Posts Tagged ‘Fables

24
Apr
13

Everything But Imaginary #487: Follow the Four-Color Road

You may have noticed, but I’ve been on something of an Oz kick lately.Books, movies… and yeah, comic books. So today in Everything But Imaginary, I take a look at the land of Oz in comic books, past and present, with even a glimpse of future in there.

Everything But Imaginary #487: Follow the Four-Color Road

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12
Mar
12

2 in 1 Showcase Episode 259: John Carter and Books on the Screen

With John Carter finally in movie theaters a century after publication, with Game of Thrones and Dexter burning up your TV screens, this week we take a look at other books that should be made into movies or TV shows. In the picks, Erin goes with Fables Vol. 7 and Blake takes Action Comics #7. Contact us with comments, suggestions, or anything else at Showcase@CXPulp.com!

Music provided by Music Alley from Mevio.

Episode 259: John Carter and Books to the Screen

10
Feb
12

What I’m Reading in 2012

Annually, I keep a running tally of all the books, graphic novels, and short stories I read. This list includes re-reads, as well as audiobooks I listen to over the course of the year, but I don’t include individual short stories if I read all of them as part of a collection. In related news, I really overthink the hell out of this stuff. And should the book be something I review online, I’ll provide a link so you can see my thoughts.

If you’re interested in this sort of thing, here’s what I’ve read thus far in 2012:

