Posts Tagged ‘Astonishing X-Men

03
Aug
11

Classic EBI #102: How to Make a Couch Potato Read a Comic Book

In today’s all-new Everything But Imaginary column, I step back and take a look at the construction of Marvel Studios’ movie universe — and what they may have to do to keep it viable past the first generation of actors.

Everything But Imaginary #409: Making a Movie Universe

Going back to the classics, though, back in February 2005 I looked at ways to snare new readers from the realm of television, by using their favorite shows to identify comics that may be to their taste…

Classic EBI #102: How to Make a Couch Potato Read a Comic Book

As much as I’d like to, I’ve discovered that it is statistically impossible to read comic books all the time. (I learned this one Thursday morning at 3:45 a.m. halfway through Sandman: A Season of Mists when I suddenly gained the ability to see the music.) So last weekend I unwound by watching the first season DVD of the television show 24. Which, of course, made me think about comic books, because my mind is preposterously circular in that regard.

Although I had heard a lot of really good things about 24, I’d never been able to catch it at the beginning of a season and therefore have never watched it, but when an online retailer recently had the first season on sale for just $15, I saw no reason not to get it. By the second episode, I was hooked, and I wound up watching the entire 24-episode season in less than a week. The way the show works, in case you don’t know, is that each season chronicles one day in the life of Counter Terrorism Agent Jack Bauer (played with aplomb by Kiefer Sutherland). Each episode takes place in realtime and covers exactly one hour in Jack’s life. What really got me about the show was the challenge of writing such a thing, telling one story in 24 installments, making each episode make sense as a portrait of one hour, and still having each installment end at a point of high suspense without making it seem necessarily forced.

Once I’d seen the whole thing, though, I realized that I got a very similar feeling reading a comic book. Specifically, from the new Captain America series by Ed Brubaker and Steve Epting. Now a comic can’t play with time the same way that a television series can, but many of the other elements that make 24 so great are present in this series. A story is being told in installments, each installment has moments of action and downtime, and each one ends at a point of maximum suspense. (The first episode of 24, for instance, ends with Jack’s daughter being kidnapped and an airplane blowing up, whereas the first issue of Captain America ends with Cap’s old nemesis, the Red Skull taking a bullet in the chest.)

That sort of action, the spy drama, the structure is a great thing, and it make me think about how I always say that there is a comic book out there for everyone, if only they knew where to look. So while you 24 fans are trying to get your buddies to read Captain America, I’m going to suggest a few more TV/movie analogues to some great comic books.

(And I’m not just going to suggest Star Wars fans read the Star Wars comics. That’s too easy. And if they haven’t made that leap by now, they’re not gonna.)

For fans of Buffy the Vampire Slayer, it would be easy to suggest Astonishing X-Men. The title is written by Buffy creator Joss Whedon, for one thing, and it’s got kind of the same “us against a world of evil” mentality, with a lot of drama, but a good bit of humor as well. However, I think an even better comic for Buffy fans may be Brian K. Vaughan’s Runaways. The second series of this acclaimed title starts… well… today. The basic premise of the first series was that six kids discovered their parents were supervillains, part of a murderous cult that was planning to aid in the destruction of the world. The kids – some of them with inherited powers or talents, but others with nothing but their wits – set out on their own to save the world from their own parents. The second series picks up some time after the first, and I don’t yet know what angle the new version will take, but I’ve got no doubt that it will have that same feel that Buffy fans dig.

What if you like a western? Something like Unforgiven, A Fistful of Dollars, or especially a fantasy-western like Stephen King’s Dark Tower series? Then you should be giving a read to Beckett Comics’ The Ballad of Sleeping Beauty. The book takes the classic fairy tale and transplants it to the American west, but it takes up the story near the end. An entire town has fallen asleep due to some ancient curse and a young boy, the only one to escape, is in search of a man to break the spell. When the title opens we find the boy and our unlikely hero, Cole, about to dangle at the end of a hangman’s rope. Cole is your classic tortured western hero, a gunslinger with a dark past he’s trying to atone for, even though he never believes he can. This is the sort of title that shows you how sometimes you can take two very familiar stories or styles, combine them, and come up with something totally new.

