most extreme contortionists.

Diane had been arrested for attempting to smuggle books out of the holding facility where they awaited destruction. Although the University expelled her immediately, the President declined to press charges against her – she was already a joke at that point. Her name had become a punchline for television comedians, schools were using her as an example of what happens to a person who is unable to adapt, and she became the unwilling star of an online video series that cast her, among other things, as the world’s last horse-drawn carriage driver, a zeppelin pilot, and (in period medieval grunge) a shoveler of human feces attempting to clear the streets of filth that was flowing underneath her in the sewer. Once the videos hit twelve million hits just two days after being uploaded, she knew it was over for her.

As she had learned later, the moment when “it was over” was in fact the moment that Lyla and Kirby plucked most of the Tempus Fugitives.

Here, on the Kronos, she’d never been happier. A lot of the research and detective work their task called for involved the “liberation” of old books and documents that hadn’t survived into Kirby’s day, so Diane had the thrilling task of sifting through mountains of real, honest-to-god paper. She was digitizing it for easy searching and access, which was all well and good, but she loved the heft, the feel of paper, the smell of these old documents, and the character that came to a page that simply was never captured by an e-reader. One of the old diaries she was going through, for example, kept by a soldier in the first World War, had several pencil notations that had been erased. A little tinkering in a photo manipulation program darkened the writing and revealed this soldier in particular – an Englishman — had fathered an illegitimate child with a French woman, information he erased from the diary for fear of his wife back home finding it after he died. With this information, she was able to trace the man’s genealogy to the current president of France – or at least, the woman who was the French president in the year Diane was removed from linear time. All of history was an enormous puzzle, and the books that the idiots at Oxford would have destroyed were the picture on the box, helping them figure out how it all went together.

Connecting the dots on this sort of thing was really just a hobby for her, of course. When she had these sorts of historical documents at her disposal, she would delve into them as deeply as possible, but when she had a specific assignment, that’s where all of her attention had to go first. And that’s how Kirby and Lyla wound up deciding to place the Ex-Doctor Phillip Kensington on their payroll.

She shared her document lab with Alicia Harris, a refugee from Bristol, England, 1988. Alicia was a theoretical biologist with some interesting ideas that got her in trouble with the medical establishment of the time, so Diane wasn’t surprised when she showed a great interest in Phillip’s case.

“So is it true, dear? Is Kensington really what they’re saying he is?”

“I don’t know, what are they saying about him?”

“That he’s some sort of crazy Frankenstein type. That he can stitch together the dead and make a monster.”

Diane shook her head. “No, that’s not it. Well… not exactly.”

She was actually pretty proud of Phillip, he was one of her finds. When she went through old books, newspapers, magazines, and diaries, she would often find little nuggets of information that she thought were interesting, but incomplete. When she came across something like that, she would tag it for future examination. Such was the case when she came across a court report from Philadelphia in 1826, reporting on a Dr. Phillip Kensington who was denied the right to practice medicine and imprisoned for “high crimes against the laws of man and God.” The lack of specificity about his crimes was what made Diane so interested – there were a few veiled allusions to grave robbing and the performance of some unusual experiments being done with the corpses. There were also reports from the same area at the same time period that caught her attention – several mysterious murders that were attributed to “ghoulish creatures,” then quickly ceased at about the same time that Phillip was arrested. She’d meant to get back and dig further into this situation for a very long time, but she never had the excuse until Lyla approached her with their current client and her highly unusual request.

“Phillip Kensington believed that he could reanimate tissue after death,” she said. “He developed an electrochemical process that could start a heart beating again and restore some functionality to the human brain. The problem was that he couldn’t reactivate brain cells that had already died, and since brain death begins six minutes after a person stops breathing, most of his experiments couldn’t move or talk or think or do anything but lie there in misery.”

“Sounds lovely.”

“I’m sure it was. So he started some different experiments, started looking for ways to get a corpse moving again Again, he had limited success. He managed to restore some muscle control and functionality to brain cells that had been dead for some time. The problem was that the higher-order stuff was gone. It was like turning off a computer without saving the work you’ve been doing – all of the functionality will be there when you turn it back on, but none of the data you’ve input will remain. Every time he reanimated somebody, they were a slightly decomposed body that walked around with no consciousness.”

“Zombies?”

“Well, they never tried to eat anybody as far as I could find, and their condition wasn’t contagious. But they certainly scared the hell out of a lot of people and there were a few deaths before they finally caught Phillip.”

“How did they catch him?”

“Ah, that’s the fun part. Eventually, he decided to test his process on a body that had been dead for such a brief period of time that the brain hadn’t suffered permanent damage yet.”

“That actually doesn’t sound like a bad idea. If he could jumpstart somebody who only just died, he could probably save a lot of people.”

“Yeah, sounds great. The trouble is, how do you get to be there when a body has only been dead for a few minutes? They were looking for whoever was creating the ‘ghouls’ at that point, and his equipment was apparently pretty elaborate. He couldn’t just wander into the hospital and hit somebody with defib paddles when they went down.”

“I suppose not. So… what was his solution?”

Diane smiled. “Guess.”

Alicia thought for a moment, then her jaw dropped. “You don’t mean…”

“He led the guy right into his lab and stabbed him in the stomach.”

“In the stomach? Isn’t that supposed to be a pretty horrible way to die?”

