Posts Tagged ‘Geoff Johns

26
May
13

2 in 1 Showcase Episode 290: The Doctor’s Name, the Trek Into Darkness

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Kenny makes his triumphant and long-awaited return to the microphone this week, as he and Blake get into some recent TV and movie madness. In highly spoilery fashion, the guys discuss the Doctor Who season seven finale, The Name of the Doctor, then proceed to dig into Star Trek Into Darkness, as well as the real “Avengers Vs. X-Men” moment brewing between Fox and Disney over who’s going to use Quicksilver on screen, X-Men: Days of Future Past or Avengers 2. In the picks, Kenny goes with the non-graphic novel Spice and Wolf Vol. 1, and Blake bids adieu to the Geoff Johns era with Green Lantern #20. Contact us with comments, suggestions, or anything else at Showcase@CXPulp.com!

Music provided by Music Alley from Mevio.

2 in 1 Showcase Episode 290: The Doctor’s Name, the Trek Into Darkness

14
Oct
12

2 in 1 Showcase Episode 274: News From NYCC

 

Blake is by himself this week, taking a look at some of the news coming out from this weekend’s New York Comic-Con. From Marvel Now! to the SHIELD TV show, Scott Snyder on Superman and Mars Attacking… everyone, Blake gives his thoughts on these big announcements and more. In the picks, we look at Batman #13 and the Image Halloween Eve One-Shot! Don’t forget to e-mail us your top ten favorite movie monsters for our Halloween episode! Contact us with comments, suggestions, or anything else at Showcase@CXPulp.com!

Music provided by Music Alley from Mevio.

Episode 274: News From NYCC

02
Nov
11

Classic EBI #110: Second Stringers

In today’s new Everything But Imaginary, I think about the nature of superpowers. Sure, it’d be cool to be able to lift tanks or fly through outer space, but let’s be honest. Some minor-league powers could come in pretty handy too.

Everything But Imaginary #422: Practical Superpowers

And in today’s classic EBI, I head back to April 2005. We all know the a-list superheroes… Superman, Batman, the X-Men and so forth. But just because a hero may not be in the top tier doesn’t mean their stories aren’t worth telling. Today, we look at the second string.

Everything But Imaginary #110: Second Stringers

With the thousands of comic book characters that have been created since the artform was invented, it’s only natural that some will be more popular than others. For every Superman, there are a dozen Gladiators, for every Batman a Moon Knight, for every Richie Rich a Royal Roy. But does that mean these characters are actually bad, or does it mean that they just missed the train to stardom? The fact is, there are a ton of really good b-list characters out there, and it always puts a smile on my face to see some of them get the respect they deserve.

I’ve always believed that there are very few genuinely bad characters, that almost any character can be entertaining in the hands of a good enough writer. Fabian Nicieza proved that way back in the early 90s with the first incarnation of the New Warriors. He picked up a bunch of characters that nobody cared about in solo adventures and decided to throw them all into a book together – Nova, Namorita, Firestar, Marvel Boy and Speedball. A bunch of B-listers if ever there was one. (Actually, calling Speedball “B-list” at that period was probably being generous.)

But somehow, he mixed in a magic touch that made those characters that nobody liked… likable. And interesting. And one of the best superhero books on the market. Unfortunately, no other writer managed to bring that same magic to the book. It was cancelled 25 issues after his departure, and a relaunch a few years later only lasted 10 issues. A new miniseries is scheduled for this summer, but time will tell if Zeb Wells has what it takes to make us care about these guys again. [2011 Note: He didn’t.]

A lot of writers see these second-string characters as a challenge, as real fodder for bizarre or unusual tales that they simply wouldn’t be allowed to tell with Superman or Captain America. Look at what happened when Grant Morrison took over Animal Man. A lame character with a lame power (he could duplicate the abilities of any animal in the vicinity) and managed to tell some of the most intelligent, thought-provoking comics ever published at the time. He found new, intelligent uses for the power, and beyond that, made the comic a bizarre, metafictional hit. Writing this comic pushed Morrison on his way to becoming one of the most respected writers in comics.

Now he’s doing it again with his Seven Soldiers series. He’s taken a B-list team and reimagined it with seven B-list superheroes: Shining Knight, Guardian, Zatanna, Klarion, Frankenstein, Mr. Miracle and Bulleteer (actually, I’d consider Zatanna A-list, but clearly Morrison doesn’t) and he’s again having some fun experimenting with seven independent stories that will theoretically weave together to create a larger whole. And people, for the most part, seem to be enjoying them.

Keith Giffen also had a lot of fun with the b-list, rounding up forgotten or cast-off characters like Blue Beetle, Booster Gold, Fire, Ice, Rocket Red and third-string Green Lantern Guy Gardner and making them the Justice League. He made clever, hysterical comics, too, so much that even now, over a decade later, people are lining up for new material from this creative team (including J.M. DeMatteis and Kevin Maguire) with these characters.

And come on, folks – you’ve all read Countdown to Infinite Crisis by now, right? Were it not for the respect and notoriety Giffen gave the characters all that time ago, the events of this book would have been meaningless. Instead, although the title somewhat dampens a great deal of what he created back then, it makes for a powerful, heartbreaking story about a true hero – the Blue Beetle, trying to put things right when the “A-team” has completely abandoned him. There’s a moment in that book where Maxwell Lord tells the Beetle “You were never second-string.” And the events of that issue, to many readers, proved that Max was right.

And how about characters that are created, not just as second-stringers, but as nigh knock-offs of the A-list characters? Let’s look at Mr. Majestic. An alien comes to Earth with powers and abilities far beyond those of mortal men. Gee. Where have I heard this before? I was never interested in him, because I didn’t see the point in reading about a faux Superman when I could read about the real thing.

Then last year, Dan Abnett and Andy Lanning took that ”fake” Superman and temporarily made him the real one, when Big Blue went missing in the timestream. All of a sudden… this guy was interesting. DnA (as they are sometimes collectively called) didn’t focus on what made Majestic similar to Superman, they focused on the differences, and how those differences made it difficult for him to truly replace the man of steel. He was an alien, yes, with similar powers, but he was raised on his homeworld and came to Earth as an adult, with different ideas and values than the Kansas-raised Superman. It wasn’t then that I saw the potential – Majestic isn’t a fake Superman, he’s what Superman could have been under other circumstances. Filtered through that perception, he’s a much more intriguing character. I followed that character, then, into his own miniseries and now into his ongoing, which I am enjoying quite a bit.

The same goes for Dan Slott’s new reimagining of the Great Lakes Avengers. I’m not sure what John Byrne was thinking when he created this team in the pages of West Coast Avengers, but they were never exactly played for the jokes that they really were. They wanted to take themselves seriously. It was the readers who couldn’t. Goofy characters like Mr. Immortal, Big Bertha and Flatman just didn’t have a place alongside Captain America and the She-Hulk. So what does Slott do in the new GLA miniseries? He plays it for laughs. Dark laughs, to be sure, but laughs nonetheless, and he tells the best story these characters have ever had. And in case the original team wasn’t lame enough, he’s decided to add even more loser superheroes, like Squirrel Girl, to the team.

Even a company like Archie Comics recognizes their second-string. They’ve just launched the new Tales From Riverdale Digest, which gives a spotlight to characters other than those who headline their own books – Archie, Jughead, Betty and Veronica. In this digest, their writers can have a little fun playing with Dilton or Moose or even Ms. Beazley, the Riverdale High Cafeteria Lady, should they be so inclined. (Look, you can’t rule it out. If there’s one thing I’ve learned since I began writing this column, it’s that every character is somebody’s favorite).