If you’ve got kids who are into (or if you yourself are into) something like Nickelodeon’s The Fairly Oddparents, you might want to check out the upcoming Mike S. Miller series The Imaginaries. Beneath all the comedy and slapstick, Fairly Oddparents is a series about the power of the imagination, and The Imaginaries is going to drip with that stuff. Folks who saw the recent preview in the Two Bits anthology know the idea – what happens to an imaginary friend when the child who imagined him no longer needs him? The pain of his parents’ divorce makes a child give up his own imaginary friend, Superhero G, who finds himself lost in an entire city made up of discarded imaginary friends. I’ve used the word “imagination” about a zillion times in this paragraph, but get ready for one more – this is the kind of comic that really tests the limits of the imagination, and that’s an incredible thing.

Maybe you just want to laugh. You’re into sitcoms like Newsradio, Scrubs or classics like I Love Lucy or Laverne and Shirley? Well man, why aren’t you reading PVP? Scott Kurtz’s comic strip is your classic office comedy – a group of geeks (and one troll) working together in a video game magazine. Throw in things like a competing magazine, a passive aggressive supervillain, frequent misunderstandings, romantic subplots, harried husbands and young crushes, and you’ve got all of the elements of a situation comedy. Kurtz, in fact, will frequently take the sort of stock situation that can be used in virtually any sitcom – a child (or troll) “runs away” after an older sibling (or co-worker) says something to upset him, and the others set out to find him, not realizing he just ran away to the broom closet. But Kurtz always has a little twist, something that makes it different from just another sitcom, something that makes it pop.

Cop dramas are huge right now. In fact, scientists estimate that if you were to play “Remote Control Russian Roulette” between the hours of 6 p.m. and midnight (Eastern time) you stand a 97.3 percent chance of landing on a channel showing an episode of either CSI, Law and Order or one of their various spin-offs. So while you’re spinning that dial, why not spin over to the comic shop and try an issue of Gotham Central? Greg Rucka and the (sadly) soon-to-be departing Ed Brubaker have done a masterful job with this series, detailing the trials and tribulations of two groups of police officers (the day shift and the night shift) who have to keep the peace in a city with all of the regular muggings, murders, robberies and drugs of any major metropolitan area, but on top of that, are forced to deal with homicidal clowns, mad scientists, plant-women who can control your mind with just a kiss and some lunatic dressed like a giant bat trying to do their job for them. It’s a unique take on an old idea, and it hasn’t gotten nearly the attention it deserves.

Then there are the soap operas. And with them all of the lying, scheming, backstabbing, deaths, resurrections and sex you could want in any given issue of Noble Causes. Like most soap operas, this one focuses on one powerful family. The twist here is that “powerful” is meant in a literal term – these guys are superheroes. There are the parents, Doc and Gaia. There’s their oldest son, Rusty, who is trapped in a robot body and whose wife Celeste has left him and he’s now dating Cosmic Rae, whom he doesn’t know is an android. Race, their younger son, died in the first issue, but his wife Liz found another dimension where he survived and she’s moved there and everything is back to normal. Zephyr is pregnant by Draconis, the family’s oldest enemy whom Doc killed, and whose son Krennick claimed he was the father because he’s in love with her and has a tendency to hire prostitutes who pretend to be her. Then of course there’s Gaia’s other son, Frost, the product of an affair after Rusty was born, except no one knew she had the affair with a version of Doc from an alternate dimension. Oh, and Frost’s affair with Celeste is what ended her marriage to Rusty.

If you’ve watched enough soap operas to have the slightest clue what I said in that last paragraph, you should be reading Noble Causes.

The point of all this, friends, is that comics are a big, wide, diverse world. And if you look hard enough, you can find something for anyone. In fact, feel free to find some more – I’ll be interested to see what you all come up with.

FAVORITE OF THE WEEK: February 9, 2005

I had very, very low expectations for the winner of this week’s favorite award, which may be why I was so pleasantly surprised, but I thought the first issue of Young Avengers was a great read. Four teenagers with looks, powers and names that mimic Captain America, Iron Man, Thor and the Hulk burst on to the scene, and J. Jonah Jameson wants the scoop. In addition to using Jameson, the book also picks up on the elder Avengers and the cast of The Pulse to investigate these kids, trying to figure out who they are and what they’re doing, all of it building up to a last page that legitimately surprised the heck out of me. Considering that Allan Heinberg has never written comics before, I think he’s off to a great start.