“Yeah, but he couldn’t shoot him in the head. He needed the brain intact, remember? Anyway, as soon as the victim died – which apparently took some time – he used the process on him.”

“Did it work?”

“The dead victim was the primary witness for the prosecution at his trial. It didn’t occur to Phillip that the person he decided to test this process on might hold a grudge.”

Alicia laughed. “It sounds like an old scary movie.”

“I’ve watched a lot of those – it’s better than most old scary movies.”

“How’d you find all of this?”

“After I got the chance to research his case, I got Lyla to locate and steal some of the sealed court documents, and then finally managed to find a copy of Phillip’s journal and some private letters sent by people involved with the case. When you can jump anywhere in time, taking something is easy once you manage to find it.”

“Sounds good.”

“Unfortunately, we couldn’t just look into the process itself. A lot of the court documents survived, but the diary wasn’t specific about how he managed to reanimate the dead. I looked through every scrap of paper we could find connected to him, but there’s nothing we could locate that could tell us how he woke up the man he stabbed. So finally, Kirby said, ‘Hell with it, just take the guy’. We waited until the last recorded instance of a visitor to his cell – a reporter, it seemed – and then plucked him a few days after that. He was so muddled I don’t think he even remembered the reporter, really. They left him in that hole for six years. It was pretty terrible.”

“Well, to be fair, the reason they threw him in there wasn’t all gumdrops and lollipops, was it?”

“I guess not. Still… short-sighted people. Pet peeve of mine.”

*   *   *

They gave Phillip the rest of the day to acclimate himself to life on the Kronos. He was a little worried that they were wasting time, that whatever task he’d been summoned for was too important to waste his precious hours in what, to him, was incredible luxury, but Lyla brushed off his concerns.

“You’ve got to remember, Phil, we’ve got a time machine. You can have as long as you want to get yourself ready.

He nodded, trying to understand, still not completely grasping the nature of his new life. The idea of moving forward in time, he could conceive. Ways of removing yourself temporarily from time’s flow, suspending your aging and vital functions and restarting them when the moment was right… these were all things he had considered in his old life. At times, he even considered using an adapted form of his process for just such a thing. But moving backwards… he simply didn’t understand the physics behind it. Perhaps later he’d try to study the phenomenon, but for now, he was too busy trying to make himself into a human again.

In addition to the truly magnificent shower facility Lyla had provided him with, the Kronos also sported its own barber shop and salon, where a smiling girl named Erica trimmed his hair, shaved his beard, and clipped and filed both his finger and toenails to normal lengths. He was a bit self-conscious about taking off his shoes, considering the condition of his feet, but Erica laughed at the notion.

“Dr. K, Lyla and Kirby have picked up guys in much worse shape than you. Trust me, you’ve got no problems down there I haven’t seen before.”

By the time she was finished, Phillip had to admit, he felt remarkably better… more like his old self again. Even those names that had swirled around his head were coagulating into something solid. He remembered now who Diana was, and Chester… Eden and Clarke (and it was Clarke, with the “e,” he was certain now). He couldn’t quite remember all of their faces just now, but then, he didn’t really have much need for that, did he?

Phillip relaxed for a few more hours, using a pad similar to Lyla’s to study various historical documents and “videos” to begin educating himself on the world he’d missed out on over the last few centuries, and took in a magnificent luncheon in which Kirby introduced him to something called a “Hot Dog,” but finally he knew it was time to begin the work he was really here to perform.

It was time to examine the body.

Kirby led him to a corridor far away from any of the placed he’d visited before. It made sense, he supposed. If a ship of this nature had a morgue they would no doubt want to keep it separated from the rest of the vessel and the people who lived there. The room was relatively small, and dazzlingly lit not only from traditional ceiling fixtures, but also from many of the seams along the floor. There was a large table in the center of the room and it, too, was luminescent, but not glaring. He could look down at the glowing surface without hurting his eyes, and the result virtually eliminated shadow around the body. It was a marvelous construction, and he could only imagine what other little technological advances existed now that would make his task so much easier than it had been in his own time.

The body lying on the table was a man of about 50 years of age. His skin was pale, but not as gray or pallid as he was used to seeing in corpses. It was impossible, he knew, but it looked as if he had been dead for mere moments. He was a relatively tall gentleman, six feet, maybe two or three inches more, and had broad shoulders and a barrel chest. He wore a gown made out of a thin, blue fabric that didn’t look particularly strong or protective, but perhaps it was another of those technological advances that Phillip would have to grow accustomed to.

The cause of the man’s death would be no mystery even for the freshest medical student. There was a hole in the center of the man’s neck, about the size of a quarter-dollar, with broken, ragged flesh all about it and thick red stains of blood beneath, flowing down onto his chest. He couldn’t see the exit wound without lifting the victim’s head, but judging from the amount of light that was coming up from the table beneath him and shining through his neck, Phillip felt safe in assuming it was of prodigious size.

“This was Timothy Lanning,” Kirby said. “He was the head of the Appalachian Trail Mining Company. Don’t let the name fool you, they were involved in mining projects all over the world, on the Lunar surface, and in the asteroid belt between Mars and Jupiter. By the year 2204 it’s one of the richest companies in the world, and he was one of the richest men in the world, right up until somebody turned up at his annual shareholders meeting and created that little hole you see in his neck.”