I think it’s good – even important – to have a “second string” of characters in any attempt to create a shared universe. First of all – it only makes logical sense. If you’re going to have people like Superman leaping tall buildings in your hometown, it’s natural to imagine that there will be lesser characters hoping to snag some of that glory for themselves. As goofy as many of the B-list characters are, their very existence tends to add a small degree of realism to comics. Second, it helps flesh out a universe and make it more full. There are tiers of superheroes, just as there are tiers of actors, or politics, or authors or musicians. And everyone, no doubt, has their own opinions as to who belongs on each tier.

And third, this is where future characters are going to come from. It’s virtually impossible, at this point, for a new character to burst onto the scene and become the new Superman or Batman. Any character who isn’t currently A-list, almost by definition, will be B-list when he’s introduced. But that B-list isn’t really that bad a place to be. You can pick up fans slowly, experiment, gain in popularity. And if the character and writer are good enough, that B-lister can eventually graduate to the A-team.

Just ask Ted Kord.

FAVORITE OF THE WEEK: April 6, 2005

As nervous as I was about the whole premise behind Green Lantern: Rebirth, Geoff Johns has totally turned me around. Issue #5, out last week after something of a hiatus, was a total home-run, not just for the great writing and fantastic art (of which both fully met my expectations), but because in this issue, Johns did something that needed to be done. And I’m going to spoil the issue a bit here, so if you haven’t read it, jump to the italicized bit at the end of the column.

My biggest concern about this comic was that DC, in catering to the Hal Jordan fans, would dismiss all the fans of Kyle Rayner. This issue proved to me that this isn’t the case. As a resurrected Hal faces off against Sinestro, ol’ purple-puss makes a crack about how he’s going to kill the remaining Green Lanterns, leaving Kyle for last.

Hal’s response is what sealed the deal. “Kyle held the torch when no one else would. When no one else could,” he said. “You will respect him.”

Somehow, that’s all I needed to hear. That the people writing the comic know and understand that’s how the Kyle fans feel about the whole thing. That was the last niggling bit that was bothering me about this whole project, and now that it’s been dealt with, I’m ready to sit back and enjoy the finish.

Man – and what a last page, huh?

Blake M. Petit is the author of the superhero comedy novel, Other People’s Heroes, the suspense novel The Beginner and the Christmas-themed eBook A Long November. He’s also the co-host, with whoever the hell is available that week, of the 2 in 1 Showcase Podcast. E-mail him at BlakeMPetit@gmail.com.

04
Sep
11

2 in 1 Showcase Episode 235: A Whole New World

The DC Universe changes this week, and Blake and Erin are there to report on it! The two talk about the conclusion of Flashpoint, the first issue of Justice League, and some of the upcoming New 52 books hitting stores in the coming weeks. In the picks this week, Blake is down with Sergio Aragones’ Funnies #2 and Doctor Who Annual 2011! Contact us with comments, suggestions, or anything else at Showcase@CXPulp.com!

Music provided by Music Alley from Mevio.

Episode 235: A Whole New World

10
Aug
11

Classic EBI #103: Old Dogs, New Tricks

Boom! Studios, the publisher that has been turning out great comics based on various Disney-owned TV shows, cartoons, and movies since 2009, recently confirmed that their production of Disney comics will end in October with their Darkwing Duck/DuckTales crossover. This isn’t really a surprise, and the assumption seems to be that the characters will be folded into Marvel Comics, which Disney purchased about six months after the Boom! deal began. So the questions I ask in today’s Everything But Imaginary are simple: What is Marvel going to do with Disney Comics? And what should Marvel do with Disney Comics?

Everything But Imaginary #410: Marvel’s Mickey Mouse Outfit

In this week’s classic EBI, we’re rolling back to February 23, 2005, when I took a look at the legacy of the Golden Age, both in characters and creators.

Everything But Imaginary #103: Old Dogs, New Tricks

This weekend, I was sitting around reading the latest issue of Comics Buyer’s Guide (which, incidentally, is still the best publication out there about comics), and I was gratified to see an ad from Heroic Publications announcing an upcoming Alter Ego trade paperback. Most of you have never heard of Alter Ego, of course. A few of you may recognize it as being a fanzine published by comic writer and editor supreme Roy Thomas about the Golden and Silver Ages of comics. Three of you, based on our Everything But Imaginary Insta-Poll Technology, seem to think it’s some sort of Greek sandwich.

But it was also a four-issue miniseries written by Thomas and drawn by Ron Harris in the mid-80s, and it’s one of my favorite little-known gems of the comic book world. In this series, published by the now-defunct First Comics, a teenager named Rob Lindsay wound up with a box of Golden Age comics in mint condition, including some he’d never heard of, and with some really bizarre stories (like characters from one publisher showing up in another publisher’s book, which was rare in the 80s and unheard of in the 40s, although these days it happens with such frequency that they’re thinking of adding an inter-company crossover bell, not unlike an ice cream truck).

One of the comics was Alter Ego, a weird tale about a super-powered hero battling an evil tryant, the Crimson Claw. A mask fell out of the comic and, thinking it was a giveaway, Rob put it on, only to be transported to another dimension where World War II was still in high gear and all of the Golden Age characters he’d read about in his grandfather’s old comics were still alive and kicking. And he himself had been transformed to Alter Ego, their leader, and the only hope of saving his world and theirs from nuclear devastation.

I really don’t know how well-received the comic was when it was first published – I discovered it a few years later at a flea market, where I got all four issues for a quarter apiece. It looked interesting, and heck, it was only a buck for the whole miniseries. I’ve read those issues dozens of times over the years. It was one of the best single dollars I’ve ever spent. I even got Thomas to autograph the first issue for me at a convention a few years ago.

One of my favorite things about the title, though, was that Thomas didn’t whip up a bunch of “new” Golden Age heroes to plug into his tale – he secured the rights to several real characters who, not being published by Marvel or DC, had faded into obscurity: Captain Combat, the Holy Terror, Skyboy, Yankee Doodle and Camille the Jungle Queen. He even dug up Lev Gleason Publishing’s Daredevil, although with Marvel using the name these days, he called him Double-Dare in the comic.

At any rate, it was a great comic, and with a trade paperback scheduled for release this month, I’d recommend anyone who digs the Golden Age of comics try to find a copy. You know. Both of you. Which brings me around to where I was going in this column – so much of the time we, as comic fans, are looking for the next big thing. The next great writer, the next great artist, the next smash hit character. And there’s nothing wrong with that. I’m sure a great many of us hope to someday be the next great writer or the next great artist. But there’s still so much life in those classic creations that people are totally missing out on! Thomas was one of the kings of mining Golden Age material for new stuff – during the same period he published Alter Ego he also was doing great stuff at DC with the All-Star Squadron and Secret Origins, which were both steeped in the Golden Age.

These days, you don’t see a lot done with Golden Age properties, except for characters who were created in the Golden Age and have remained consistently popular, like Superman and Captain America. Marvel made an effort recently with New Invaders, but it fell flat pretty quickly. Really, the only one in comics really doing much with it at all at the moment is Geoff Johns in JSA. He’s using the original incarnations of perpetually popular characters like Green Lantern and the Flash, but he’s also brought back new or updated versions of classic, lesser known heroes like Mr. Terrific, Dr. Mid-Nite, Sand and (bless him for this one) the Red Tornado.

There are smatterings of respect to the Golden Age across the rest of the DCU. The Justice League keeps the original Crimson Avenger’s uniform on display in the Watchtower, a symbol of the first superhero in their universe. Lady Blackhawk has recently joined the Birds of Prey, and the Blackhawk name is kept alive by a new elite fighter squad. The Guardian will be part of Grant Morrison’s new Seven Soldiers of Victory. There’s even a new Manhunter, at least the fourth such incarnation of the character since the original one in the Golden Age.