Blake M. Petit is the author of the superhero comedy novel, Other People’s Heroes, the suspense novel The Beginner and the Christmas-themed eBook A Long November. He’s also the co-host, with whoever the hell is available that week, of the 2 in 1 Showcase Podcast. E-mail him at BlakeMPetit@gmail.com and visit him on the web at Evertime Realms. Read past columns at the Everything But Imaginary Archive Page.

29
Jun
11

Classic EBI #97: The 2004 Everything But Imaginary Awards

It’s been about a month since DC’s big announcement, the restructuring of the universe, and I’ve had time to digest it all. So this week in Everything But Imaginary, I’m taking a more informed look at the future of the DC Universe…

Everything But Imaginary #405: The New DCU Take Two

But in this week’s classic EBI, we’re rewinding to January of 2005, when the readers of Everything But Imaginary voted on their favorites for the previous year. Set the Wayback Machine, friends, because it’s time for…

Everything But Imaginary #97: The 2004 Everything But Imaginary Awards

It’s that time again, folks, for the 2004 Everything But Imaginary Awards, the only awards show voted on exclusively by the people who visit Comixtreme.com [CXPulp.com] plus a few other people that Blake begged to vote to help him break ties. So without further ado, here’s your host, Blake M. Petiiiiiiiiiiiiiiiiiiiiiiit!

Thanks, Blake. Man, isn’t he a swell guy? Well friends, welcome to the 2004 Everything But Imaginary Awards. By popular demand, we’re doing away without the musical numbers and long, boring speeches by people you’ve never heard of. We’ve got 15 categories to get through and 30 awards to hand out, so let’s not waste time. The EBI awards are simple, there are two awards in every category. The Reader’s Choice award reflects the voting of you, the reader (hence the name). The Writer’s Choice award was selected by yours truly, because it’s my column and I get to do that sort of thing. Keep in mind, the Writer’s Choice winners were selected before voting was opened to the readers, so there are some categories where the same title won both honors. They get the coveted Double Blakie award! So without further ado, let’s roll on to the best comic books of 2004!

1. Best Superhero Title

Reader’s Choice: Invincible. Robert Kirkman’s story of a superhero coming of age really surprised me by pulling away to take this honor. This is the story of Mark Grayson, a seemingly average superhero, with the caveat that he also happens to be the son of one of the world’s biggest superheroes. Launched last year as part of Image’s recommitment to superhero comics, this book has not only become extremely popular, but one of the lynchpins of the Image Universe, such as it is. And it may not be the sole factor behind making Kirkman one of the hottest commodities in comics, but it sure as heck hasn’t hurt matters. I’ll admit to you guys right now, I have never read an issue of Invincible, but seeing the incredible support this title has, I’m determined to find that first trade paperback and see what all the fuss is about.

Writer’s Choice: JSA. Do I talk about this comic book a lot? Yep. And you know why? Because it’s one of the best comic books on the market. Geoff Johns and his solid art teams, currently including the great Don Kramer, have taken some of the greatest superheroes of all time, thrown them into a pot with their various progeny and successors, and turned out a comic book about heroes and legacies that is unsurpassed in modern comic books. The strongest things the DC Universe has going for it are its legacies – Green Lantern, the Flash, Starman and many others. This title celebrates those legacies and what makes superheroes great, and tells the best stories you can get in the process.

Honorable Mention: Fantastic Four, Superman/Batman, Birds of Prey.

2. Best Science Fiction Title

Reader’s Choice: Y: The Last Man. It’s hard, if not impossible to argue with the selection of this as one of the most outstanding science fiction titles in all comics. Brian K. Vaughan and his artists, most frequently Pia Guerra, have created a fascinating story in the adventures of Yorick Brown, the last man alive after a plague sweeps over the Earth. This title swerves into various storytelling styles – sometimes it’s funny, sometimes it’s terrifying. Sometimes it’s a sharp political satire and sometimes it’s a straight-up adventure story. One thing is for sure – it’s always a great read. With amazing cliffhangers that don’t seem forced, characters that grow and develop and a mystery like none in comics, Y:The Last Man is one of the best there is.