“It looks brutal.”

“It was. The guy who shot him decided to go old-school and use a firearm instead of a laser or particle weapon. Didn’t stop him from using a laser targeting system, though – nobody could have been that accurate from 150 yards away without it.”

“I’m going to pretend I know what all of those words mean and assume the practical explanation is somebody shot him from very far away.”

“Close enough. Anyway, his wife contacted us about a month after his death and asked to secure our services. She wanted us to save his life. I told her we couldn’t do that, because it had already happened in an extremely public forum. Thousands of people saw him die live via webcast. Billions saw the replay later. You can’t pluck a moment like that out of the timestream. So she asked us if we could bring his body back to life after he was killed instead. And I was about to say we couldn’t, but…”

“You thought of me?”

“You? Naw, Phil, I didn’t even know who you were at that point. I was going to say we couldn’t, but then she offered us even more money.” He shrugged. “I figured it was worth looking into.”

“Well, I hate to disappoint you, Kirby, but I don’t know that my procedure would be of any service to you. I don’t know what Diane told you about my techniques, but every time I tried to use them on anybody but the most recently deceased, I was left with a truly mindless creature. I can reanimate muscle tissue, but I’ve been unable to restore life to a deceased brain.”

“I know, Doc. That’s the lovely thing about the Kronos. We can get you to your patient right when he needs you. Our friend Mr. Lanning here was taken from the timestream exactly two minutes after he stopped breathing.”

“Regardless of when you took him, Kirby, it’s been too long.”

Kirby shook his head. “Oh, Doc, you’ve got so much to learn.” He picked up a small metal rod from a tray of instruments and held it over the cold form of Timothy Lanning. “Watch this.”

He tapped Lanning’s forehead, but the rod never made contact with the victim’s lifeless flesh. Instead, there was a cold shimmer of blue light that spread out in ripples down his entire body. The light moved like water, the ripples rebounding and reflecting back when they reached the table and eventually calming down again, with his feet being the last things to stabilize. “It’s a lovely effect,” Phillip said, “But I’m afraid it doesn’t tell me why my technique will work on a man who has been dead this long.”

“Because it hasn’t actually been that long, Doc, not for him. We took you out of your cell on April 19 at 2:56 a.m. and 19 seconds. But we took about two days of our objective time to narrow down the right time to take you – it was after the last time anybody would see you live, and late enough that any commotion you happened to make while we were getting you out of Dodge wouldn’t go noticed by the guards. We found you at 2:56 and 19 seconds, and then we spent about 90 minutes scanning the timestream on either side of you and then we took you from 2:56 and 19 seconds.”

“So your existence – or rather, our existence outside of time allows us to return to items at the moment we desire, regardless of how much time has passed for us subjectively?”

“Exactly, Doc. It looks like Tim Lanning is lying here on our table, but that’s because we’ve draped him in a Chronal Shroud. We did so exactly one minute and 56 seconds after he ceased respiration and the threat of brain death became imminent. What you’re seeing here is the projection of the man inside of that shroud. He’s going to remain at that point, at one minute 56 seconds, for as long as we want him to. Then, when we’re ready, we’ll remove him from the shroud, bring him here to the lab, and let you work your magic.”

“Remarkable,” Phillip said. “You could save so many lives with this sort of invention, Kirby. While I respect your profiteering, I haven’t been above indulging in a little of it myself, have you ever considered using this for more benevolent purposes?”

“Have you been talking to Lyla about this?”

“No, I haven’t.”

“Funny. You sound just like her. We do some pro bono work, Phil, not everything we do is for a profit, but that takes some pretty extreme circumstances. Like I told you before, the timestream is very happy the way it is. If we try to change it, it starts to get pissed off. So it’s only in really specific circumstances that we can even attempt to save somebody we know is supposed to die. It’s the reason we can only take operatives for the Kronos that have finished their functional imprint on the timestream. Have you ever heard of the Butterfly Effect?”

“The theory that a butterfly flapping its wings in the eastern hemisphere may cause a hurricane in the western hemisphere six months later?”

“I was actually talking about the Ray Bradbury story, but I guess that’s before your time. The hurricane thing is close enough. Is it possible that a butterfly may cause such drastic changes? Let’s say for the sake of argument that it is. But is it likely that every butterfly will? I don’t know about all that.

“So the short version, we can only take those butterflies whose wings aren’t going to flap anymore. People who are about to die… or are going to rot away with no one else ever seeing them. Nothing personal there.”

“None taken, I certainly made the decision to let a man waste to death in a prison cell.”

“And we can’t restore them to their former place either. When Lanning’s wife hired us to bring him back I warned her straight up that I couldn’t just give him back to her, because I’ve been to her future and I know that history records his death as being irrevocable.”

“Then what is she hoping for?”

“Something clandestine, I suppose. She wants to go into hiding with him somewhere – maybe even some other time. Some place they can start over and not have to deal with all the crap that comes with running a huge company and having people wanting to kill you for the sin of making money. Actually, when I put it that way, I kind of want to go and smack that assassin around a little myself…”

Phillip nodded. “Well, I see then. It seems I’ve nothing left to do but get started. Where is my equipment?”

“Equipment?”

“Yes. The machinery I used. And my supplies… the chemical bath, the electrociter… oh, I suppose with your vast future technology you’ve come up with far superior machinery to what I created in my humble laboratory.”