1. A Tale of Sand (2011), Jim Henson & Jerry Juhl, B+*
2. Who’s Who: The Resurrection of the Doctor, Martin Beland and the Staff of The Guardian (2011), B-
3. Age of Bronze Vol. 3: Betrayal (2008), Part One, Eric Shanower, A-*
4. Locke and Key Vol. 4: Keys to the Kingdom (2011), Joe Hill, A
5. Hogfather (1996), Terry Pratchett, B+
6. Scream Deconstructed (2011), Scott Kessinger, A-
7. In the Peanut Gallery With Mystery Science Theater 3000 (2011), Rob Weiner (Ed.), B
8. Eats, Shoots and Leaves (2003), Lynne Truss, A
9. My Seinfeld Year (2012), Fred Stoller, B
10. Employee of the Month and Other Big Deals (2011), Mary Jo Pehl, B-
11. A Princess of Mars (1917) Edgar Rice Burroughs, A
12. Countdown: A Newsflesh Novella (2011), Mira Grant, A-
13. Sloppy Seconds (2012), Tucker Max, B
14. Killing Mr. Griffin (1978), Lois Duncan, B
15. The Crucible (1952), Arthur Miller, A•
16. Hilarity Ensues (2012), Tucker Max, B+
17. All-Star Superman (2008), Grant Morrison & Frank Quitely, A+*
18. Ruby of Ragnoor (2012), Brad Guitar, B+*
19. What If? Classic Vol. 3 (2005), Gary Friedrich, Don Glut, Marv Wolfman, Steven Grant, Peter Gillis & Tom DeFalco, B*
20. Atomic Robo Vol. 1: Atomic Robo and the Fightin’ Scientists of Tesladyne (2008), Brian Clevinger, A-*
21. Atomic Robo Vol. 2: Atomic Robo and the Dogs of War (2009), Brian Clevinger, A-*
22. Atomic Robo Vol. 3: Atomic Robo and the Shadow From Beyond Time (2009′ Brian Clevinger, A*
23. The Gods of Mars (1918), Edgar Rice Burroughs, B+
24. Sum: 40 Tales From the Afterlives (2009), David Eagleman, A-
25. The Nightly News (2007), Jonathan Hickman, A*
26. John Carter: A Princess of Mars (2011), Roger Langridge & Felipe Andrade, B-*
27. Warlord of Mars (1919), Edgar Rice Burroughs, A-
28. The Princess Bride: 30th Anniversary Edition (2003), William Goldman, A
29. Raise Your Glass,: Stuck in the Twilight Saga (2012), Keith Helinski, B
30. Clue: The Musical (1993), Peter DePietro, B•
31. How I Sold 1 Million eBooks in 5 Months (2011), John Locke, C
32. Forrest Gump (1986), Winston Groom, B
33. The Reporter (2012), Scott Sigler & Mur Lafferty, B+
34. Tales From Development Hell (2012), David Hughes, B+
35. Lamb (2002), Christopher Moore, A
36. Harry Potter and the Sorcerer’s Stone (1997), J.K. Rowling, A-
37. Buy the RV, We Start Tomorrow: The AV Club’s Guide to Breaking Bad (2010), Donna Murray & Neal Goldman, B
38. Coffee: It’s What’s For Dinner (2011), Dave Kellet, A*
39. Sacre Bleu (2012), Christopher Moore, B
40. Pax Romana (2007), Jonathan Hickman, B-*
41. Paradox (2012), Christos Gage, B- *
42. Avengers Forever (1999), Kurt Busiek, A*
43. Harry Potter and the Chamber of Secrets (1998), J.K. Rowling, B+
44. Transhuman (2008), Jonathan Hickman, A-*
45. The Wind Through the Keyhole (2012), Stephen King, B+
46. Atomic Robo Vol. 4: Atomic Robo and Other Strangeness (2010), Scott Wegener, A*
47. Atomic Robo Vol. 5: Atomic Robo and the Flying Fists of Science (2011), Scott Wegener, A-*
48. Misery Loves Sherman (2012), Chris Eliopoulos, B*
49. The Atlantis Chronicles (1990), Peter David, A*
50. Aquaman: Time and Tide (1996), Peter David, B+*
51. Pantheon (1999), Bill Willingham, A-*
52. Atomic Robo Vol. 6: Atomic Robo and the Ghost of Station X (2012), Scott Wegener, A+*
53. Marvels: Eye of the Camera (2010), Kurt Busiek & Roger Stern, A-*
54. Harry Potter and the Prisoner of Azkaban (1999), J.K. Rowling, A-
55. “They’re Made Out of Meat” (1991), Terry Bisson, B
56. Why Does Batman Carry Shark Repellent? (2012), Brian Cronin, B+
57. The Comic Book History of Comics (2012), Fred Van Lente & Ryan Dunlavey, A-*
58. Abraham Lincoln: Vampire Hunter (2010), Seth Graham-Smith, B+
59. Fables Vol. 1: Legends in Exile (2002), Bill Willingham, A-*
60. JLA Vol. 1: New World Order (1997), Grant Morrision, A-*
61. Star Trek: The Next Generation-Ghosts (2010), Zander Cannon, B*
62. Spider-Man: Maximum Carnage (1993), David Michelinie, J.M. DeMatties, Tom DeFalco, B+*
63. The Hollywood Walk of Shame (1993), Bruce Nash & Allan Zullo, C+
64. The All-Pro (2011), Scott Sigler, B+^
65. Our Valued Customers (2012), Tim Chamberlain, B*
66. Batman: Earth One (2012), Geoff Johns, A*
67. The Infinity Gauntlet (1993), Jim Starlin, A+*
68. F in Exams (2011), Richard Benson, A-
69. F For Effort (2012), Richard Benson, B
70. Blackout (2012), Mira Grant, B+
71. The Monolith (2012), Jimmy Palmiotti & Justin Gray, A*
72. Locke and Key Vol. 5: Clockworks (2012), Joe Hill, A*
73. Classic G.I. Joe Vol. 1 (2009), Larry Hama, B-*
74. What If? Classic Vol. 4 (2007), Bill Mantlo, Don Glut, Peter Gillis, Steve Skeates, Tony Isabella, Mike W. Barr, Steven Grant, Mark Gruenwald & Ralph Macchio, B*
75. Firestarter (1981), Stephen King, B+
76. “Don’t Tell Jack” (2001), Neil Gaiman, A-
77. Rising Stars Compendium (2004), J. Michael Straczynski, A*
78. Fahrenheit 451 (1951), Ray Bradbury, A+
79. Morning Glories Vol. 1: For a Better Future (2011), Nick Spencer, A
80. Fool Moon (2001), Jim Butcher, B
81. The Maze Runner (2009), James Dashner, B+
82. The Scorch Trials (2010), James Dashner, B
83. The Death Cure (2011), James Dashner, B
84. Action Philosophers (2009), Fred Van Lente, B+*
85. Fraggle Rock Vol. 1 (2010), B*
86. License to Pawn: Deals, Steals, and My Life at the Gold and Silver (2011), Rick Harrison, B-
87. The MVP (2012), Scott Sigler, A-
88. Showgirls, Teen Wolves and Astronomy Zombies (2009), Michael Adams, B+
89. Upside Down: A Vampire Tale (2012) Jess Smart Smiley, B*
90. Trick ‘r Treat (2009), Marc Andreyko, B*
91. Madman 20th Anniversary Monster (2012), Mike Allred, B*
92. Texts From Dog (2012), October Jones, B
93. The Complete Omaha the Cat Dancer Vol. 1 (2005), Kate Worley & Reed Waller, B*
94. Superman: Earth One Vol. 2 (2012), J. Michael Straczynski & Shane Davis, A*
95. Tremors of the Buried Moon (2011), J.C. Rogers, B*
96. The Legend of Oz: The Wicked West Vol. 1 (2012), Tom Hutchinson, B+*
97. Charlie Brown’s Christmas Stocking (2012), Charles M. Schulz, A-*
98. Archie Classics Series Vol. 1: Christmas Classics (2011), B
99. Marvel Zombies (2006), Robert Kirkman, B+*
100. Marvel Zombies 2 (2008), Robert Kirkman, A*
101. Marvel Zombies 3 (2009), Fred Van Lente, B-*
102. Marvel Zombies 4 (2009), Fred Van Lente, C*
103. Marvel Zombies Return (2009), B+*
*-Denotes graphic novel or comic strip collection
•-Denotes stage play
^-Denotes audiobook
“”-Denotes short story