Writer’s Choice: The Legion/Legion of Super-Heroes. It is no secret that I’m an old-school Legion fan, but it’s been a long time since this team had as good a year as they did in 2004. Dan Abnett and Andy Lanning wrapped up a fabulous 5-year run with an assault on Darkseid and the reintroduction of Superboy to the heroes of DC’s future. Once they left they passed the book on to Gail Simone, who delivered a great fast-paced adventure tale, which dovetailed right into the collision with the Teen Titans, and in turn, to a reboot of epic proportions. Now I was skeptical of the need for a reboot of this title, but one issue under the pens of Mark Waid and Barry Kitson was more than enough to convince me, this is still a fantastic sci-fi title, and likely to be a strong contender again in 2005.

Honorable Mention: Fantastic Four, Silver Surfer, Negation.

3. Best Fantasy Title

Double Blakie Award: Fables. The readers and I agree, when it came to fantasy in 2004, there was nothing that could touch the magic of Fables. Bill Willingham’s warped fairy tale follows the survivors of a bloody war in the Homelands of fairy tales as they live a new life on plain ordinary Earth. 2004 was quite a year. The Fables were attacked by the forces of the Adversary, Snow White and Bigby Wolf became parents and Prince Charming became mayor of Fabletown. Good people died, bad people thrived and through it all, the readers got to reap the rewards. Funny, exciting, beautifully illustrated (usually by the incomparable Mark Buckingham) and never patronizing or condescending to the reader, it’s no question why this has become a fan favorite. As far as I’m concerned, this book marks the high point of DC’s Vertigo line these days, and that’s saying an awful lot.

Honorable Mention: Bone, The Witches.

4. Best Horror Title

Reader’s Choice: 30 Days of Night. The vampire tale by Steve Niles and Ben Templesmith, among other artists, scored the most votes among horror fans in this year’s awards. The series of miniseries, including Dark Days, Return to Barrow and the current Bloodsucker Tales, is a remarkably gory, energizing horror comic. Some time ago (back in the first 30 Days miniseries), a cadre of vampires descended upon the small town of Barrow, Alaska, where darkness lasts a full month, making it a perfect smorgasbord for creatures of the night. The following series examine the lives of the survivors of that initial massacre – both human and bloodsucker alike. I just hope that when the promised movie hits the screen it does the comic book justice.

Writer’s Choice: Dead@17. Josh Howard’s tale of the undead stayed at the top of my list this year with the sequel, Blood of Saints, the current Revolutions miniseries and a Rough Cut special. Nara Kilday was killed, cut down in the prime of her life, only to return from the dead as an agent of a higher power against the forces of evil. Although Howard does sometimes tend to lean towards the cheesecake with his artwork, unlike a lot of comics, Dead@17 has a real story to back it up. With the announcement that this is going to become an ongoing series next year, replacing the series-of-miniseries format, I can’t wait to see what’s going to happen next.

Honorable Mention: Devil May Cry, The Walking Dead, Army of Darkness: Ashes 2 Ashes.

5. Best “Down to Earth” Title

Reader’s Choice: Strangers in Paradise. In a tough category to judge – one that looks to comics that don’t rely on sci-fi or the supernatural – Terry Moore’s Strangers in Paradise gets the prize. For years now this has been a real genre-bender, waving between soap opera to crime drama to sitcom and back to soap opera again without missing a beat. Katchoo is in love with Francine, who’s marrying Brad. David, the man who loves Katchoo, has resurfaced and is chasing her again. And try as she might, Katchoo’s past keeps catching up to her. This is an intricate, complex, layered title, one that few others can match, and for a long time now it’s been one of the best, most offbeat comics on the racks.

Writer’s Choice: Gotham Central. If you’re not reading this comic book, guys, you’re just plain missing out. Greg Rucka and Ed Brubaker, along with the soon-to-depart Michael Lark, have taken the world of the Batman and managed to tell a series of deep, powerful tales not about superheroes, but about the police whose job it is to keep order in a city of darkness. There are good cops and bad cops, and even those lines aren’t clearly defined. One thing is clear, though – this is one of the best crime dramas in comics, and it deserves all the accolades it can get.