“Yeah… Doc, about that… we don’t have any of your stuff.”

“You what?”

“Your machines, your chemicals. We don’t have any of that. We don’t even know what you need.”

“What? How is that possible? I thought you people knew everything!”

“Everything that’s been recorded. Doc, all we could find about how you brought somebody back from the great beyond was a tidbit telling us that you destroyed all of your notes.”

“Well, I did, once it became clear that my traitorous last experiment was going to turn me in to the authorities. I couldn’t take the chance of it being entered into evidence, for all the good it did me.”

“And your machinery?”

“I broke it down, but it wasn’t damaged. I hid it, secreted it amongst other articles in my lab.”

“Oh crap. Doc, that’s gonna be a problem.”

“Why? We have your marvelous ship, let’s just go back to the moment I broke it down and take it.”

“We can’t. Because we do know what happened to the stuff in your lab. It was all sold away at auction, to different owners all over the country.”

“Oh. I see.” Phillip shrugged his shoulders. “Well, fortunately we have all the time in the world, don’t we Kirby? We’re simply going to have to go out into your timestream and get it all back.”

31
Dec
11

Ending the year with a little experiment…

My New Year’s resolution for 2011 was one that I’ve made in the past, but this was the best I ever did — I swore I would write or edit every day. I didn’t specify quantity, just that it be some sort of fiction project, and I had to get it done prior to falling asleep. I only missed one day all year, a tragic event in the late summer, but I still think going 364-1 is a pretty damn good record.

For 2012, I’m going to expand my scope just a tad. I’m going to specify a quantity: 1,000 words a day (writing or editing — when I’m preparing a work for publication, the editing can be just as creative a process as the actual writing part). This may be harder to accomplish, but I’m going to give it a try. And I actually decided to kick it off a day early.

I usually have to have a plan when I sit down to write. I need to know what the story is, where I’m starting, where I’m going, and although I rarely know every signpost along the way I need to have a goal in mind. But today, I just opened up Microsoft Word to a new document and started typing. No plan, no idea, no preconceived goal of story. I just wanted to see what would come out and if it was something I could possibly do anything with.

I thought I’d share the result with you guys today. Obviously, it’s incomplete, it’s just a scene, really, but I’m surprisingly happy with it… and it’s generating a few ideas about who this guy is and where I could take him. It even brought back another character I met pretty recently that I didn’t necessarily expect to spend any more time with. As is often the case, I may have been wrong.

Maybe I should attempt this sort of experiment more often.

There was a light…

There was a light.

Phillip didn’t expect to see anything that morning – didn’t expect to see anything ever again, if he was going to be honest with himself, but from the dank, grungy bed of moss at the bottom of his cell, he looked up and saw an unmistakable, piercing blue light.

“Is that you?” he whispered. If you asked him later, he wouldn’t have been able to tell you who, exactly, he thought was looking for him, but for the six years of his imprisonment he had felt plainly certain that somebody, somewhere must have been at least curious as to what had become of him. Somewhere, in the back of his mind, there were still names – Diana, Chester, Clark (or was it Clarke?) and Eden. For some reason, those four names were clinging to his memory even now, even after virtually everything but this cold, wet hole was nothing but a faded remnant of a dream he was no longer certain was his own.

There was a light.

Not just light, he realized, but a warmth. The chill he’d grown so used to was fading from his skin, the ugly black sores on his arms were slowly irising away and fading, the long gashes in his chest… reaching up and touching his ears, he felt the holes in the lobes closing up, filling with flesh, becoming whole again.

He tried speaking again.

Who are you?” he whispered.

There was no answer, but the light continued and he began to bask in it. He stretched out his arms, allowing the healing blue glow to surround him. It seemed to flow down his body, warming his legs, turning the calluses on his feet back into skin, regrowing the missing and split toenails that oozed with pus and blood from years of clacking against the cobblestone floors. The aches in his joints faded, the elephant skin on his elbows and knees healed and smoothed. He would never be aware of it, but a series of tumors lining his colon at that moment dwindled away, the matter breaking off and joining the waste material awaiting simple evacuation.

As he felt warm again, whole again for the first time in years, he felt tears begin to prick the corners of his eyes. For several long moments, he didn’t know what he was feeling, didn’t understand what he was feeling. He hadn’t cried in a very long time, hadn’t felt anything but numb misery for a very long time, and when the moisture began to run down his cheek, he giggled. It tickled, somehow, and he didn’t know what the cause was. He thought it was the light.

If he was aware of the feeling of his feet leaving the stone floor, he didn’t react. The gnarled, yellowed extremities drifted upwards, leaving the stone two, six, twelve inches beneath him, as he rose higher and higher. He reached his hands out towards the light, and saw in the beam the shadow of his fingers. His nails were long, broken, splintered in some places. If he could see them in a normal light he would see long, black streaks on his fingers from the dried, gummed blood that flowed from the nails when he first attempted to claw his way from his prison. He didn’t remember how long ago that had been, nor how many times he had injured himself trying to escape to the freedom of a world he could no longer visualize. He couldn’t see the faces of his family in his mind, was only dimly aware of such things as “mothers” and “fathers,” “sons” and “daughters.” He knew Light, if only because of the marked absence of such a thing during his long confinement, but he could not imagine the sun in the sky baking a desert, or bringing clear warmth to a field, he could not conceive of a moon slicing through darkness and bringing a small piece of day into an endless night.