–Updated August 5, 2012

24
Dec
11

2 in 1 Showcase Episode 250: It’s a Very Merry Muppet Christmas Podcast

The Muppets are back on the big screen, Blake’s niece Maggie is in love with Kermit, and it’s Christmas Eve. What better reason for Blake and Heather to sit down, watch, and discuss the Muppet specials A Muppet Family Christmas. The Muppet Christmas Carol, It’s a Very Merry Muppet Christmas Movie and A Muppets Christmas: Letters to Santa? Also: learn the joys of podcasting with a 1-year-old! In the picks, Heather has become a big fan of ABC’s Once Upon a Time and Blake gives a plug to the first issue of IDW’s Memorial. Contact us with comments, suggestions, or anything else at Showcase@CXPulp.com!

Music provided by Music Alley from Mevio.

Episode 250: It’s a Very Merry Muppet Christmas Podcast

21
Dec
11

Classic EBI #242: What’s Santa Bringing For the Geeks?

Every Christmas, I make it a point to seek out as many Christmas comics as I can and present them to the faithful readers of Everything But Imaginary, and this year is no different. I’ve got twenty yuletide comics to share with you today, my friends, so click on the link and get to it!

Everything But Imaginary #428: Christmas Comics 2011

Going back in time, let’s look in at 2007, and what Santa was bringing to the Geeks that year…

Classic EBI #242: What’s Santa Bringing For the Geeks?

It’s T-minus 20 days and counting, friends. Christmas is rapidly approaching, the assorted poultry are growing corpulent, and the geriatric gentleman is asking for alms. And for us, the Assorted Fanboys of the Universe, we’re making out lists of toys and goodies that we’re just hoping Santa will leave under our trees. Unfortunately, for those of us who were stupid enough to buy an issue of One More Day, we’re stuck on the “naughty” list, and we’re left hoping for treats from the special people in our lives. So this week’s special “Everything But Imaginary” column is not for you, fanboys.

No, no. It’s for your loved ones.

This column is going to list some of the coolest stuff you can get for your fanboy this year. Fanboys, make sure your primary gift-giver sees it. Print out a copy and leave it in the bathroom. Casually mention how awesome Everything But Imaginary is until they have no choice but to log on. “Accidentally” CC an e-mail to them saying, “Hey, Joe, did you read this column? I hope Marcia gets me some of this stuff for Christmas.” (Also, you may want to use your own girlfriend/fiancé/wife’s name, because if it’s not “Marcia,” you’re going to have much bigger problems than Christmas presents.)