Perhaps even more disturbing to me than the lack of screentime Golden Age properties seem to get these days, though, is the lack of respect Golden Age creators get. We’re talking about the guys who not only invented the medium and genres we all love, but most of them got royally screwed by the publishers in the process. So while Jim Lee has gotten richer off his work with Superman and Batman, the guys who created and defined those characters have struggled. I’m not downing Lee, mind you. I’m just sad that Jerry Siegel, Joe Schuster, Bob Kane and Bill Finger (who got the rawest deal of just about anybody in the Golden Age) didn’t get the recognition they deserved while they were with us.

I try to hit a major con every year or two, and I’ve noticed something that really disturbs me. People are willing to stand in line for up to two hours for an autograph by Michael Turner or Mark Silvestri. And that’s fine – they’re both great artists and I enjoy their work. But then I’ll wander on over to the Artist’s Alley section and I’ll see guys like Mart Nodell sitting there alone, with no one coming close to shake his hand and ask for his signature.

Even sadder, I’ll bet at least 75 percent of the people who just read that paragraph don’t even know who Mart Nodell is.

He was the co-creator (with the aforementioned royally screwed Bill Finger) of a fella by the name of Green Lantern. The first one, of course, Alan Scott, but without him there would have been no Hal Jordan, no Guy Gardner, no John Stewart, no Green Lantern Corps, and Geoff Johns and Ethan Van Sciver wouldn’t currently be doing some of the best work of their careers.

If you ever see him at a con, go talk to him. He’s an interesting guy – I’ve met him twice now and I was amazed each time. He’s happy to sign anything you bring him. He even takes copies of Zero Hour #0, which prominently featured ol’ Hal and happened to have a blank white cover, and does a sketch of a Lantern in green ink. Man, how cool is that?

You see it happening to more recent creators that are getting past their prime too. You may hate what Chris Claremont is doing with X-Men these days, but the man at least deserves respect for having taken what was, at the time, a stagnant, b-list Marvel title and making it one of the flagship books of the entire industry. John Byrne’s Doom Patrol may not be your cup of tea, but he did a run on Fantastic Four that was unparalleled in its quality until Mark Waid and Mike Wieringo took over. Don’t get the new stuff if you don’t like it, but give credit where credit is due as well.

Every art form needs to be constantly looking forward, looking ahead, trying to remain interesting, exciting and revolutionary. You’ve got to be ready to make that journey in the future. But every journey needs fuel, and there’s still an awful lot of fuel to be found in the past, if only you know where to look for it.

FAVORITE OF THE WEEK: February 16, 2005

Damn you, Geoff Johns.

I didn’t want to like Green Lantern: Rebirth. In fact, I was fully prepared to hate it. I felt like the whole series was DC’s way of capitulating to a vocal minority of fans who have spent the past ten years whining about Hal Jordan like babies who had their bottles taken away from them. To be honest, I still feel that way. But the fact is, no matter why this comic was scheduled in the first place, Johns is telling a fantastic story that’s redeeming Hal and tying up decades of continuity into one tight, concise tale that appears well on the road to reestablishing the one thing I have really missed since the revamp: the Green Lantern Corps. Issue 4 of this series was the best yet, showing some great action scenes, a fantastic moment with Green Arrow that I want as a poster, and the best artwork of Ethan Van Sciver’s career. I’m loving this book.

Blake M. Petit is the author of the superhero comedy novel, Other People’s Heroes, the suspense novel The Beginner and the Christmas-themed eBook A Long November. He’s also the co-host, with whoever the hell is available that week, of the 2 in 1 Showcase Podcast. E-mail him at BlakeMPetit@gmail.com and visit him on the web at Evertime Realms. Read past columns at the Everything But Imaginary Archive Page.

20
Jul
11

Classic EBI #99: The Makings of a Universe

For years now, I’ve maintained a steadfast and unbroken tradition of not being at San Diego Comic-Con. This is not for lack of desire. So today, I take a look at the stuff happening in San Diego this year I wish I could be a part of…

Everything But Imaginary #407: What I’ll Miss in San Diego

But moving back in time, it’s January 25, 2005 and I’m taking a look at just how tight the continuity of the DC Universe has become in the last year or two. I’ll leave you guys to decide in this counts as irony or not.

Everything But Imaginary #99: The Makings of a Universe

I believe in credit where credit is due, so you’ve really got to give Stan Lee props for really creating our current concept of a superhero “universe.” Oh, superheroes had met before. All of the top National (later DC) Comics heroes had come together as the Justice Society of America in the 40s. Superman and Batman frequently appeared together in World’s Finest Comics. Even Atlas (later Marvel) had their collections of World War II-era characters like the Invaders and the All-Winner’s Squad.

But it was Stan the Man, writing approximately umpteen billion Marvel comics every month (this record would be held until Brian Michael Bendis broke into the business) that really started to forge a world with his creations. The adventures of the JSA didn’t impact the characters in their own titles, nor did the various team-ups that had happened. What Stan did, and did so well, was begin to mix events from various comics. If the Thing lost his powers in Fantastic Four, then he’d be powerless if the team happened to appear in Avengers that month. If Spider-Man was on the run from the law (in other words, if it was a day of the week ending in “y”), Foggy Nelson may have mentioned it in Daredevil. This was nowhere more evident than when Hawkeye, the Scarlet Witch and Quicksilver — villainous foes of Iron Man and the X-Men, reformed and joined the Avengers.

These days, though, Marvel has sort of lost its cohesion as a universe. Each of Spider-Man’s three titles seem to exist in their own pocket world and barely connect. Nearly two years have passed in Daredevil during Bendis’s run, while other Marvel titles have only progressed a few months. Why, Magneto took over the entire city of New York at the end of Grant Morrison’s New X-Men, and not a single other title even made reference to it. Except for comments in various titles about the events of Avengers Disassembled and the gloriously continuity-heavy She-Hulk title, it’s hard to feel like there’s a Marvel “universe” anymore.

But man, DC is trying to make up for it.

As Marvel’s titles have grown looser and looser, DC’s are getting tighter. And I’m going to warn you right now, this column is about to get spoiler-heavy for half of the books in the DC line, so if you see a title bolded you don’t want to know about, you may wanna skip ahead.

It’s easy to point to Identity Crisis as the genesis of this transformation. Like the ending or hate it, it was a huge storyline that has had an astronomical impact on the DC Universe. Just a month after the story’s conclusion, we’ve already seen fallout everywhere: the death of Robin’s father has impacted his own series, which in turn has impacted the other Batman-family books. It’s also being dealt with in Teen Titans, and dealt with extremely well. The Titans are also dealing with Lex Luthor’s battle armor, lost during that miniseries.

The apparent death of Ronnie Raymond is the very catalyst for the new Firestorm series. As if that weren’t enough, it’s sparked a storyline in Manhunter, as DC’s newest vigilante is trying to hunt the murderous Shadow Thief.

In Flash, Wally West has to cope with the fact that his uncle, the paragon of virtue Barry Allen, was one of a subset of the Justice League that agreed to tamper with the minds of their enemies — and what’s worse, has to deal with restoring an enemy who, in turn, is threatening to turn many of his reformed colleagues like Trickster, Heat Wave and the Pied Piper back to their old dark ways. In Adventures of Superman, Superman, Batman and Wonder Woman are struggling with the same revelation.

And that’s just the stuff directly from Identity Crisis.What other links are appearing among the many titles of the DC Universe lately?

• After the events of “War Games,” the Birds of Prey have recruited a new member and left Gotham City, impacting every Batman title, particularly Nightwing — because he’s still in love with Oracle. Plus, the cops of Gotham Central are even more hostile towards the caped crusader than ever.

• Speaking of Nightwing, Starfire has quit the Teen Titans to join his team, the Outsiders, to try to help him cope with all the trauma in his life as of late.

• Speaking of the Titans, they’ve linked up with two other titles. Green Arrow’s sidekick, the new Speedy, has joined the team. A few months ago, the young heroes got caught up in a time-travel adventure that wound up restarting the entire universe for the Legion of Super-Heroes, and writer Mark Waid has promised that he and Barry Kitson are doing the new Legion as the official future of the DCU — it’s up to the other writers to get them there.

