Posts Tagged ‘Freaks

01
Oct
12

Mutants, Monsters and Madmen-NOW AVAILABLE!

Last year, you guys may remember that I spent the entire month of October watching and talking about assorted scary movies, chronologically tracing the evolution of horror films from the 1920s up until the present day. I really enjoyed that little project and I think a lot of you did too. And now, as Halloween approaches again, I’m ready to launch the next stage of that project, my new eBook Reel to Reel: Mutants, Monsters and Madmen.

This eBook collects the 35 essays I wrote last year, plus five brand-new ones written just for this collection. Over the course of this book, I look at how the things that scare us have grown and evolved over the last century, dishing on some of the greatest, most influential and most memorable scary movies ever made. This eBook, available now for a mere $2.99, is hopefully going to be the first in a series, in which I’ll tackle different cinematic topics the same way.

If you read the essays last year, check this one out and enjoy the new ones. If you haven’t read any of them, dive in now for the first time. And tell all of your horror movie-loving friends about it as well! After all, the reason I decided to write this book in the first place is because I wanted to read a book like this one, but I just couldn’t find one. The market is out there, friends. Help us find each other.

(And lest I forget, thanks to Heather Petit Keller for the cover design!)

You can get the book now in the following online stores:

Amazon.com (for your Kindle or Kindle app)
Smashwords.com (for every other eBook reader)

And in case you’re wondering, the movies covered in this book include:

*The Golem (1920)
*Nosferatu (1922)
*The Phantom of the Opera (1925)
*Dracula (1931)
*Frankenstein (1931)
*The Mummy (1932)
*Freaks (1932)
*Cat People (1942)
*The Fly (1958)
*Peeping Tom (1960)
*Psycho (1960)
*Edgar Allen Poe’s Tales of Terror (1962-New in this edition!)
*Whatever Happened to Baby Jane? (1962)
*The Haunting (1963)
*The Birds (1963-New in this edition!)
*Wait Until Dark (1967)
*Night of the Living Dead (1968)
*Last House on the Left (1972)
*The Exorcist (1973)
*The Texas Chainsaw Massacre (1974)
*Jaws (1975)
*Carrie (1976)
*Suspiria (1977)
*Halloween (1978)
*Alien (1979)
*The Shining (1980)
*Friday the 13th (1980)
*The Evil Dead (1981)
*Poltergeist (1982)
*The Thing (1982)
*A Nightmare on Elm Street (1984)
*Return of the Living Dead (1985)
*Hellraiser (1987-New to this edition!)
*Child’s Play (1988-New to this edition!)
*Misery (1990)
*Scream (1996)
*Ringu (1998)
*The Blair Witch Project (1999)
*Saw (2004)
*The Cabin in the Woods (2012-New to this edition!)

03
Oct
11

Story Structure Day 7: Freaks (1932)

Director: Tod Browning
Writer: Willis Goldbeck & Leon Gordon, suggested by the story “Spurs” by Tod Robbins
Cast: Wallace Ford, Leila Hyams, Olga Baclanova, Roscoe Ates, Henry Victor, Harry Earles, Daisy Earles, Rose Dione, Daisy Hilton, Violet Hilton

Plot: Filmed with circus performers rather than professional actors, this film smacks of classic Greek tragedy. A circus midget named Hans (Harry Earles) falls in love with a beautiful trapeze artist named Cleopatra (Olga Baclanova). The other circus performers discover she only wishes to marry him for an inheritance that’s waiting for him, and decide to seek retribution for their friend in a horrific fashion.

Thoughts: This is one of those films whose name I’ve always heard whispered, but didn’t really know much about. For that matter, I don’t know that I’ve ever talked to anyone who’s actually seen it. But the fact that everyone seems to know about it definitely suggests that it’s worth delving into for this little project of mine. As it turns out, it’s one of those movies responsible for stuff that’s become so pervasive that people don’t even know the origins of it anymore. (Check out the initiation scene – suddenly you’ll start to get pop culture references you never understood before.)