So what are some of the best gifts out there for comic geeks this year? Let’s start with…

BOOKS

Now not every geek has the same tastes, so it’s important to find something that will appeal to him or her. There are a lot of nice, hefty hardcovers available these days that will almost certainly be to someone’s liking. The Captain America Omnibus might be nice for someone who didn’t start reading the comic book until March. Jack Kirby’s Fourth World Omnibus can give the DC fan some nice background on Countdown. Fans of the Disney theme parks will salivate over the collected edition of Slave Labor’s Haunted Mansion comic book. Looking for a cool comic he probably didn’t read? The Hero By Night hardcover just came out. And if your geek is digging the current Spirit series, there are over 20 hardcover archives available collecting the original run.

Books are the ultimate gift for a fanboy. We’re always looking for something else to read, because if we didn’t love reading, we wouldn’t be comic geeks in the first place. Your trick, your task if you will, will be to determine just what your fanboy likes. Hardcore fans of Serenity or The Dark Tower likely already have those issues in their collection, but that doesn’t automatically mean they wouldn’t appreciate the hardcover collections of those comics.

DVDS

If anything can rival a book in a fanboy’s heart, it’s the DVD, and there were a ton of them released this year. TV shows featuring Superman, Batman, Aquaman, the Super Friends, and a jillion more. Awesome movies like 300, TransFormers and Spi… Spider…. Um, and let’s not forget that this is the year that high-definition players really began to grow in prominence! (Spider-Man and Spider-Man 2 are in high-def now, right?) Find out if your geek is interested in “upgrading” his old DVDs to high-def or Blu-Ray. Once you’ve figured out if your geek likes a certain TV show or movie (here’s a test: “Hey, sweetie, what did you think of 300?”), ascertaining whether or not he already has it is the easy part. The Native North American Geek usually has a cabinet or shelf where his DVDs are proudly displayed as though they were college degrees, Olympic medals or Grandma’s ashes, providing Grandma looked as good in spandex as Jessica Alba. All you’ve got to do is look and see if the DVD you’re considering purchasing is already there.

TOYS AND ASSORTED JUNK

As always, there are a ton of toys and goodies you can get for your geek. If you’ve got the display space, there are plenty of great statues out there. My girlfriend Erin (who is not only cute, smart, funny, and basically awesome, but also a terrible enabler for my habit) got me the Fables Snow White/Bigby Wolf statue for my birthday back in August, and lemme tell ya, this is the coolest thing you could possibly get for a Fables fan. And of course, there are statues available featuring practically any denomination of fan worship – Spider-Man, Superman, Batman, the X-Men, Serenity, Star Wars, Star Trek, Archie Comics, classic Universal monsters, Lord of the Rings, Pirates of the Carribean – just walk into your local comic shop (you may have to ask your fanboy where it is) and see the stuff they have on the shelves.

A statue a little outside of your price range? No problem. There are plenty of action figures out there that look good enough to practically be statues – the Marvel Legends and DC Direct lines are packed with beautiful sculpts of beloved heroes. Don’t want to get your fanboy a toy? (You elitist.) How about a Betty Boop Zippo lighter? A Superman lunchbox? A Serenity-as-Reaver-Ship Christmas tree ornament? Getting “collectibles” instead of “toys” takes a little of the sting out of it, doesn’t it?

STOCKING STUFFERS

C’mon, you know you still hang your stocking up every Christmas Eve, and you know that you still wake up every Christmas Morning in the hopes of finding it full of loot. Give your fanboy that gift this year. There are plenty of things to choose from – including my favorite toy line of the year, Mini-Mates. Miniature action figures that come in packs of two – not as detailed or as displayable as some of their bigger, pricier cousins, but just as cool. And the best part is, they come in a ton of denominations as well – Marvel superheroes, DC superheroes, Battlestar Galactica, 24, Speed Racer and many more. (Um… just try to avoid the zombie ones. I had some trouble with them back on Halloween.)

So there you have it, friends – plenty of ideas to get you started. And if you come up with any gift suggestions of your own, share them here! We can use all the help we can get.

Favorite of the Week: November 28, 2007

It wasn’t a long run, but Tony Bedard and Dennis Calero’s term on Supergirl and the Legion of Super-Heroes (which ended with last week’s #36) was a really good one. In their few issues, they helped the Legion reestablish itself in the aftermath of the Dominator War and the disappearance of one of their founders, Cosmic Boy. They reintroduced a number of fan-favorite Legionnaires and Legion concepts (the lost-missed Wildfire/ERG-1, for instance). They brought Supergirl’s story to a very satisfying close, and they gave Jim Shooter and Francis Manapul a solid foundation to begin their stint on this title. Well-done, sirs. Well done.