• In Jeph Loeb’s Superman/Batman title, we met the all-new (yet all-classic) Supergirl, who’s about to get her own title. There’s also a rumor that she may check in with the Teen Titans herself. Plus, Loeb is currently milking DC properties as diverse as Kamandi, Cinnamon, Jonah Hex and the Freedom Fighters for the current arc in that title. He’s brought back characters that haven’t been seen in years.

• In Wonder Woman’s title, she’s gone blind after a battle with Medusa. When she guest-appeared in Adventures of Superman, not only was she still blind, but she was wearing the same blindfold. Not too hard a trick, of course, since the two books share a writer, but it’ll be more impressive in a couple of months during a promised crossover with Flash.

• Speaking of crossovers and books with the same writer, Bloodhound wound up merged with Firestorm (both books by Dan Jolley) and the Monolith lent a hand against Solomon Grundy to Hawkman and Hawkgirl (two books by Jimmy Palmiotti and Justin Gray).

“Okay, Blake,” you’re saying, “We get your point. There are a lot of crossovers. So what?” My, you can be rude sometimes, did you know that?

Here’s the point of all this.

A few months ago a group of five writers, Brad Meltzer, Judd Winick, Greg Rucka, Geoff Johns and Jeph Loeb, conducted an interview where they promsied that they were building the future of the DC Universe. And if you look at the books I’ve mentioned, you see their names all over the place, along with other talented writers like Devin Grayson, Gail Simone, Marc Andreyko, Bill Willingham and others I will feel bad later for leaving out.

Clearly, this is going to be a monumental task, even looking ahead to promised events such as DC Countdown and the enigmatic Crisis 2.

Those stories are going to be the framework of the DC Universe of the future.

What we’re seeing now, across the entire line, is the foundation. We’re seeing the hints, the clues, the groundwork. And knowing that this is what we’re seeing, we get to have all the fun of watching as everything is put together.

Some people, I understand, don’t like continuity that tight. I know that. But for those of us who do, watching as it is created before our eyes is something really really incredible. Something amazing.

Something I once may have even called Marvelous.

FAVORITE OF THE WEEK: January 19, 2005

While we’re on the subject of those truly remarkable books, I have to give credit again to Geoff Johns for turning out the best comic book of the week, Teen Titans #20. Since the murder of his father and the death of his girlfriend in agonizingly short succession, Robin has tried to repress his emotions in an effort to prevent from becoming more like Batman (which was nice and ironic, since repressing his emotions only made him more like Batman). This issue dances around some action, but at its core is a heartfelt examination of a son’s grief and his desperate attempt to continue forging his own future, and not let it be determined for him.

Blake M. Petit is the author of the superhero comedy novel, Other People’s Heroes, the suspense novel The Beginner and the Christmas-themed eBook A Long November. He’s also the co-host, with whoever the hell is available that week, of the 2 in 1 Showcase Podcast. E-mail him at BlakeMPetit@gmail.com and visit him on the web at Evertime Realms. Read past columns at the Everything But Imaginary Archive Page.

 

 

13
Jul
11

Classic EBI #98: From the Archives

The DC relaunch continues to keep people talking, myself included. In this week’s Everything But Imaginary, I look at one aspect of DC that isn’t — and shouldn’t — change… the Vertigo line.

Everything But Imaginary #406: What Purpose Vertigo?

And rolling back the clock, we’re going to January 19, 2005. I was thinking format this week, specifically hardcover, long-term format…

Everything But Imaginary #98: From the Archives

When Will Eisner passed away a few weeks ago, I got the urge to go back and re-read some of his classic Spirit comics, and the best way to do that is from the very beginning, with DC’s Spirit Archives Volume 1.

Although it has a different trade dress, the Spirit series is part of what I think deserves to be known as the best series of archival American comic books on the planet. And more and more these days, I’m thinking those archives are an invaluable thing.

I was stunned at how many people, how many current comic fans, knew little or nothing about Will Eisner. I felt the same way last year when Julius Schwartz died. The contributions men like this made to the comic book artform are immeasurable, but because comics aren’t quite considered “high” art, their names can be lost. Just about every high school student has to slag through at least one book by a Bronte sister, but how many of them recognize the works of Otto Binder, Joe Simon or Bill Everett? For that matter, how many of you reading this column, under the age of 25, can even tell me which characters these men created or revolutionized?

That’s what makes the DC Archives such a great project. Although I’d heard about the archives for years, I didn’t own any until a few years ago when DC re-offered the first Batman Archives at a severely reduced price ($20, as opposed to the usual $50). I figured this was worth picking up, and immediately realized how fantastic these archival series are. Quality reproductions of the classic DC comics, complete, in the order they were originally printed. That last bit is especially important — complete, in the order they were originally printed. These stories are no longer simply comic books, they are part of our heritage, and to abridge them in any way would be robbing ourselves.

Now DC is not the first company to put out an archival edition like this. I believe the Marvel Masterworks line preceeded it. But I believe the DC line is better, for several reasons. Marvel’s line has been halted and re-started again various times, whereas the DC line continues to expand. Marvel has changed its trade dress, while the DC books are all uniform (except for a few titles that aren’t technically DC Comics, but which DC is reprinting – we’ll get to those next). And most importantly, DC just has much, much more to offer. They’ve got all the characters you’d expect to see in archives, of course — Superman, Batman, Wonder Woman, the Justice League and so on, but DC doesn’t stop there. They constantly turn out archives for lesser-known characters like Blackhawk or Starman, different lines for Golden and Silver Age versions of the characters, and even include archival series for properties that they did not originally publish, but have earned a place in comic book history such as the T.H.U.N.D.E.R. Agents, ElfQuest and, of course, The Spirit.

The books are expensive, I know that. Fifty dollars for 200 pages of comic book is a hard price to justify. But it’s worth having the material in a higher-priced format for an archival project like this. It’s like buying a leather-bound edition of the Complete Works of William Shakespeare, knowing full well you’ll never own an original.

Plus, I’ll be honest with you guys, I have never paid full-price for a DC Archive. Unless it’s a really rare volume, you’d be sort of foolish to do so. Thanks to auction sites like eBay and various other online booksellers, you can frequently find them much, much cheaper. I think the most I’ve ever paid for a DC Archive is $32, and I own about a dozen of them, although there are dozens more that I wish to get.

Other companies, to their credit, are making an effort. Gladstone Comics spent many years on several series reprinting the work of the brilliant Carl Barks, including a Carl Barks Library series for his Uncle Scrooge comics, one for his stories from the Walt Disney’s Comics and Stories title, and even a line that just reprinted his one-page gags. The line was paperback, though, and the volumes were slim and pricey, and are now extremely difficult to find with Gladstone out of business.

Archie Comics has several archival series as well, most noteably the Archie Americana series. These trade paperbacks select the best comics from each decade and reprint them. Archie has also started doing trade paperbacks of their old superhero titles, such as the Shield, the Fly and the Mighty Crusaders.

The problem with this line, though, is that these are “best of” comics, stories carefully chrerry-picked from hundreds of comics produced. It makes for good reading, but it doesn’t make for a good archive if you leave stuff out.

Marvel’s Essential line doesn’t leave anything out, and it comes at a much more affordable price — about $15 for a phone book-sized volume of comics. It’s great for a reading copy, but again, it loses something. In this case, the artwork is reproduced in black-and-white, helping to keep the price down. That’s fine for the purpose of the book, but even though I’m no artist myself, I can tell that color artwork and black and white artwork is constructed differently. When you’re drawing something that will be colored, you use different techniques than something that stops at the inking stage, and as a result, color comics never look as good in black and white reprints as comics that were originally drawn in black and white.