The structure of the film is fantastic, beginning with a carnival barker leading a crowd of onlookers to some horrifying (but yet unseen) exhibit, then cutting away to the main story. Hans is already engaged to another performer, Frieda (Daisy Earles), and initially denies that he is infatuated with the lovely Cleopatra. Cleo is already involved with the circus strongman, Hercules (Henry Victor), and with him hatches the scheme to bilk Hans out of his money.

This is one of those films that’s particularly difficult to judge, thanks to the prism of modern experience. My own gut reaction is surprise at how the story is pieced together. Although the characters, the titular “freaks,” aren’t necessarily brilliant actors, I’m intrigued at how human their depiction is. Although there are a few things played for laughs (a stutter, for example) that would seem cruel today, many of the freaks are shown displaying very normal emotion and desires, which I find surprising in a film made in 1932. I’m not sure that’s really fair of me, though. I don’t know exactly what the expected reaction would have been at the time. Certainly, we tend to think of a period nearly 80 years ago as being a less permissive, less inclusive time period, but is that the same thing as saying that a 1932 audience would have expected a group of circus sideshow performers to be less than human? Just because they were alive in the 30s? Seems rather intolerant of me, doesn’t it?

One thing that’s undeniable is that director Tod Browning – who also directed Dracula and several silent films starring Lon Chaney – places his allegiances firmly with the freaks. The members of the circus sideshow have a code of conduct and honor, particularly when it comes to how “normal” people interact with their clan of outsiders. Those “normal” people – Cleopatra and Hercules in particular – are the real monsters of the film. The horror doesn’t originate with the abnormal in this movie, but from the way ordinary people choose to treat those they view as less than human. The freaks do wind up doing some pretty nasty things, but in retaliation. Cleopatra attempts to slowly poison Hans, but with the help of his friends he grows wise to her scheme and, together, they find a grotesque retribution. Overkill, perhaps, but it’s hard to feel bad for their victim, whose own actions were just as damning emotionally as any physical torment she was put through.

The final scenes, admittedly, are hard to watch. One of the few sympathetic “normals” – a circus clown – is shoved against a burning stove by Hercules as he tries to defend Hans. Of course, what happens to ol’ Herc makes any injuries the clown gets seem almost bearable by comparison. As for Cleopatra herself, we see her flee just before we go back to the barker from the beginning of the film and see the end result of Cleopatra’s greed, a poetic justice imposed by the freaks.

Browning, from what I’ve learned, actually grew up working in a circus, so it’s quite possible that the things he saw and experienced at the time influenced this film greatly. Sadly, it seems the film influenced his career in a negative way. Audiences at the time were so horrified by it that his booming career fizzled, and he only directed four more films in his life, two of them uncredited – having directed sixty-seven previously. (And I doubt it was a question of just easing into retirement – he lived until 1962, 23 years after his final film, Miracles For Sale.) Were people that horrified? Did they find the film that threatening? One woman even sued Browning, claiming the film shocked her into having a miscarriage… not because of the human horror of the things Cleopatra did, but because of the shock of seeing the freaks in action. The film was actually changed several times, toning down some of the final scenes, cutting out nearly 30 minutes of footage (the final film’s running time is a brisk and all-too-brief 62 minutes) and grafting a happier ending that very, very much feels tacked-on. Had they left things with Cleopatra’s fate, it would have been a gut-wrenching final image that would linger with you. Instead, they drift back to Hans and Frieda one last time, evidently attempting to give the audiences some sort of good vibe to go out on. But this isn’t a movie that really suits a “good vibe.” It’s about horrible people and the horrible things they do, and leaving it on an up note weakens it.

Should you happen to get your hands on the DVD, make sure to watch the alternate endings. It’s more powerful, and considerably creepier.