Blake M. Petit is the author of the superhero comedy novel, Other People’s Heroes, the suspense novel The Beginner and the Christmas-themed eBook A Long November. He’s also the co-host, with whoever the hell is available that week, of the 2 in 1 Showcase Podcast. E-mail him at BlakeMPetit@gmail.com and visit him on the web at Evertime Realms. Read past columns at the Everything But Imaginary Archive Page.

14
Sep
11

Classic EBI #108: The New Mosaic Comics

DC Comics has been having something of a string of good fortune lately with their New 52 venture, leading to some geeks to speculate whether or not Marvel Comics should follow suit. Now I’m not saying that I think Marvel should. I’m just saying that if they did, this is a 52-title Marvel Universe I would be interested in reading…

Everything But Imaginary #415: My Marvel 52

And in this week’s classic EBI, we go back to March 2005, a time when I’d been having a particularly crappy string of luck and I needed some cool comics to cheer myself up. Fortunately, those were easy to find.

Classic EBI #108: The New Mosaic Comics

When I’m having a particularly lousy week (as those of you who follow my blog know I’ve been having in epidemic proportions lately), there are few things that are as certain to cheer me up as finding a new comic book that I really enjoy. So I lucked out Friday when I went into ol’ BSI comics and picked up a copy of Lullaby: Wisdom Seeker from Image Comics and Alias Productions.

I am, as is well known, a big fan of children’s literature. I adore the works of L. Frank Baum and Lewis Carroll. I think The Chronicles of Narnia are great literature, and one Saturday this summer I’m going to be waking up like a kid at Christmas ready to get the new Harry Potter book. I’m also a big fan of Mike S. Miller, who’s writing this book along with Ben Avery and creator Hector Sevilla on some beautiful artwork. So Lullaby was an easy sell to me.

Here’s the basic plot – the story starts in a version of Wonderland where Alice never made it home. In fact, she doesn’t even remember her life in the “real” world except as vague dreams and shrounded memories. She has risen through the ranks and become the right hand of the infamous Queen of Hearts. Now there is unrest in the lands of imagination, and she sets out to find the source.

Lullaby is, in essence, a patchwork of twisted versions of these classic children’s stories. In addition to this new Alice, we’re also faced with a version of Jim Hawkins (of Treasure Island) who joined up with Long John Silver’s pirate crew and a spritely Pinocchio who was turned back into a puppet and, rather than break his father’s heart, fled to the other lands in hopes of finding the Wizard of Oz to restore his lost humanity.

So no, these aren’t exactly the characters we all grew up reading about, but they aren’t too far removed either. Alice is still a little girl who longs to go home, Pinocchio still yearns to be a real boy and, although Jim isn’t explored too deeply in the first issue, you get the sense that he joined the pirate’s life out of a thirst for adventure rather than gold.

Reading the book, however, immediately brought to mind two other recent comics, both of them critical and commercial successes, that use the same idea of snatching characters from disparate sources and putting them together. Here we’re talking, of course, about Alan Moore’s League of Extraordinary Gentlemen and Bill Willingham’s Fables. Comics have long taken characters from different settings and combined them, going back to the very first stories of the Justice Society of America, which took the most popular characters from the then-National Comics and put them in a book together. At the time, such a thing had never been done. Decades later, it was common for superhero universes to have sort of an “all-star” team – the Justice League of America, the Avengers and so on. What Moore did with the League of Extraordinary Gentlemen was transplant that idea back a century. Who were the superheroes at the end of the 1800s? Well, that would be like likes of Allan Quartermain, Captain Nemo, the Invisible Man, Dr. Jekyll (and Mr. Hyde) and Mina Murray. (And go ahead and pan the movie if you must, but I thought the addition of an adult Tom Sawyer was a nice touch.) Who would the supervillains be? Clearly, the likes of Dr. Moriarity, the invading Martians from War of the Worlds and perhaps even some of the “heroes.”