Except for the DC Archives and the sporadic Marvel Masterworks, I really think that the best project currently in the works to really archive a comic is Fantagraphics’ The Complete Peanuts. In 25 volumes, this series is intended to reprint every Peanuts comic strip ever drawn, presented in their original order. That’s remarkable. Now naturally, most of us have read several Peanuts books, probably even own several. But not like this. Previous books were always selections of strips from a certain time period, Charles Schulz’s favorites, or perhaps grouped by a theme (Christmas strips, back-to-school strips, etc.). This is the first time every strip will be reprinted in order. Some of the strips, in fact, have never been reprinted before at all.

Now archives are not a way to snare new readers. No one who hasn’t read comics before is going to think to themselves, “$50 for a Plastic Man comic book? Sign me up!” And archives won’t even really help to educate the younger readers on the great comics of the past. Hopefully books like the Essential line will help with that. And personally, I long for the days when a new comic would give a few pages in the back for a reprint of a classic story. (Marvel tried this a few years ago with their “100-Page Monster” comics, but that’s another experiment that has gone defunct.)

But for people who already love classic comic book and want to study and preserve the gems of the past, these archives are priceless.

Well, technically they have a $50 tag, so they aren’t priceless. But you get the picture. So let me ask you… what series do you want to see as an archive?

FAVORITE OF THE WEEK: January 12, 2005

Fables #33 very nearly took this spot, but only a mystery that was too easy to solve held it back, making way for a comic even better. JSA #69. The work Geoff Johns is doing with this comic is phenomenal. Several Justice Society members have been hurled into the past, charged with convincing their own mentors to become heroes again, knowing that the fate of the world hangs in the balance. This is a crazy, classic superhero formula. And it still works, because it’s smart, well-written, and most of all, fun. JSA was my choice for best superhero comic of 2004. Books like this one are the reason why.

Blake M. Petit is the author of the superhero comedy novel, Other People’s Heroes, the suspense novel The Beginner and the Christmas-themed eBook A Long November. He’s also the co-host, with whoever the hell is available that week, of the 2 in 1 Showcase Podcast. E-mail him at BlakeMPetit@gmail.com and visit him on the web at Evertime Realms. Read past columns at the Everything But Imaginary Archive Page.

 

29
Jun
11

Classic EBI #97: The 2004 Everything But Imaginary Awards

It’s been about a month since DC’s big announcement, the restructuring of the universe, and I’ve had time to digest it all. So this week in Everything But Imaginary, I’m taking a more informed look at the future of the DC Universe…

Everything But Imaginary #405: The New DCU Take Two

But in this week’s classic EBI, we’re rewinding to January of 2005, when the readers of Everything But Imaginary voted on their favorites for the previous year. Set the Wayback Machine, friends, because it’s time for…

Everything But Imaginary #97: The 2004 Everything But Imaginary Awards

It’s that time again, folks, for the 2004 Everything But Imaginary Awards, the only awards show voted on exclusively by the people who visit Comixtreme.com [CXPulp.com] plus a few other people that Blake begged to vote to help him break ties. So without further ado, here’s your host, Blake M. Petiiiiiiiiiiiiiiiiiiiiiiit!

Thanks, Blake. Man, isn’t he a swell guy? Well friends, welcome to the 2004 Everything But Imaginary Awards. By popular demand, we’re doing away without the musical numbers and long, boring speeches by people you’ve never heard of. We’ve got 15 categories to get through and 30 awards to hand out, so let’s not waste time. The EBI awards are simple, there are two awards in every category. The Reader’s Choice award reflects the voting of you, the reader (hence the name). The Writer’s Choice award was selected by yours truly, because it’s my column and I get to do that sort of thing. Keep in mind, the Writer’s Choice winners were selected before voting was opened to the readers, so there are some categories where the same title won both honors. They get the coveted Double Blakie award! So without further ado, let’s roll on to the best comic books of 2004!

1. Best Superhero Title

Reader’s Choice: Invincible. Robert Kirkman’s story of a superhero coming of age really surprised me by pulling away to take this honor. This is the story of Mark Grayson, a seemingly average superhero, with the caveat that he also happens to be the son of one of the world’s biggest superheroes. Launched last year as part of Image’s recommitment to superhero comics, this book has not only become extremely popular, but one of the lynchpins of the Image Universe, such as it is. And it may not be the sole factor behind making Kirkman one of the hottest commodities in comics, but it sure as heck hasn’t hurt matters. I’ll admit to you guys right now, I have never read an issue of Invincible, but seeing the incredible support this title has, I’m determined to find that first trade paperback and see what all the fuss is about.

Writer’s Choice: JSA. Do I talk about this comic book a lot? Yep. And you know why? Because it’s one of the best comic books on the market. Geoff Johns and his solid art teams, currently including the great Don Kramer, have taken some of the greatest superheroes of all time, thrown them into a pot with their various progeny and successors, and turned out a comic book about heroes and legacies that is unsurpassed in modern comic books. The strongest things the DC Universe has going for it are its legacies – Green Lantern, the Flash, Starman and many others. This title celebrates those legacies and what makes superheroes great, and tells the best stories you can get in the process.

Honorable Mention: Fantastic Four, Superman/Batman, Birds of Prey.

2. Best Science Fiction Title

Reader’s Choice: Y: The Last Man. It’s hard, if not impossible to argue with the selection of this as one of the most outstanding science fiction titles in all comics. Brian K. Vaughan and his artists, most frequently Pia Guerra, have created a fascinating story in the adventures of Yorick Brown, the last man alive after a plague sweeps over the Earth. This title swerves into various storytelling styles – sometimes it’s funny, sometimes it’s terrifying. Sometimes it’s a sharp political satire and sometimes it’s a straight-up adventure story. One thing is for sure – it’s always a great read. With amazing cliffhangers that don’t seem forced, characters that grow and develop and a mystery like none in comics, Y:The Last Man is one of the best there is.

Writer’s Choice: The Legion/Legion of Super-Heroes. It is no secret that I’m an old-school Legion fan, but it’s been a long time since this team had as good a year as they did in 2004. Dan Abnett and Andy Lanning wrapped up a fabulous 5-year run with an assault on Darkseid and the reintroduction of Superboy to the heroes of DC’s future. Once they left they passed the book on to Gail Simone, who delivered a great fast-paced adventure tale, which dovetailed right into the collision with the Teen Titans, and in turn, to a reboot of epic proportions. Now I was skeptical of the need for a reboot of this title, but one issue under the pens of Mark Waid and Barry Kitson was more than enough to convince me, this is still a fantastic sci-fi title, and likely to be a strong contender again in 2005.

Honorable Mention: Fantastic Four, Silver Surfer, Negation.

3. Best Fantasy Title

Double Blakie Award: Fables. The readers and I agree, when it came to fantasy in 2004, there was nothing that could touch the magic of Fables. Bill Willingham’s warped fairy tale follows the survivors of a bloody war in the Homelands of fairy tales as they live a new life on plain ordinary Earth. 2004 was quite a year. The Fables were attacked by the forces of the Adversary, Snow White and Bigby Wolf became parents and Prince Charming became mayor of Fabletown. Good people died, bad people thrived and through it all, the readers got to reap the rewards. Funny, exciting, beautifully illustrated (usually by the incomparable Mark Buckingham) and never patronizing or condescending to the reader, it’s no question why this has become a fan favorite. As far as I’m concerned, this book marks the high point of DC’s Vertigo line these days, and that’s saying an awful lot.

Honorable Mention: Bone, The Witches.

4. Best Horror Title

Reader’s Choice: 30 Days of Night. The vampire tale by Steve Niles and Ben Templesmith, among other artists, scored the most votes among horror fans in this year’s awards. The series of miniseries, including Dark Days, Return to Barrow and the current Bloodsucker Tales, is a remarkably gory, energizing horror comic. Some time ago (back in the first 30 Days miniseries), a cadre of vampires descended upon the small town of Barrow, Alaska, where darkness lasts a full month, making it a perfect smorgasbord for creatures of the night. The following series examine the lives of the survivors of that initial massacre – both human and bloodsucker alike. I just hope that when the promised movie hits the screen it does the comic book justice.