Honorable Mention: 100 Bullets, The Losers.

6. Best Humor Title

Double Blakie Award: PVP. From its origins as a webcomic at PVP Online to its days at Dork Storm and through its current run at Image Comics, Scott Kurtz turns out one of the funniest comic books out there not just every month, but every day. Set in the offices of PVP Magazine, this strip focuses on a cast of geeks, video game addicts, harried office workers, a good-hearted but stupid troll and an evil kitten based on world domination. In other words, it’s just like your office. Kurtz has an uncanny knack for taking trite, overused comedy stories and making them funny and new again, due mostly to the great characters he’s created and his own versatility. I’ve said it before and I’ll say it again – man, I love this comic book.

Honorable Mention: Simpsons Comics, Lionxor, Plastic Man.

8. Best Mature Reader’s Title

Reader’s Choice: Fables. Gee, have I mentioned this title before? Just like in the Fantasy category, readers have handed the win to Bill Willingham and his crew. It’s interesting to note that one of the best mature titles on the market springs from some of the most classic characters of our youth. Snow White, Beauty and the Beast, Cinderella and Pinocchio all have important roles in this title, but Disney it ain’t. There’s blood, sex and language that you don’t want the kids to read. But that alone doesn’t make it a good comic book. In fact, it would keep it from being a good comic book if not for the fact that the stories themselves are smart, sharp, clever and intriguing. Willingham knows that the secret to telling a great mature reader’s comic isn’t just throwing gore, boobs and f-bombs at the reader, but rather crafting a story that a younger reader just isn’t ready for.

Writer’s Choice: Hellblazer. This is probably the longest-running mature reader’s series in comics, and this year in particular it has earned that distinction. The story of the man who has cheated death, cheated the devil and cheated his way out of every nasty scrape he’s ever been in. And he’s lasted over 200 issues now, and his stories are as good as ever. With the Constantine movie coming out next month, DC has some of its top talent on this comic, namely Mike Carey and Leonardo Manco. It’s a great horror comic that, relies a bit more on the gore than Fables – but hey, it’s a horror comic. You’ve got to expect that.

Honorable Mention: Y: The Last Man, Supreme Power, Sleeper Season Two.

7. Best All-Ages Title

Reader’s Choice: Teen Titans Go!. I’ve got to admit, I didn’t always care for this comic, because I didn’t care for the TV show. But the show and comic have both grown on me, and evidently, with the readers as well. I don’t mind telling you that this was the category with the most spread-out votes, so I had to ask one of my “tiebreaker” people to pick one, and this came out on top. It’s a solid, enjoyable comic, and at least one six-year-old I know has really started to get into comic books, in no small part because of this series. It’s a perfect companion to the TV show, and it helps introduce kids to the wonderful four-color world we’ve all grown to love. In the end, what more could you possibly ask for?

Writer’s Choice: Uncle Scrooge. Mixing new stories by the likes of Don Rosa and Pat and Shelly Block with classics by Carl Barks gives this book a fantastic balance. Old stories, new stories, great stories. The comics are clean and simple, starring characters your kids already love and that, chances are, you grew up loving too. The only downside to this comic is the hefty cover price, which is at least justified considering it’s 64 pages a month, but I’d still prefer they drop it down to a standard 32 pages and give it a price that kids can afford. Overall, though, the stories and great and the art is beautiful – and most importantly, it features stories that kids will love and that adults will still get a kick out of. That’s the mark of a true all-ages comic book.

Honorable Mention: New X-Men: Academy X, Cenozoic, Usagi Yojimbo, Ultimate Spider-Man.

9. Best Adapted Comic

Reader’s Choice: Star Wars: Republic. While a lot of people savage the prequel era of George Lucas’s Star Wars saga, the ire seems to have spared Dark Horse’s Star Wars: Republic. Telling the tales of the waning days of the old Republic, this is the place to go to read about the great Jedi of the past. John Ostrander is crafting the tales of the Clone Wars, bridging the events between Star Wars Episode II: Attack of the Clones and the upcoming Episode III: Revenge of the Sith, with the adventures of the likes of Obi-Wan Kenobi, Anakin Skywalker, Quinlan Vos and Aayla Secura. This makes for some of the most exciting space opera in comics.