Moore turned out two volumes of this critically acclaimed comic book (this isn’t that big a trick for him – Alan Moore could publish a recipe for prune-flavored flan and the comic book press would declare it a masterpiece) and supposedly a third is forthcoming. It wasn’t the first time such an idea had been attempted, but it was certainly one of the best comics ever to use the idea of stitching together such disparate characters.

Then of course there’s Fables. If you don’t know what Fables is, you must not read this column much because I praise it all the time. The brainchild of Bill Willingham, Fables is a story of fairy tale characters driven out of their homeland and into our “real” world by the invading forces of a mysterious entity called the Adversary. Living among humans for hundreds of years, some have resigned themselves to their existence, while others still believe they can one day find their way home. Of all the “mosaic” comics I’m talking about this week, I think Fables has, hands-down, the most expansive cast: Snow White, the Big Bad Wolf, Prince Charming, Cinderella, Sleeping Beauty, Pinocchio, Thumbelina, Old King Cole, Little Boy Blue, Jack of the Tales, Ichabod Crane, Beauty and the Beast, Baba Yaga, Little Red Riding Hood, the Three Little Pigs, Robin Hood, Goldilocks and the Three Bears, Beauty and the Beast and Flycatcher, just to name a few, have all been a part of this story. And while so far the Fables we’ve encountered have been mostly European or North American in origin, Willingham promises that future storylines will expand to Fables of other cultures as well.

You wouldn’t think that sort of thing was really so unusual for a comic book fan. We’re used to seeing team-ups. We’re even used to seeing team-ups among really bizarre groups of characters – Alien Vs. Predator, Superman/Madman, Teenage Mutant Ninja Turtles/Flaming Carrot – even Archie Andrews has met the Punisher.

And it’s not that unusual to see these characters combined in other medium, either. Kim Newman’s Anno Dracula novels cover over a century in which Bram Stoker’s Dracula survived and unleashed vampires across the world – but along the way Newman references real people and fictional characters freely. Jack the Ripper and Edgar Allan Poe make appearances alongside representations of James Bond, Superman, Dr. Strange, Buffy the Vampire Slayer and even – in a brief Red Baron joke during World War I – Charles Schulz’s Snoopy.

So why is it stuff like Moore’s League seems so revolutionary to us?

Without sounding like a snob… I kind of think it’s because these are all characters from outside of comic books. We’re used to crossovers with comic book characters – or at the very least, characters that have a firmly-established presence in comics (like Aliens). It’s different when you’re talking about characters from other sources. A lot of the general public, if you tell them you’re reading a comic book, may turn up their nose at you. But if you tell them you’re reading a comic book where the Island of Dr. Moreau is a setting, that may elicit a gem of curiosity. If you tell them about Pinocchio and Jim Hawkins sailing off to the land of Oz, people who loved those books as children will want to know what you’re talking about. And if you mention that one of the best love stories in comics is currently between Snow White and the Big Bad Wolf, they’ll have to ask you where that’s coming from.

I think one of the reasons that comics like these three are arcing up in popularity is because we comic fans realize, on some level, that this is the kind of thing that could potentially grab other readers. Someone who loves the Oz books may want to read Lullaby. Someone who was raised on Allan Quartermain will want to check out the League. Someone who studies folklore will want to see how it is being treating in Fables.

The trick, as always, is getting the word out. The League movie, unfortunately, flopped (although I don’t think it’s nearly as bad as some people say). But there’s word that a Fables film may be in the works, and Lullaby would be perfect as an animated feature. If those audiences can be grabbed and lured back to the comic books, that would be a very good thing.

Then there’s the other reason that comic fans like these three titles – the most important reason. They’re all really, really good.

Who knew? Maybe you can get something out of those books without pictures after all.

FAVORITE OF THE WEEK: March 22, 2005
It was a surprisingly good week for comics, last week, friends. Aside from the aforementioned Lullaby, there were also very strong showings from Runaways, JLA: Classified and New X-Men: Academy X, but narrowly taking the top spot for me was New Avengers #4. This team is slowly growing on me, I must admit. Brian Michael Bendis has found a logical explanation for the characters on the team now and has thrown in a good bit of mystery as well. His characterization is top-notch, and while some may think Spider-Man’s constant quips are annoying, I think they clearly indicate how nervous the character is to be counted among such an auspicious group. While the impending inclusion of Wolverine still bugs the screaming bejeezus out of me, so far, the book is really a solid read.