If he could, he may have compared this Light, his Light to a moon, although that would have been wholly inaccurate. It was much brighter, much clearer. It broke through the darkness into his face not like a distant orb shattering a ceiling of clouds, but more like a brilliant globe drifting towards him. He reached for it, grasped at it, didn’t know that it was still too far away to touch… but it was getting closer.

And it wasn’t moving.

He felt air moving past his face, a sensation he once would have thought of as “wind,” if he still had any conception of such things, and the light started to grow brighter, and closer. His cell fell away from beneath him, and a soft blue surrounded him. Another word he hadn’t thought of in some time came to his broken mind: “tunnel.” He felt like he was in a tunnel. No… like he was flying through a tunnel… flying towards his light.

The light grew closer, the blue grew brighter, and to his eyes so unaccustomed to light, it became too intense. He didn’t want to close them, didn’t want to shut himself off deliberately from the light that had been denied him for such a long time, but the pain became intense. He couldn’t look at the light any longer. He shut his eyes just as he was about to touch it.

The wind stopped.

Suddenly, the rushing sensation from all around his body was gone, the sensation of forward motion was gone, but he still drifted. He opened his eyes – forced them open, really – and found himself in a room. It was small, and rather dark, but with many more lights than his cell. There were sconces on the wall that shed a soft blue glow, similar in color to the Light that had rescued him, if much diluted in intensity. There were lights along the walls as well – lights of many colors, some of them round, some in the shapes of letters and diagrams.

And in the middle of the room was a woman, holding a tablet that gave off a light of its own, illuminating her face. She was tall, dark-skinned, and smiling with a sly grin that he liked immediately, even if he didn’t understand it.

“Hello, Phillip,” she said. “We’ve been looking for you for a very long time.”

To be continued?

23
Dec
11

Stowaway

We’re almost to Christmas, friends, and I haven’t forgotten those of you who don’t have e-Readers. This year’s (two!) stories will be available for you right here, beginning now with Stowaway. Come back tomorrow for Lucky Penny!

Stowaway

My wife was right. Gloria implored me to stay on land, to be with her and the children for Christmas, but when Therriot came to told me about the sightings of the strange lights in the Gulf, I knew I had to see them for myself. Gloria thinks I’m a fool, but she wasn’t there before, when Therriot and I journeyed to Alaska in January of 1825. She didn’t see the lights in the sky, the ones the locals called the “aurora borealis,” the ones that amazed me so. I’ve never seen their like before or since, and although they swear that such wonders can only be seen at the northern latitudes, I’ve never believed that. God in Heaven couldn’t have reserved such a sight for just one spot on the globe, and ever since then I’ve made it my very public desire to see them again. Only Therriot understood, he was there with me, and it was he who agreed with me that we should take the yacht out and seek the lights again. I tried to convince Gloria to come, tried to tell her that the view would be worth the journey, but she refused. She’s always had a queer attachment to Christmas, one that she tries to pass on to our sons and daughter, and was determined to keep it again this year.

“It’s just another day, Gloria.”

“Louis Baudreau! It’s the Nativity of our Lord, and you’ll keep it with your children.”

You keep it with the children,” I said. “Therriot and I are going to find something truly divine this year.”

Gloria was rather incensed by the (quite mild, in my opinion) blasphemy, which was just fine by me. The angrier she was, the less she would attempt to argue when I left. Therriot and I set out three days before Christmas Eve, 1827, stopping in New Orleans for supplies before going to the yacht in Grande Isle. We coasted across the Gulf for two days before he was seized with a desire to return home. Too cold, he said, too wet. The aurora wouldn’t appear in conditions like this. But I wasn’t ready. The night before I caught a glimpse of them, I was certain – a spark in the distance that I was ready to pursue. At that point, though, the sun was beginning to rise, and Therriot slept through the whole damn thing.

So I was alone that night when I saw the lights again.

It was near midnight when I glimpsed them, a brilliant blue flash against a night sky, cutting its own path across a field of stars and filtering in through a cover of clouds. I immediately cut in the direction of the lights – it was simple enough, they appeared beneath Sirius, and I’ve been navigating by the Dog Star since my father first took me out on his skiff as a boy. It wasn’t exactly the same view as I enjoyed in the North – those lights had more of a green tinge to them, while this was a blue that looked as cold as the Gulf air. Although we had not experienced any poor weather while Therriot and I were on the Gulf together, that was beginning to change tonight. The clouds surrounding the Aurora crackled with lightning, and there was rain in the air. Father taught me how to taste for it, and although I believed myself the equal to any danger nature might conjure in my path, I have heard far too many stories of fools who believed the same thing and paid for it with their lives. There was no true danger of a hurricane, not for months yet, but any winter storm could be deadly.

I looked up at the lights, my heart fluttering as I gazed up at a sight I feared I would never see again. They were glorious, magnificent, and I wished only that I could bring Gloria and the children here to see it with me. Even old Therriot would have been welcome, just to have somebody to share the sight with.

But with the wind accelerating and the first drops of rain upon my cheeks, I knew my association with the lights would only be in passing this evening. With the storm threatening, even I could see that the time to return to shore had arrived, and I placed my hands on the wheel to make the turn when the woman spoke. “I’d really rather you didn’t,” she said.