Writer’s Choice: Dead@17. Josh Howard’s tale of the undead stayed at the top of my list this year with the sequel, Blood of Saints, the current Revolutions miniseries and a Rough Cut special. Nara Kilday was killed, cut down in the prime of her life, only to return from the dead as an agent of a higher power against the forces of evil. Although Howard does sometimes tend to lean towards the cheesecake with his artwork, unlike a lot of comics, Dead@17 has a real story to back it up. With the announcement that this is going to become an ongoing series next year, replacing the series-of-miniseries format, I can’t wait to see what’s going to happen next.

Honorable Mention: Devil May Cry, The Walking Dead, Army of Darkness: Ashes 2 Ashes.

5. Best “Down to Earth” Title

Reader’s Choice: Strangers in Paradise. In a tough category to judge – one that looks to comics that don’t rely on sci-fi or the supernatural – Terry Moore’s Strangers in Paradise gets the prize. For years now this has been a real genre-bender, waving between soap opera to crime drama to sitcom and back to soap opera again without missing a beat. Katchoo is in love with Francine, who’s marrying Brad. David, the man who loves Katchoo, has resurfaced and is chasing her again. And try as she might, Katchoo’s past keeps catching up to her. This is an intricate, complex, layered title, one that few others can match, and for a long time now it’s been one of the best, most offbeat comics on the racks.

Writer’s Choice: Gotham Central. If you’re not reading this comic book, guys, you’re just plain missing out. Greg Rucka and Ed Brubaker, along with the soon-to-depart Michael Lark, have taken the world of the Batman and managed to tell a series of deep, powerful tales not about superheroes, but about the police whose job it is to keep order in a city of darkness. There are good cops and bad cops, and even those lines aren’t clearly defined. One thing is clear, though – this is one of the best crime dramas in comics, and it deserves all the accolades it can get.

Honorable Mention: 100 Bullets, The Losers.

6. Best Humor Title

Double Blakie Award: PVP. From its origins as a webcomic at PVP Online to its days at Dork Storm and through its current run at Image Comics, Scott Kurtz turns out one of the funniest comic books out there not just every month, but every day. Set in the offices of PVP Magazine, this strip focuses on a cast of geeks, video game addicts, harried office workers, a good-hearted but stupid troll and an evil kitten based on world domination. In other words, it’s just like your office. Kurtz has an uncanny knack for taking trite, overused comedy stories and making them funny and new again, due mostly to the great characters he’s created and his own versatility. I’ve said it before and I’ll say it again – man, I love this comic book.

Honorable Mention: Simpsons Comics, Lionxor, Plastic Man.

8. Best Mature Reader’s Title

Reader’s Choice: Fables. Gee, have I mentioned this title before? Just like in the Fantasy category, readers have handed the win to Bill Willingham and his crew. It’s interesting to note that one of the best mature titles on the market springs from some of the most classic characters of our youth. Snow White, Beauty and the Beast, Cinderella and Pinocchio all have important roles in this title, but Disney it ain’t. There’s blood, sex and language that you don’t want the kids to read. But that alone doesn’t make it a good comic book. In fact, it would keep it from being a good comic book if not for the fact that the stories themselves are smart, sharp, clever and intriguing. Willingham knows that the secret to telling a great mature reader’s comic isn’t just throwing gore, boobs and f-bombs at the reader, but rather crafting a story that a younger reader just isn’t ready for.

Writer’s Choice: Hellblazer. This is probably the longest-running mature reader’s series in comics, and this year in particular it has earned that distinction. The story of the man who has cheated death, cheated the devil and cheated his way out of every nasty scrape he’s ever been in. And he’s lasted over 200 issues now, and his stories are as good as ever. With the Constantine movie coming out next month, DC has some of its top talent on this comic, namely Mike Carey and Leonardo Manco. It’s a great horror comic that, relies a bit more on the gore than Fables – but hey, it’s a horror comic. You’ve got to expect that.

Honorable Mention: Y: The Last Man, Supreme Power, Sleeper Season Two.

7. Best All-Ages Title

Reader’s Choice: Teen Titans Go!. I’ve got to admit, I didn’t always care for this comic, because I didn’t care for the TV show. But the show and comic have both grown on me, and evidently, with the readers as well. I don’t mind telling you that this was the category with the most spread-out votes, so I had to ask one of my “tiebreaker” people to pick one, and this came out on top. It’s a solid, enjoyable comic, and at least one six-year-old I know has really started to get into comic books, in no small part because of this series. It’s a perfect companion to the TV show, and it helps introduce kids to the wonderful four-color world we’ve all grown to love. In the end, what more could you possibly ask for?

Writer’s Choice: Uncle Scrooge. Mixing new stories by the likes of Don Rosa and Pat and Shelly Block with classics by Carl Barks gives this book a fantastic balance. Old stories, new stories, great stories. The comics are clean and simple, starring characters your kids already love and that, chances are, you grew up loving too. The only downside to this comic is the hefty cover price, which is at least justified considering it’s 64 pages a month, but I’d still prefer they drop it down to a standard 32 pages and give it a price that kids can afford. Overall, though, the stories and great and the art is beautiful – and most importantly, it features stories that kids will love and that adults will still get a kick out of. That’s the mark of a true all-ages comic book.

Honorable Mention: New X-Men: Academy X, Cenozoic, Usagi Yojimbo, Ultimate Spider-Man.

9. Best Adapted Comic

Reader’s Choice: Star Wars: Republic. While a lot of people savage the prequel era of George Lucas’s Star Wars saga, the ire seems to have spared Dark Horse’s Star Wars: Republic. Telling the tales of the waning days of the old Republic, this is the place to go to read about the great Jedi of the past. John Ostrander is crafting the tales of the Clone Wars, bridging the events between Star Wars Episode II: Attack of the Clones and the upcoming Episode III: Revenge of the Sith, with the adventures of the likes of Obi-Wan Kenobi, Anakin Skywalker, Quinlan Vos and Aayla Secura. This makes for some of the most exciting space opera in comics.

Writer’s Choice: G.I. Joe. Although G.I. Joe: Reloaded may be getting a bit more attention, the original title is still one of the best in comics. Brandon Jerwa and Tim Seeley’s ongoing epic about the war between G.I. Joe and Cobra has taken some serious twists this year. General Hawk is paralyzed. The Baroness is pregnant. The Joe team has been cut down to 12 members and Destro has seized control from Cobra Commander. The creators of this title are never content to let the status quo rest for very long, an incredibly refreshing way to tell a story about characters that were first created in another medium, and they’ve used that fearlessness to create a great comic book.

Honorable Mention: TransFormers: Armada, Street Fighter, Dragonlance.

10. Best Comic Adaptation

Double Blakie Award: Spider-Man 2. This ran away with it in the voting, friends, nothing else was even close. Director Sam Raimi reunited with Tobey Maguire and Kirsten Dunst, and threw in Alfred Molina to make one of the greatest superhero movies ever made. Peter Parker’s responsibilities as Spider-Man finally overwhelm him and he decides to throw away his costume once and for all… but has to reconsider when he finds his loved ones plagued by the mad Dr. Octopus. Great acting, great visuals and characters that are true to the comic book. This was better than the first movie, and better than almost any other superhero movie out there.

Honorable Mention: Smallville, Justice League Unlimited, Teen Titans.