We’re leaving the 1930s behind now, leaping forward in time. Join me tomorrow as we travel to 1942, and the horror classic The Cat People.

Blake M. Petit is the author of the superhero comedy novel, Other People’s Heroes, the suspense novel The Beginner and the Christmas-themed eBook A Long November. He’s also the co-host, with whoever the hell is available that week, of the 2 in 1 Showcase Podcast. E-mail him at BlakeMPetit@gmail.com.

03
Feb
11

What I’m Watching in 2011

Okay, we’re over a month into the year, it’s time for me to begin my running tally of movies I’ve watched in 2011. Those of you who see this list when it’s first posted will notice a definite trend towards 2010 films. If you’ve read this post, that makes a lot more sense. At any rate, this is where I’m keeping my annual running tally of the movies I see this year, and my quick rating of them. And if I review a movie at any of the many websites where I turn out such content, I’ll throw up a link.

What I’m Watching in 2011

  1. How to Train Your Dragon (2010), B+
  2. Infestation (2009), B+
  3. Hot Tub Time Machine (2010), A
  4. True Grit (2010), A+
  5. Shutter Island (2010), B-
  6. Robin Hood (2010), C
  7. Easy A (2010), A-
  8. Splice (2009), D-
  9. Dinner For Schmucks (2010), B-
  10. Buried (2010), B+
  11. The Social Network (2010), A
  12. Repo Men (2010), C
  13. Logan’s Run (1976), B
  14. Exam (2008), A
  15. The Town (2010), A
  16. Legend of the Guardians: The Owls of Ga’Hoole (2010), B
  17. Fame (2009), B-
  18. Back to the Future (1985), A+
  19. Superman (1978), A+
  20. Cop Out (2010), D
  21. The Sorcerer’s Apprentice (2010), C
  22. All-Star Superman (2011), A
  23. The Crucible (1996), A
  24. Unknown (2011), C+
  25. Legion (2010), C-
  26. The Book of Eli (2010), C+
  27. Mulholland Drive (2001), B
  28. A Bug’s Life (1998), B
  29. Battle: Los Angeles (2011), B
  30. RED (2010), B+
  31. Frozen (2010), B
  32. Happiness is a Warm Blanket, Charlie Brown (2011), B+
  33. A Beautiful Mind (2002), A
  34. Machete (2010), D
  35. Monsters (2010), C
  36. Let Me In (2010), B
  37. Limitless (2011), B+
  38. Devil (2010), C+
  39. 30 Days of Night: Dark Days (2010), C-
  40. Scream (1996), A
  41. Scream 2 (1997), B
  42. Scream 3 (2000), B-
  43. To Kill a Mockingbird (1962), A+
  44. Love and Other Drugs (2010), B+
  45. Moon (2009), A
  46. Fight Club (1999), B
  47. Megamind (2010), B
  48. Scream 4 (2011), B+
  49. The Experiment (2010), B
  50. It’s Kind of a Funny Story (2010), A-
  51. The King’s Speech (2010), A
  52. Lottery Ticket (2010), C
  53. Mary Poppins (1964), A
  54. Ghostbusters 2 (1989), B+
  55. Wall•E (2008), A
  56. The Other Guys (2010), D
  57. Akira (1988), B
  58. The Boys: The Sherman Brothers Story (2009), A
  59. The Phantom Tollbooth (1970), A
  60. The Last Unicorn (1982), B+
  61. Chicken Little (2005), B
  62. The Fighter (2010), B
  63. Saw: The Final Chapter (2010), B-
  64. Memento (2000), A
  65. The Untouchables (1987), A
  66. Thor (2011), A
  67. Firebreather (2010), B-
  68. Bookwars (2000), B-
  69. Never Sleep Again: The Elm Street Legacy (2010), A