She must have been hiding below deck all night, but when she spoke up from behind me, it was as though she came from nowhere. She was probably in her twentieth year, perhaps a few Christmases more, but surely no more than 25, and for a woman of the slave race she was remarkably fit. Her body was lean, but appeared firm, her hair clean and pulled back behind the head. Her chin was narrow, and came to a point below her full lips and crystal eyes. Her clothes were unusual – leather boots polished to a shine like I have never seen before, denim trousers that clung to her legs and hips in a most unseemly fashion, and a blouse that was probably a deep red in color, although it was difficult to be certain in the moonlight. She wore a long coat, brown in color, but of a style and cut with which I was completely unfamiliar.

And although the model was as unfamiliar as her coat, there could be no mistaking the object she pointed at my chest – it was a firearm, to be certain.

“I know it looks like the weather’s about to get rough, sugar, but I’m gonna need you to keep your little boat in the same direction we’ve been going.”

“Who are you? What’s the meaning of this?”

“Nothing personal, honey. I just needed a ride and your boat was the only one goin’ out tonight. Don’t you have better things to be doing on Christmas Eve?”

The comment about Christmas was odd, but I was too enraged to think much of it. “You must be mad. They’ll stretch your neck for this.”

“They’d have to catch me first.”

“I happen to know some gentlemen quite gifted at taking in runaway slaves.”

She somehow appeared offended. “Slave? Do I look like a slave to you?”

“Well… yes.”

She mumbled under her breath, but I did catch the phrase, “Damn… ignorant…” before her voice trailed away. “Let me rephrase that. Considering that it’s my gun pointed at your face, do I still look like a slave?”

“All that in consideration, not as such.”

“Yeah, that’s what I thought. Don’t worry, I’ll be gone soon and you’ll be free to take yourself back to whatever Temple of Human Rights Violations you call home.”

The woman wasn’t making any sense, to be frank, but it was the first part of her statement that concerned me the most. “You’ll be gone? Where? We’re in the middle of the Gulf of Mexico! Unless…” Was someone coming for her? Pirates? Haitians?

“That’s right. I’ll just go away like a bad dream. And if you’re lucky, you’ll even get a show out of it.”

There was a sizzle in the air that I at first mistook for lightning, but it lingered far too long, nearly ten seconds. The light was pale blue, and seemed to extend from the North Star itself. The woman with the gun smiled, her eyes and gun both glittering in the light before it died. “That’s him,” she said. “He’s gonna find me soon.”

“Who’s going to find you? I swear, woman, if you’re bringing a pirate to my craft, you’ll not take me without a fight.”

“Pirate?” She laughed. “Ah, honey, even if I would do that to you, I wouldn’t do it on Christmas Eve.”

“Again, you ramble about Christmas. Are you from some Dutch settlement? I’m told they place greater stock in the holiday there.”

“What, are you saying you don’t know about Christmas?”

“Of course I know of Christmas. I simply don’t understand why a woman who stowed away on my ship and is holding me at the point of a gun is so concerned about it.”

“What’s the date?”

“December 24. I thought you knew that much.”

“No, the year.”

“The year?” Again, her madness startled me. What sort of person doesn’t know the year in which they currently live? A savage, perhaps, but for all her oddities this woman was certainly no savage. “It’s the year of our lord 1827.”

“Damn, pre-Dickens. No wonder.”

“Pre-what?”

“How ‘bout Washington Irving? You ever heard of him?”

“The writer? Why… yes, I have.”

“You ever read The History of New York?”

“I confess I have not.” Her line of questioning was inscrutable, but she held her weapon very steady, which made me far more inclined to answer her.

“Doesn’t matter. He’ll find me anyway.”

“Who?”

“Love of my life, sweetie. Come hell or high water, I’m gonna be with my man on Christmas. No pun intended.”

“So there is someone coming for you.”

“Yeah, he’s probably just looking in the wrong place. It’s our contingency plan, you see – if we get separated, we meet again on Christmas Day. But I went back further than I thought. Man, if he’s stopping in at every Christmas on his way back, people are gonna see lights at Christmas for years.”

“I haven’t the foggiest notion what you’re talking about, you understand.”

“It’s probably best you don’t.” She had a small smile, a sly smile, but not an unkind smile. She didn’t lower her weapon, but she professed that she meant me no harm, and something about her demeanor made me believe her, even if the winds were beginning to pick up and the seas beneath us began to grow harsh.

“This man of yours… he’s a good one? Worth all this?”

“You don’t stow away on a boat in the deep south in 1827 for a nobody. Especially when you know anybody who thinks you’re strange enough is just gonna call you a runaway slave.”

“And how would he feel about you taking my boat this way?”

“Oh, he’d be fine with it. I’m not keeping it, honey, I’m just delaying you a little while. It’s nothing personal, you were just the one who was here when I needed it. It’s actually kind of fun – he likes to see how clever I can be getting back to him whenever we get separated.”

The deck pitched underneath me and I grabbed ahold of the wheel, wrenching it with a sound that turned my stomach. “We need to turn back,” I said. “Can’t you feel it? The storm could capsize us.”