Writer’s Choice: G.I. Joe. Although G.I. Joe: Reloaded may be getting a bit more attention, the original title is still one of the best in comics. Brandon Jerwa and Tim Seeley’s ongoing epic about the war between G.I. Joe and Cobra has taken some serious twists this year. General Hawk is paralyzed. The Baroness is pregnant. The Joe team has been cut down to 12 members and Destro has seized control from Cobra Commander. The creators of this title are never content to let the status quo rest for very long, an incredibly refreshing way to tell a story about characters that were first created in another medium, and they’ve used that fearlessness to create a great comic book.

Honorable Mention: TransFormers: Armada, Street Fighter, Dragonlance.

10. Best Comic Adaptation

Double Blakie Award: Spider-Man 2. This ran away with it in the voting, friends, nothing else was even close. Director Sam Raimi reunited with Tobey Maguire and Kirsten Dunst, and threw in Alfred Molina to make one of the greatest superhero movies ever made. Peter Parker’s responsibilities as Spider-Man finally overwhelm him and he decides to throw away his costume once and for all… but has to reconsider when he finds his loved ones plagued by the mad Dr. Octopus. Great acting, great visuals and characters that are true to the comic book. This was better than the first movie, and better than almost any other superhero movie out there.

Honorable Mention: Smallville, Justice League Unlimited, Teen Titans.

11. Best Miniseries or Special

Double Blakie Award: Identity Crisis. Like the previous category, this is another one that left all competitors in the dust. DC Comics took their greatest heroes and gave them something even their vilest enemies couldn’t – fear. When the loved ones of a superhero become targets for a serial killer, all heroes have to be ready to fight. A lot of people balked at the conclusion to this series, and while I didn’t think it was flawless, I thought it was expertly crafted and impeccably written. Plus, with the noises we’ve heard coming from DC over the last few years, I get the impression that this is only the beginning of the shakeup of the DC Universe.

Honorable Mention: My Faith in Frankie, Powerless, Punisher: The End.

12. Best New Title

Reader’s Choice: Astonishing X-Men. With the end of Grant Morrison’s historic New X-Men run, Marvel Comics wisely decided not to try to duplicate his efforts, but instead took the team back to its superheroic roots. Written by Buffy the Vampire Slayer creator Joss Whedon with beautiful art by John Cassaday, this book focuses on a team of X-Men trying to prove themselves as superheroes in a world that hates and despises them. While the “mutants dealing with bigotry” angle isn’t new at all, what is new is the stance the characters are taking: fight bigotry by purposely making themselves heroes. It’s a new take on a concept that’s been done so much that a lot of us didn’t think any more takes would even be possible. It’s a great read.

Writer’s Choice: Fade From Grace. This little-known title from Beckett Comics was literally just handed to me at the Wizard World Dallas Convention in November, and I was astonished to totally fall in love with it. Written by Gabriel Benson with haunting artwork by Jeff Amano, this is the tale of John and Grace, a young couple very much in love. Their world is turned upside down, however, when John discovers he has the ability to turn immaterial as a wraith or solid as stone. Taking the name Fade, he sets out to become a superhero. What makes this comic so unique is that the story is told through the mournful eyes of Grace, a woman in love with a hero, frightened for his life, often grieving for him as though he were already dead. This is an incredible romance totally unlike any other comic book on the racks, and well worth the read.

Honorable Mention: District X, Cable and Deadpool, Conan.

13. Best Comic You’re Not Reading

Reader’s Choice: She-Hulk. Dan Slott’s new take on She-Hulk has turned out one of the best, most critically-acclaimed comics in the Marvel stable. Shulkie gets a job with a law firm specializing in superhumans – but they don’t want her, they want her human alter-ego, Jennifer Walters. In a day and age where most comic books seem to run and hide from continuity, this title revels in it, pulling out obscure characters and storylines and crafting new, often side-splitting stories out of them. The book is so self-referential that old Marvel Comics are often used as actual legal documents. With Paul Pelletier on the art chores and the promise of a big push to help boost sales in the coming year, this book is primed to become the mega-hit it deserves. Just for Heaven’s sake – start reading it!