  70. Pirates of the Caribbean: On Stranger Tides (2011), C
  71. Not the Messiah (He’s a Very Naughty Boy) (2010), B+
  72. Die Hard (1988), A
  73. The Adventures of Huck Finn (1993), B+
  74. The Princess Bride (1987), A+
  75. Holes (2003), B+
  76. Monty Python and the Holy Grail (1975), B+
  77. Skyline (2010), D
  78. The Last Airbender (2010), C-
  79. The Last Starfighter (1984), A
  80. Duck Soup (1933), A+
  81. The Hangover Part II (2011), B
  82. Piranha (2010), C+
  83. UHF (1989), B
  84. Spaceballs (1987), B
  85. The Golem: How He Came Into the World (1920), B+
  86. Labyrinth (1986), A
  87. The Green Hornet (2011), D+
  88. Series 7: The Contenders (2001), B+
  89. 127 Hours (2010), B+
  90. Saludos Amigos (1942), B
  91. The Three Caballeros (1944), B+
  92. X-Men: First Class (2011), A-
  93. The Last Man on Earth (1964), B
  94. The Vampire’s Night Orgy (1973), F
  95. Chloe (2009), B
  96. Nosferatu (1922), A
  97. The Virginity Hit (2010), B
  98. The Color of Magic (2008), B
  99. Green Lantern: Emerald Knights (2011), B+
  100. Vanishing on 7th Street (2010), C+
  101. Green Lantern: First Flight (2009), A-
  102. Rubber (2010), C+
  103. Walt and El Grupo (2008), B
  104. Super 8 (2011), A
  105. Big Fish (2003), A+
  106. Black Death (2010), B
  107. Battle Royale (2001), B+
  108. The Faculty (1998), B-
  109. Green Lantern (2011), B-
  110. The Chronicles of Narnia: The Voyage of the Dawn Treader (2010), B-
  111. Synecdoche, New York (2008), C
  112. The Phantom of the Opera (1925), A
  113. Fright Night (1985), B
  114. Chitty Chitty Bang Bang (1968), A
  115. The Fugitive (1993), A
  116. Cars (2006), B+
  117. Cars 2 (2011), B+
  118. After.Life (2009), C
  119. Zapped! (1982), D
  120. James and the Giant Peach (1996), B
  121. Young Frankenstein (1974), A
  122. The Addams Family (1991), B+
  123. The Great Muppet Caper (1981), B
  124. A Fairly Odd Movie: Grow Up, Timmy Turner (2011), D
  125. Dracula (1931), B
  126. Death Note (2006), B
  127. Tales From the Script (2009), B+
  128. Unthinkable (2010), B+
  129. The Assassination of Jesse James By the Coward Robert Ford (2007), A-
  130. Harry Potter and the Sorcerer’s Stone (2001), B
  131. Harry Potter and the Chamber of Secrets (2002), B-
  132. Harry Potter and the Prisoner of Azkaban (2004), B+
  133. Harry Potter and the Goblet of Fire (2005), B+
  134. Harry Potter and the Order of the Phoenix (2008), B-
  135. Harry Potter and the Half-Blood Prince (2009), B+
  136. Harry Potter and the Deathly Hallows Part 1 (2010), A
  137. Harry Potter and the Deathly Hallows Part 2 (2011), A
  138. Frankenstein (1931), A
  139. The Mummy (1932), B
  140. Be Kind, Rewind (2008), B
  141. 25th Hour (2002), B
  142. The Incredibles (2004), A+
  143. Zodiac (2007), A
  144. Rec (2007), B+
  145. Captain America: The First Avenger (2011), A
  146. Miller’s Tale (2011), B+
  147. Freaks (1932), B
  148. Red Riding Hood (2011), D
  149. Battle Royale II (2003), C
  150. Cowboys and Aliens (2011), C+
  151. Ernest Goes to Camp (1987), B
  152. Ernest Goes to Jail (1990), C+
  153. The Beginning of the End (1957), F; MST3K Riff, B