Blake M. Petit is the author of the superhero comedy novel, Other People’s Heroes, the suspense novel The Beginnerand the Christmas-themed eBook A Long November. He’s also the co-host, with whoever the hell is available that week, of the2 in 1 Showcase Podcast. E-mail him at BlakeMPetit@gmail.comand visit him on the web at Evertime Realms.Read past columns at the Everything But Imaginary Archive Page.
24
Aug
11

Classic EBI #105: Getting in on the Ground Floor

With next week’s historical realignment of the DC Universe, I thought today would be an appropriate time to look back at the DCU that was and give a proper send-off to those books, characters, and creators that I’ve enjoyed in recent years that I think deserve a fond farewell.

Everything But Imaginary #412: The Old DC Farewell Party

Going back in time, though, we look at my column from March 9, 2005. This week, I talked about how hard it can be to get into long-running series, and made my recommendation for a book I thought could be the Next Big Thing. I still think it’s a great book, and it lives on as a webcomic…

Everything But Imaginary #105: Getting in on the Ground Floor

In theory, a new reader should be able to jump into a long-running, iconic series at just about any time and get into the action. This isn’t true in practice, of course, but let’s talk about the theory for a moment. In theory, Spider-Man comics should be perfectly accessible to people who just start reading because they love the movie. In theory, people who want to try Fantastic Four should be able to hop on to that title as soon as the new writer takes over. And in theory, if you’re one of the three people on Earth who doesn’t know Batman’s origin, just stick around, because it seems to get recapped every other month anyway.

The reason for this is that these characters have been around for decades and have become part of the constantly-expanding mythology of comic books. Amazing Spider-Man does not tell one complete story, it tells hundreds of stories in short installments that have been added to by hundreds of writers, pencilers, inkers, colorists, letterers and editors over the years. So if you missed the beginning of the current story, or if you don’t like it, all you’ve got to do is wait around for the next one to start.

This is not true of all comics, however. In the last few decades, there has been an increasing focus on comics that tell one, extended story, usually the product of a single cartoonist or a single writer collaborating with multiple artists. A comic book series with a beginning, a middle and an end — as opposed to comics like Superman, where you know you’re in a state of perpetual middle.

Now because these single-story series can almost never involve an iconic character, and often are done by a creator who is relatively unknown as the series begins, the titles that fit into this category quite often start off small, with a handful of readers who spread the word. The book gains critical acclaim, rolls on, and eventually may be known of as a classic. But only those handful of people who were there at the beginning got the story the way it was intended. Others scrambled for the trade paperbacks or scoured the back issue bins, or sometimes just jumped in the middle. It’s impossible to predict which of these series will take off, so the speculation doesn’t really work.

Perhaps the best known example of this kind of comic is Neil Gaiman’s Sandman. Gaiman, at the time, was a little-known writer with a handful of credits to his name who pitched a series about the Jack Kirby incarnation of the Sandman, the one who lived in a sort of space station and monitored people’s dreams. DC liked the idea but, alas, that Sandman was already in use in the title Infinity, Inc., so they asked him to create a new character.

Fast-forward 75 issues and you have one of the most acclaimed comic book series of all time, about the King of the Dreams, his undying siblings, the power of story and imagination and everything else. It’s regarded as a classic. It’s the only comic ever to win a World Fantasy Award. And most importantly (for purposes of this discussion), it’s a book that DC let Gaiman end when his story was done.

Dave Sim’s Cerebus took this form of storytelling to the extreme, setting out to do a 300-issue series that would chronicle the entire life of his aardvark hero, and he succeeded. He riled up a lot of people, got a lot of people mad, but he told a tale that, like it or not, is unparalleled in scope in comic book history.

Sometimes you’re lucky enough to get in on that ground floor. A few years ago, thumbing through the Previews catalogue, I noticed a new series in the works from the Vertigo imprint about fairy tale characters living in the modern world. The premise intrigued me and the writer, Bill Willingham, was somebody I’d grown to respect for his work on various Sandman Presents projects. So I put Fables in my pull folder, reasoning I could just ditch it after the first story arc if I didn’t like it. Oh, but I liked it. It’s now my favorite comic every single month, and when I listen to people talk about how great it is and other people ask when they can start reading it, I just smile because I lucked out enough to get into it from the very beginning.