“And I’d be really sorry if that happened, baby, I swear it, but I have to take that chance.” As she said it, the star behind her head started to grow brighter, the glare more intense, and I knew I wasn’t looking at the Aurora after all. This light was different – still beautiful, but very different. Stronger, harder… and somehow more open. While the Aurora felt like a brilliant ribbon across this sky, looking up at that blue light streaming down upon us from the North Star was more like looking into a tunnel of some sort. I’d ridden on enough trains to know what it looked like when you’ve been cutting through the darkness of a mountain and the light on the other end appears. This was like that, but far more brilliant than any light I’d ever seen piercing the end of a tunnel.

“What are you?” I asked, no longer certain that I was speaking to a woman at all. She ignored the question, though, and instead continued her diatribe.

“I know you’ve never really been raised to celebrate Christmas much, right? Folks around here don’t celebrate the way they do where I’m from.”

“My… my wife,” I said. The light was dazzling, and I found myself answering her almost mechanically. “My wife… she wanted me to stay home… she celebrates…”

“Does she now? Well good for her. Little bit of advice, fella, and I’ll let you go. Next Christmas, when she asks you to stay home for the holidays, you just do it.”

Beneath us the boat shook again, harder this time, and I heard a splitting sound. Rain was falling, spattering my face, drenching right through my clothes. The weather had threatened all evening, but now it was turning in an instant, while the light grew brighter and brighter.

The woman stepped up to the front of the boat, gun still pointed at me. “Uh-oh,” she said. “You’re definitely gonna want to get that looked at, sweetie.”

“What?” She indicated behind me with the firearm, and when I turned I saw that my mast had actually split down the middle. Part of it was hanging now, dangling from ropes above the deck. I would be stranded after the storm ended, assuming I was still alive.

“You see? It’s so much better to be at home for Christmas,” she said.

“I’m going to die,” I whispered. “I’m going to die out here.”

“Aw, baby, don’t be like that. No reason to think things will turn out that badly. Don’t you know the other thing about Christmas?”

“What… what other thing?”

She smiled and looked up at the sky. The light from the star was brighter than ever, and I realized it wasn’t actually coming from the sky itself. The light, whatever was casting the light, was beneath the clouds… and moving towards us.

“Christmas,” she said, “is when all kinds of miracles get to happen,” she said.

She stepped backwards then, falling over the side of the boat, but she never touched the cold whitecaps beneath her. The blue light turned, bathing her, and she vanished before my eyes. As she disappeared, I heard her laughter echo through my ears, fade, and vanish.

“Where are you?” I screamed. “Where did you go? What’s happening?”

Fearing I was going mad, I rushed to the wheel and turned it hard, trying to steer myself back in the direction of the land, but the wheel itself came off in my hands. The crack in the mast now extended all the way to the deck, and I saw a dozen other breaks and splits as well. The boat was shaking, and I could feel it beginning to spin in the water.

I was going to capsize.

I rushed to the port side of the ship, the side that was being raised as the ship turned, and tried to climb over, but I wasn’t fast enough. As the deck beneath my feet assumed a vertical position, I grabbed on to the rail and dangled in the air, my feet over the water, my hands slipping.

The blue light was still there, falling around me, just as intense as before. I looked up at it, screaming, as my hands lost their grip on the wooden rail, and I fell towards the water. It rushed up towards me, and I howled louder than I’ve ever howled in my life—

And then it was gone.

The pale blue light flashed even brighter, dazzling me, and during my temporary blindness I fell upon a floor. Had the ship turned back over? And why wasn’t it raining anymore?

My eyes cleared and I looked around me. I was in a dark room, a single blue light shining down upon me, preventing me from seeing many details of my surroundings. But I could tell you with certainty that she was there, smiling, the firearm she’d carried on to my ship dangling from her hip.

“Hey, sugar,” she said. “You didn’t think I’d just strand you there after you were nice enough to give you a ride, did you?”

“What are you doing to me? Am… I am dead?”

“Dead? Aw, of course not. We’re just here to drop you off. Um… sorry about the boat, though.”

“Where am I?”

“You’re on our ship now.”

“Our?”

She looked over her shoulder, where I saw a tall, friendly looking man. He had reddish hair, and a thick beard, and wore clothes similar to hers, although his shirt was green and coat black. “I can send him wherever you want him to go, Lyla.”

“Perfect.” She looked back at me. “Where’s your home, man?”

“My home?”

“That wife you mentioned before, the one who wanted you home tonight. Where is she?”

Still stunned, I mumbled my address, and Lyla looked back at the man again. He was looking down into what looked like a flat, square pallet of some sort, but it seemed to be emanating light on his side, casting his face in an unnatural glow. He touched the pallet a few times. “I’ve got it, Lyla. Controls are set.”

“Thanks, Kirby,” she said. She smiled at me again. “See why I love him? All he needs is an address and he’ll have you home lickety-split.”

“Home?”

“Home,” she said.

“Goodbye, Louis,” Kirby said I looked up at him, confused again… when had I told either of them my name?

“And Merry Christmas,” Lyla added.

The light flashed again and I was back in the rain. I stumbled forward this time, feeling the wet slosh of grass under my hands. When my eyes cleared, I looked up at my own house, glowing softly from a single lantern within. I stood up, wiping the water from my eyes, and stepped inside.

After she finished castigating me for trailing rain on the floor, Gloria was thrilled.