11. Best Miniseries or Special

Double Blakie Award: Identity Crisis. Like the previous category, this is another one that left all competitors in the dust. DC Comics took their greatest heroes and gave them something even their vilest enemies couldn’t – fear. When the loved ones of a superhero become targets for a serial killer, all heroes have to be ready to fight. A lot of people balked at the conclusion to this series, and while I didn’t think it was flawless, I thought it was expertly crafted and impeccably written. Plus, with the noises we’ve heard coming from DC over the last few years, I get the impression that this is only the beginning of the shakeup of the DC Universe.

Honorable Mention: My Faith in Frankie, Powerless, Punisher: The End.

12. Best New Title

Reader’s Choice: Astonishing X-Men. With the end of Grant Morrison’s historic New X-Men run, Marvel Comics wisely decided not to try to duplicate his efforts, but instead took the team back to its superheroic roots. Written by Buffy the Vampire Slayer creator Joss Whedon with beautiful art by John Cassaday, this book focuses on a team of X-Men trying to prove themselves as superheroes in a world that hates and despises them. While the “mutants dealing with bigotry” angle isn’t new at all, what is new is the stance the characters are taking: fight bigotry by purposely making themselves heroes. It’s a new take on a concept that’s been done so much that a lot of us didn’t think any more takes would even be possible. It’s a great read.

Writer’s Choice: Fade From Grace. This little-known title from Beckett Comics was literally just handed to me at the Wizard World Dallas Convention in November, and I was astonished to totally fall in love with it. Written by Gabriel Benson with haunting artwork by Jeff Amano, this is the tale of John and Grace, a young couple very much in love. Their world is turned upside down, however, when John discovers he has the ability to turn immaterial as a wraith or solid as stone. Taking the name Fade, he sets out to become a superhero. What makes this comic so unique is that the story is told through the mournful eyes of Grace, a woman in love with a hero, frightened for his life, often grieving for him as though he were already dead. This is an incredible romance totally unlike any other comic book on the racks, and well worth the read.

Honorable Mention: District X, Cable and Deadpool, Conan.

13. Best Comic You’re Not Reading

Reader’s Choice: She-Hulk. Dan Slott’s new take on She-Hulk has turned out one of the best, most critically-acclaimed comics in the Marvel stable. Shulkie gets a job with a law firm specializing in superhumans – but they don’t want her, they want her human alter-ego, Jennifer Walters. In a day and age where most comic books seem to run and hide from continuity, this title revels in it, pulling out obscure characters and storylines and crafting new, often side-splitting stories out of them. The book is so self-referential that old Marvel Comics are often used as actual legal documents. With Paul Pelletier on the art chores and the promise of a big push to help boost sales in the coming year, this book is primed to become the mega-hit it deserves. Just for Heaven’s sake – start reading it!

Writer’s Choice: The Monolith. It may be a case of “too little, too late” since the cancellation of this title has already been announced, but DC Comics’ The Monolith is one of the finest comics out there that simply hasn’t found its audience. Written by Jimmy Palmiotti and Justin Gray with great art by Phil Winslade, this is the story of Alice Cohen, a young woman with a messed-up life, who inherits her grandmother’s old mansion with the caveat that she get her act together. When she moves in she discovers her grandmother’s secret – the giant clay golem living in the basement. It’s a superhero story with a twist. It’s a “girl and her monster” story. It’s a totally new set of eyes through which to view the DC Universe. And it may be ending, but that doesn’t mean you can’t jump on and see what’s so great about it before it goes. There’s always a chance that the Monolith can rise to fight again.

Honorable Mention: Street Angel, District X, Invincible.

14. The New Beginning Award

Reader’s Choice: Green Lantern. With the conclusion of the previous series and the beginning of Green Lantern: Rebirth, fans couldn’t be happier to see what’s happening to one of DC’s iconic properties. Hal Jordan is on his way back, and while a lot of us don’t want to see Kyle Rayner vanish either, the fact is that Geoff Johns and Ethan Van Sciver are delivering a great story with beautiful artwork that’s not just taking the easy way out. As Johns is so good at, he’s mining the past of this property to craft his story, making a tale of redemption that actually seems to fit. It looked like a nigh-impossible task, but he’s making it happen.

Writer’s Choice: She-Hulk. I’ve already gushed about this title once, but I don’t mind doing so a bit more. She-Hulk is a character that has gone through a lot of incarnations over the years. From her savage days to her birth as a superhero with the Avengers and the Fantastic Four, from the zany John Byrne series and back to being a team player, Jennifer Walters is someone who has reinvented herself every few years. Dan Slott understands that this character is at her strongest when she’s being lighthearted, but rather than copy the Byrne era, he’s found a totally new way to make her title into a comedy. I hope to get to read this book for a very, very long time.

Honorable Mention: Thor, Silver Surfer, Iron Man.

15. The Happy Trails Award

Reader’s Choice: Captain Marvel. No surprise here, seeing the uproar that followed this comic over the last several years. Peter David’s unique take on Captain Marvel lasted this long thanks to the severe dedication of the fans. It went from a fairly lighthearted satire to a much darker satire when the main character went mad, and while that storyline probably was dragged out a bit too long, there were still a lot of sad faces when the self-referential final issue hit the stands. It was a book that had a dedicated fan base, and it’s a book that many will miss.

Writer’s Choice: Bone. After over a decade Jeff Smith’s magnum opus finally came to an end. The tale of the Bone cousins, driven off to a valley full of strange and terrifying creatures, is one of the greatest fantasy tales ever put to comics. With beautiful artwork, compelling characters and an epic feel that makes Smith to comic books what Tolkien was to literature, it’s hard to believe this title only lasted 55 issues before the end. If you’ve never read Bone, now’s your chance: there’s a massive one-volume edition collecting the entire series, and Scholastic Books is about to launch a reprint paperback series that will redo this classic comic book in color, most of the issues appearing in color for the first time. I love this comic, and while I’ll follow Jeff Smith to any project he goes to in the future, I’ll never stop hoping that he comes back to the world of Bone once again.

Honorable Mention: Sentinel, Negation, H-E-R-O.

And that’s it for this year’s Everything But Imaginary Awards! Hope you had a great time, folks, and don’t forget to tip your waitress!

FAVORITE OF THE WEEK: January 5, 2005

Continuing the revitalization of one of Marvel’s icons, Captain America #2 scored the first Favorite of the Week honor for 2005. Ed Brubaker and Steve Epting have managed to make a healthy blend of superheroics with the spy and crime genres that Brubaker does so incredibly well. This is a book with a big ol’ mystery, lots of danger, lots of spies and lots of action. It’s been quite a while since Captain America was this good.

Blake M. Petit is the author of the superhero comedy novel, Other People’s Heroes, the suspense novel The Beginner and the Christmas-themed eBook A Long November. He’s also the co-host, with whoever the hell is available that week, of the 2 in 1 Showcase Podcast. E-mail him at BlakeMPetit@gmail.com and visit him on the web at Evertime Realms. Read past columns at the Everything But Imaginary Archive Page.

 

08
Jun
11

Classic EBI #259: A Valiant Return

Last week’s DC Comics news was pretty ginormous, but this week I look into some stuff that kind of got lost in the noise — including a big announcement from Valiant Entertainment and the events of Fear Itself #3.

Everything But Imaginary #402: But That’s Not All!

In this week’s Classic EBI, we’re going back to April 9, 2008, the last time Valiant had an announcement to make. Let’s see if this one sticks…

Everything But Imaginary #259: A Valiant Return

Back in the summer of 1993, I wasn’t really mobile. I was 15 and didn’t have a car, or a driver’s license, or a friend with a car or driver’s license, or a particularly reliable pogo stick. If I wanted to go anywhere, I pretty much had to catch a ride with somebody. I did, however, have a best friend (Shane Overstreet – how ya doin’ out there, buddy?) whose stepdad frequented the dollar cinema, and so I caught a lot of cheap movies with them. Also in that same strip mall was a small comic shop, different from the one I frequented with my Uncle Joe (hey, Joe!), and always worth checking out. I don’t remember much about that shop – the name, the owner, even the layout – but I do remember the day I walked into the store to see two books I’d never heard of before: Magnus: Robot Fighter #24 and Rai and the Future Force #9.