Writer’s Choice: The Monolith. It may be a case of “too little, too late” since the cancellation of this title has already been announced, but DC Comics’ The Monolith is one of the finest comics out there that simply hasn’t found its audience. Written by Jimmy Palmiotti and Justin Gray with great art by Phil Winslade, this is the story of Alice Cohen, a young woman with a messed-up life, who inherits her grandmother’s old mansion with the caveat that she get her act together. When she moves in she discovers her grandmother’s secret – the giant clay golem living in the basement. It’s a superhero story with a twist. It’s a “girl and her monster” story. It’s a totally new set of eyes through which to view the DC Universe. And it may be ending, but that doesn’t mean you can’t jump on and see what’s so great about it before it goes. There’s always a chance that the Monolith can rise to fight again.

Honorable Mention: Street Angel, District X, Invincible.

14. The New Beginning Award

Reader’s Choice: Green Lantern. With the conclusion of the previous series and the beginning of Green Lantern: Rebirth, fans couldn’t be happier to see what’s happening to one of DC’s iconic properties. Hal Jordan is on his way back, and while a lot of us don’t want to see Kyle Rayner vanish either, the fact is that Geoff Johns and Ethan Van Sciver are delivering a great story with beautiful artwork that’s not just taking the easy way out. As Johns is so good at, he’s mining the past of this property to craft his story, making a tale of redemption that actually seems to fit. It looked like a nigh-impossible task, but he’s making it happen.

Writer’s Choice: She-Hulk. I’ve already gushed about this title once, but I don’t mind doing so a bit more. She-Hulk is a character that has gone through a lot of incarnations over the years. From her savage days to her birth as a superhero with the Avengers and the Fantastic Four, from the zany John Byrne series and back to being a team player, Jennifer Walters is someone who has reinvented herself every few years. Dan Slott understands that this character is at her strongest when she’s being lighthearted, but rather than copy the Byrne era, he’s found a totally new way to make her title into a comedy. I hope to get to read this book for a very, very long time.

Honorable Mention: Thor, Silver Surfer, Iron Man.

15. The Happy Trails Award

Reader’s Choice: Captain Marvel. No surprise here, seeing the uproar that followed this comic over the last several years. Peter David’s unique take on Captain Marvel lasted this long thanks to the severe dedication of the fans. It went from a fairly lighthearted satire to a much darker satire when the main character went mad, and while that storyline probably was dragged out a bit too long, there were still a lot of sad faces when the self-referential final issue hit the stands. It was a book that had a dedicated fan base, and it’s a book that many will miss.

Writer’s Choice: Bone. After over a decade Jeff Smith’s magnum opus finally came to an end. The tale of the Bone cousins, driven off to a valley full of strange and terrifying creatures, is one of the greatest fantasy tales ever put to comics. With beautiful artwork, compelling characters and an epic feel that makes Smith to comic books what Tolkien was to literature, it’s hard to believe this title only lasted 55 issues before the end. If you’ve never read Bone, now’s your chance: there’s a massive one-volume edition collecting the entire series, and Scholastic Books is about to launch a reprint paperback series that will redo this classic comic book in color, most of the issues appearing in color for the first time. I love this comic, and while I’ll follow Jeff Smith to any project he goes to in the future, I’ll never stop hoping that he comes back to the world of Bone once again.

Honorable Mention: Sentinel, Negation, H-E-R-O.

And that’s it for this year’s Everything But Imaginary Awards! Hope you had a great time, folks, and don’t forget to tip your waitress!

FAVORITE OF THE WEEK: January 5, 2005

Continuing the revitalization of one of Marvel’s icons, Captain America #2 scored the first Favorite of the Week honor for 2005. Ed Brubaker and Steve Epting have managed to make a healthy blend of superheroics with the spy and crime genres that Brubaker does so incredibly well. This is a book with a big ol’ mystery, lots of danger, lots of spies and lots of action. It’s been quite a while since Captain America was this good.

Blake M. Petit is the author of the superhero comedy novel, Other People’s Heroes, the suspense novel The Beginner and the Christmas-themed eBook A Long November. He’s also the co-host, with whoever the hell is available that week, of the 2 in 1 Showcase Podcast. E-mail him at BlakeMPetit@gmail.com and visit him on the web at Evertime Realms. Read past columns at the Everything But Imaginary Archive Page.

 




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