  154. Manos: The Hands of Fate (1966), F; MST3K Riff, B+
  155. Phineas and Ferb: Across the 2nd Dimension (2011), A-
  156. Batman: Mask of the Phantasm (1993), A
  157. Cat People (1942), B
  158. Curse of the Cat People (1944), C-
  159. Sucker Punch (2011), D
  160. The Fly (1958), A
  161. Peeping Tom (1960), B
  162. Best Worst Movie (2009), A
  163. Troll 2 (1990), F
  164. Psycho (1960), A
  165. What Ever Happened to Baby Jane? (1962), A
  166. Quarantine 2: Terminal (2011), B
  167. Super (2010), B+
  168. The Haunting (1963), B
  169. Night of the Living Dead (1968), A
  170. The Last House on the Left (1972), C-
  171. Suicide Girls Must Die (2011), C-
  172. Wait Until Dark (1967), A
  173. The Exorcist (1973), A
  174. Gamera (1965), C; MST3K Riff, A
  175. Gamera Vs. Barugon (1966), D; MST3K Riff, B+
  176. Gamera Vs. Gaos (1967), D; MST3K Riff, B
  177. The Texas Chainsaw Massacre (1974), C+
  178. Jaws (1975), A
  179. Carrie (1976), B+
  180. Suspiria (1977), D+
  181. Gamera Vs. Guiron (1969), D; MST3K Riff, B+
  182. Contagion (2011), C+
  183. Halloween (1978), A
  184. Alien (1979), A
  185. The Shining (1980), C+
  186. Friday the 13th (1980), B
  187. The Evil Dead (1981), B+
  188. The Thing (1982), A
  189. Poltergeist (1982), B+
  190. A Nightmare on Elm Street (1984), B
  191. Return of the Living Dead (1985), C-
  192. Misery (1990), A
  193. Ringu (1998), B+
  194. The Blair Witch Project (1999), B
  195. Saw (2004), A
  196. The Adventures of Ichabod and Mr. Toad (1949), B+
  197. The Creeping Terror (1964), F; MST3K riff, B+
  198. Mad Monster Party (1967), B
  199. Zombiemania (2008), B
  200. Tower Heist (2011), B-
  201. Scream: The Inside Story (2011), B
  202. Still Screaming (2011), A
  203. Your Highness (2011), D
  204. Repo: The Genetic Opera (2008), B-
  205. The Cannonball Run (1981), B
  206. Batman: Year One (2011), A-
  207. Planes, Trains and Automobiles (1987), A-
  208. Up (2009), A+
  209. The Muppets (2011), A
  210. Good Luck Charlie: It’s Christmas (2011), B
  211. Santa Claus Conquers the Martians (1964), F; Cinematic Titanic Riff, B
  212. Christmas and A Christmas Carol (2009), D
  213. Santa and the Ice Cream Bunny (1972), F; RiffTrax, A
  214. The Great Gatsby (1974), A
  215. The Muppet Christmas Carol (1992), B+
  216. Tom and Huck (1995), Bl
  217. The Nightmare Before Christmas (1993), A
  218. Mickey’s Once Upon a Christmas (1999), B
  219. Joyeux Noel (Merry Christmas) (2005), A
  220. Scrooged (1988), A-
  221. The Magic Christmas Tree (1964), F; RiffTrax B+
  222. It’s a Very Merry Muppet Christmas Movie (2002), B
  223. The Lemon Drop Kid (1951), B
  224. Miracle on 34th Street (1947), A+
  225. It’s a Wonderful Life (1946), A+
  226. National Lampoon’s Christmas Vacation (1989), A
  227. A Christmas Story (1983), A
  228. Love, Actually (2002), A
  229. Source Code, (2011), B+
  230. Paul, (2011), C+
  231. Tron: Legacy (2010), B+
  232. Attack the Block (2011), B+l
  233. The Captains (2011), A
  234. Gnomeo and Juliet (2011), B
  235. Dylan Dog: Dead of Night (2011), C

Last Updated on January 1, 2012.




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