My favorite example of this kind of story, though, has to be Jeff Smith’s Bone. This was one where I was lucky enough to get in relatively early, with issue #13. I picked up the trade paperbacks of the first 12 issues and I was set to follow the Bone cousins for about the next ten years in their adventures through the valley, against the stupid, stupid rat creatures and the Lord of the Locusts and unravelling the mysteries surrounding Thorn Harvestar.

When this remarkable series finally reached its conclusion last year, I told as many people as would listen to pick the thing up, to get the trade paperbacks or the color reprints or the big mama-jama one-volume edition.

But last weekend it occurred to me, as much as promoting Bone is a good thing, perhaps it would also behoove me to try to find that next big thing, that new comic that nobody knows about yet but is rife with potential, and tell people about it while they still have time to get in on the ground floor.

That thought came to me because I was reading that next comic nobody knows about yet. And it’s Runners by Sean Wang.

Published by Serve Man Press, the first Runners miniseries, Bad Goods recently concluded its five-issue run with the promise of more to come. The basic premise of this miniseries is that a group of outer-space runners — a crew that transports cargo from one planet to another — discovers a mysterious blue woman that they suspect may have come from the vats they’re transporting, meaning someone is using them in a slave ring. Despite that kind of heavy premise, the comic is really a rip-roaring, old-fashioned sci-fi adventure, with plenty of lighthearted moments, wonderful artwork that’s just begging to be made into an animated movie, and some of the coolest alien designs I’ve seen in a very, very long time.

While I was reading those first five issues, though, I felt like there was something deeper here. It read as though Sean Wang has serious plans for this title, and he was just sort of easing us in on the lighthearted stuff before launching into the full-on space opera that this title has the potential to become. I haven’t felt that way about a comic in a long time.

Not, in fact, since those early issues of Bone where we had a goofy cow race disguising the fact that the valley was about to be plunged into war.

Yeah. I think it could be that good.

So I’ve got to thank Sean Wang for passing the first four comics into Ronée’s capable hands, I’ve gotta thank Ronée for letting me read them, and I’ve got to thank the manager of BSI Comics for going to great lengths to snag a copy of the final issue for me. Otherwise, I may never have known about this comic.

And I may never have had the chance to tell you to try it out. The first five issue miniseries is available at the www.SeanWang.com, and a trade paperback is in the works… and Wang promises that the story will continue. I can’t wait.

So how about an assignment, folks? Kind of like with my “best comics I’ve never read” columns, I want you guys to suggest some of the best new comics out there, ones you think nobody knows about yet but that you want people to try because you see real potential. A miniseries can qualify if it’s the sort of thing that’ll be a series of miniseries, or it can be an ongoing, but let’s say anything less than 12 issues into the run. Anything beyond that and it’s not really the ground floor anymore, is it?

And check out Runners: Bad Goods! It’s worth the hunt.

FAVORITE OF THE WEEK: March 2, 2005

From the ground floor to the skyscraper, last week’s favorite is kind of the opposite of what we talked about this week, the final issue of a comic that told one story from beginning to end. Although the title was hurt by a forced hiatus to deal with some legal matters, Rising Stars #24 ended J. Michael Straczynski’s epic in real style. The story is resolved, questions are answered, and things all really come full-circle. In typical Straczynski style, this final issue was really more of an epilogue than the actual finale, but it did give us something I never thought we’d get — the truth about the flash that gave the Specials their powers. And it was a simple, beautiful explanation. Now that this series is over, now that people can read the whole thing, I feel confidant that this will make its way alongside the acknowledged masterpieces of the superhero genre.

Blake M. Petit is the author of the superhero comedy novel, Other People’s Heroes, the suspense novel The Beginnerand the Christmas-themed eBook A Long November. He’s also the co-host, with whoever the hell is available that week, of the 2 in 1 Showcase Podcast. E-mail him at BlakeMPetit@gmail.comand visit him on the web at Evertime Realms.Read past columns at the Everything But Imaginary Archive Page.




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