 

Therriot returned two days later to tell Gloria that I’d been lost at sea. His shock upon seeing me step out of the kitchen nearly killed the poor fellow, and I had to apologize profusely. If I had known he was there to report on my death, I told him, I would have tried to be more accommodating.

When my boat had failed to come in on Christmas Eve, I was reported missing and Therriot led a brief search for me on Christmas Day. At the same time I was sitting down for Christmas Mass with Gloria and the children, Therriot was finding my boat, overturned, drifting in the water. Everyone assumed I was dead, and Therriot began to busy himself with the horrible task of explaining what happened to me to my wife.

“I don’t understand,” he said. “If you were coming home, why didn’t you just say so?”

I had no answer for him. I blurbled some nonsense about it being a hasty decision and apologized for not informing him. I allowed him to think the boat had been stolen that night, and that the thief must have been the one who went down with it. And the matter was dropped.

But the next year, on Christmas Eve, Gloria began to pester me again about Christmas. I tried to ignore her… I tried to ignore it, and I may have succeeded if Therriot hadn’t arrived just after the sun began to dip in the sky.

“The Aurora, Louis, it’s back,” he told me. “People are reporting seeing the lights in the Gulf again. We must go.”

I thought about joining him, even after all that, but I remembered what the woman Lyla said, about how the lights were her man Kirby looking for her… even now, after he found her. It didn’t make sense, not really. But something about her tone…

“No, Therriot.”

“No?”

“No, sir. Go if you will. But it’s Christmas. I have other things to do.”

* * *

There you have it, friends, I hope you enjoyed this little story. Don’t forget, Stowaway and Lucky Penny are both available in a free eBook download from Smashwords.com! And to read the first nine years of Christmas stories from this little tradition of mine, they’re all available in the eBook A Long November,  now available in the Amazon.com Kindle Store, the Barnes & Noble Nook Store, on your iPad bookstore, or for every other eBook format at Smashwords.com

And the two more recent stories, written since A Long November was released, are both still available online for free:

 

14
Nov
11

With Thanksgiving approaching…

With Thanksgiving coming up next week, I know how busy everyone can get. How you can be flat-out swamped. And how those of you who are on the lookout for content for your blogs and review websites may have trouble picking out things that are holiday-appropriate to fill up some column inches.

My friends. I’m here to help.

Although this year has been the time when I really began to try to make a serious push with my eBooks, it’s not the year I started. A couple of years ago I put out my first eBook, a collection of nine Christmas-themed short stories that I wrote over the years as a sort of “Christmas Card” to my friends and relations. A Long November and Other Tales of Christmas is available now, for the low, low eBook price of $2.99, for all eBook formats. But that’s for everyone else. Have you got a blog? A podcast? A review website? Do you read and review books frequently? Do you write about e-publishing? Are you just a fan of Christmas stories and want to tell your friends about them?

Here’s your chance, my friends! If you’re interested in reviewing A Long November on your website, drop me a line at BlakeMPetit@gmail.com and let me know what website you represent and what eBook format you prefer, and I’ll send it to ya. MOBI, EPUB, PDF, whatever you want, I got it, and all you have to do is let me know you want it.

And what the hey… why should I restrict this offer to my Christmas book just because Christmas is approaching? So if you’d like to review any of my other eBooks — Other People’s Heroes, The Beginner, or The Restless Dead of Siegel City – the same offer applies. All you’ve got to do is e-mail me and tell me what format you want.

You can do it, friends. You can help spread a little Christmas cheer to the big, wide Internet. And, y’know, help me gather a little present-buyin’ cash in the process. Join in and spread a little Feliz to everybody’s Navidad.

 

08
Nov
11

Something to talk about…

I find myself in something of a blogging quandary. At the moment, I don’t really have much to talk about. That doesn’t mean nothing is going on, it’s just that the stuff that’s happening doesn’t exactly require a day-to-day update. With Story Structure done (for the time being), November is turning out to be pretty quiet for me on the pop culture front. I am writing, in fact I’m probably further along with this year’s National Novel Writing Month project than I’ve ever been before a week into November. But I’ve got nothing to say about that except, “I wrote a few more thousand words today. Coming along well.” Let’s face it, that’s not satisfying for either of us.

Could I write about the preponderance of Christmas decorations, commercials, and special episodes of Wheel of Fortune that are already being thrust upon the American citizen, even though it’s a whopping three weeks before Thanksgiving. But honestly, the only thing more ubiquitous than Christmas decorations at this early stage of the season is people complaining about Christmas decorations at this early stage of the season. I don’t want to be just another voice in the crowd here.

I suppose I could remind you that I’ve got two novels, one short story and one anthology for sale as e-Books on all devices, and that the novels are also both available in print, and that you can find the links to these reminders over on the righthand column of this very webpage, but I’ve said that sort of thing a lot lately. I could also humbly request that those of you who have partaken of my writing in any way could be of enormous assistance to me if you would be so good as to write reviews of the books on any of those websites where you purchased them, that doing so helps to raise the profile of the books when people are browsing sites like Amazon.com, and that could be very good for me. I could even mention that Blake M. Petit the Writer now as a Facebook Page devoted to his projects, and that’s where you could go to find previews, images of characters from the OPH universe who haven’t turned up yet, and chat with me and other fans of Siegel City. I could tell you that. But isn’t that kind of pedantic of me?

So sorry, friends. Guess there’ll be no blog post tonight.




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