Flipping through these two books, I quickly realized that they were not just part of the same universe, but the beginning of the same story. The Magnus issue was the end of a four-part arc, but led into Rai, and together made up the beginning of what would be known as the “Malevalent War” storyline. The books were pretty exorbitantly priced for me – a whopping $2.25 each – but they were written by John Ostrander and they had cool new sci-fi based superheroes and they actually mentioned Isaac Asimov’s Three Laws of Robotics and did I really need to get popcorn at the dollar cinema, since that’s where they all made their money anyway?

I bought the books.

Thus, I was introduced to the Valiant Universe.

Both books, despite their high price point, got added to my pull folder immediately. A month later on the Internet (yeah, I was already on the Internet back then, but at the time it was actually on the Prodigy service) I ranked both of the comics among my monthly favorites. This prompted an e-mail from one of the Valiant Employees who wanted my address. A few days later in the mail I got a free gold edition of Rai #9 just for making that message board post. Valiant did stuff like that back in the day.

As I was writing this column, I dug out that old gold edition just to scan in the cover. Within seconds, I was reading it all over again. (I want to stress here – in a week where my new comic book purchases included such surefire gems as Justice Society of America, Peter Tomasi on Green Lantern Corps and the new volume of The Complete Peanuts, I took time out to read a book that’s 15 years old and that I’ve read a thousand times… because it was there.) Even completely cold, I grasped this story immediately. Earth was being invaded by evil robots. Among its heroes was a man who was raised to fight robots, a new hero who had taken up the mantle of a dead one, the dead man’s wife (who was none too happy), a strange guy in a hood, an immortal warrior, a guy who turned into a robot-killing monster when he was scared, a narcissistic swashbuckler and a pair of lowbrow, gun-toting warriors. And in this one issue, we saw them all come together and become a real team. This was, I learned, the first issue of Future Force. The previous Rai had died a few issues before, and the book was being retooled. But I grasped everything instantly and loved everything just as fast.

I soon found out that this was actually the distant future of a contemporary universe populated by such books as Harbinger, X-O Manowar, Eternal Warrior, Shadowman and Solar: Man of the Atom. I couldn’t afford all of these books, but the ones I did start to pick up were fantastic. At the time, Image Comics was still relatively new and hugely popular, and most of the comic book industry was becoming heavily artist-centric as a reaction. Valiant, on the other hand, was a company focusing on story first, which is what I’m all about. This was a universe whose heroes were flawed and realistic, but still managed to tell larger, epic stories without losing any of the punch. Every book was among the best-written titles on the stands, and although critics would sometimes claim the company had a “house art style,” with artists as diverse as Barry Windsor-Smith, David Lapham, Bob Layton, Joe Quesada and Sean Chen, I simply didn’t see it.

Unfortunately, like all candles that burn twice as bright, Valiant only shone for half as long as it should. Less, even. After the publisher got white-hot, the investment company that backed it sold it off to video game maker Acclaim for a reported $65 million. Acclaim was predictably more interested in mining the company for game concepts than putting out quality comics. The company flickered and they tried to reignite it with “Birthquake” – a pseudo-event that gave many of the titles new creative teams and new “beginnings,” as it were. It didn’t catch on, and the Valiant Universe died.

They then tried to resurrect the line as “Valiant Heroes,” a sort of “Earth-2” or “Ultimate” approach to the line, and there were a few solid books there, most notably Mark Waid and Sean Chen’s X-O Manowar, Kurt Busiek and Neil Vokes’s Ninjak and Christopher Priest and M.D. Bright’s Quantum and Woody. Within two years, though, that line too was dead. There was a third relaunch attempt, but the six-issue Unity 2000 miniseries vanished after just three issues, and there was no Valiant at all for a while. And the world became a sadder place.

But the fans never forgot. Websites were prolific. Costumes never vanished from conventions. Podcasts were launched. And even though the back issues no longer command the hefty price they did back in the company’s heyday, they still move.

Then, last year, something we’d been waiting to hear for seven years was announced. Valiant’s Harbinger would be getting a new hardcover collection courtesy of the company that bought Valiant from Acclaim on auction. And as if that wasn’t good enough, it would include a new story by the property’s creator, Jim Shooter. There is a highly-technical industry term for this sort of announcement: “awesome sauce.”

The resurrection was almost derailed, however, when a second company emerged claiming to hold the trademark to many of the Valiant titles, including Harbinger. The situation was kind of complex, and I already discussed it in Everything But Imaginary #227, but a few months ago a settlement was reached. Valiant Entertainment, Inc. was given the copyright and trademark to the Valiant Universe, and because of that, today I purchased the hardcover collection of the first eight issues (#0-7) of Harbinger.

And there was much rejoicing.

Now it’s a waiting game. Will Harbinger sell? What about the next hardcover, X-O Manowar, which will go on sale in a few weeks? And most importantly, will they sell enough for the new Valiant to do what it really wants to do: namely, take a chance on producing new comic books featuring the Valiant Universe?

Obviously, I hope so. The fact that there’s an audience is inarguable – the question is whether that audience can sustain the universe’s return. And which properties will return? Three of the big ones – Magnus: Robot Fighter, Solar: Man of the Atom and Turok: Dinosaur Hunter were never actually owned by Valiant, but instead licensed from defunct publisher Western. They may not be able to return. On the other hand, Solar appears in the Harbinger hardcover, so maybe something can be arranged.

Whatever, however it happens, there are a lot of old-school Valiant fans waiting for this. There were a ton of comic book universes that were born and died in the 90s, but none of them command the love and loyalty that Valiant still draws from its fans today. And maybe, just maybe, this week we’ve begun to see that loyalty pay off.

Favorite of the Week: April 2, 2008

Geoff Johns is a greedy, greedy man. Like it’s not bad enough that I feel compelled to make every issue of Booster Gold, Green Lantern and Justice Society of America my pick of the week, now he’s gone and turned Action Comics into the best Superman comic since… hell, possibly since I started reading. The Legion of Super-Heroes arc ends with this issue, and it ends in as exciting a fashion as I’ve ever seen. Superman and the Legion bring it big-time here, and Johns and Gary Frank managed to create one of those classic pages where I almost feel bad for the villain, because I can just feel the beatdown he’s about to receive. And the teaser at the end alone was almost enough – Johns and George Perez on a Legion of Three Worlds miniseries? My God, I should just engrave the “favorite of the week” plaques now.

Blake M. Petit is the author of the superhero comedy novel, Other People’s Heroes, the suspense novel The Beginner and the Christmas-themed eBook A Long November. He’s also the co-host, with whoever the hell is available that week, of the 2 in 1 Showcase Podcast and the weekly audio fiction podcast Blake M. Petit’s Evercast. E-mail him at BlakeMPetit@gmail.com and visit him on the web at Evertime Realms. Read past columns at the Everything But Imaginary Archive Page, and check out his new experiment in serial fiction at Tales of the Curtain.

 

05
Jun
11

2 in 1 Showcase Episode 224: The New DC

This week, DC Comics made an announcement that rocked the world of comics. This Sunday, the Showcase boys get together to talk about it. What’s the difference between a “reboot” and a “relaunch”? Will same-day digital change our reading habits? Which new books are we looking forward to, and what are some announcements we hope get made before all is said and done? In the picks, Mike likes Jack of Fables Vol. 8: The Fulminate Blade, Kenny chooses Flashpoint: Batman-Knight of Vengeance #1 and Blake goes with 50 Girls 50 #1. Contact us with comments, suggestions, or anything else at Showcase@CXPulp.com!

Music provided by Music Alley from Mevio.

Episode 224: The New DC




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