Posts Tagged ‘Geoff Johns

26
May
13

2 in 1 Showcase Episode 290: The Doctor’s Name, the Trek Into Darkness

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Kenny makes his triumphant and long-awaited return to the microphone this week, as he and Blake get into some recent TV and movie madness. In highly spoilery fashion, the guys discuss the Doctor Who season seven finale, The Name of the Doctor, then proceed to dig into Star Trek Into Darkness, as well as the real “Avengers Vs. X-Men” moment brewing between Fox and Disney over who’s going to use Quicksilver on screen, X-Men: Days of Future Past or Avengers 2. In the picks, Kenny goes with the non-graphic novel Spice and Wolf Vol. 1, and Blake bids adieu to the Geoff Johns era with Green Lantern #20. Contact us with comments, suggestions, or anything else at Showcase@CXPulp.com!

Music provided by Music Alley from Mevio.

2 in 1 Showcase Episode 290: The Doctor’s Name, the Trek Into Darkness

14
Oct
12

2 in 1 Showcase Episode 274: News From NYCC

 

Blake is by himself this week, taking a look at some of the news coming out from this weekend’s New York Comic-Con. From Marvel Now! to the SHIELD TV show, Scott Snyder on Superman and Mars Attacking… everyone, Blake gives his thoughts on these big announcements and more. In the picks, we look at Batman #13 and the Image Halloween Eve One-Shot! Don’t forget to e-mail us your top ten favorite movie monsters for our Halloween episode! Contact us with comments, suggestions, or anything else at Showcase@CXPulp.com!

Music provided by Music Alley from Mevio.

Episode 274: News From NYCC

02
Nov
11

Classic EBI #110: Second Stringers

In today’s new Everything But Imaginary, I think about the nature of superpowers. Sure, it’d be cool to be able to lift tanks or fly through outer space, but let’s be honest. Some minor-league powers could come in pretty handy too.

Everything But Imaginary #422: Practical Superpowers

And in today’s classic EBI, I head back to April 2005. We all know the a-list superheroes… Superman, Batman, the X-Men and so forth. But just because a hero may not be in the top tier doesn’t mean their stories aren’t worth telling. Today, we look at the second string.

Everything But Imaginary #110: Second Stringers

With the thousands of comic book characters that have been created since the artform was invented, it’s only natural that some will be more popular than others. For every Superman, there are a dozen Gladiators, for every Batman a Moon Knight, for every Richie Rich a Royal Roy. But does that mean these characters are actually bad, or does it mean that they just missed the train to stardom? The fact is, there are a ton of really good b-list characters out there, and it always puts a smile on my face to see some of them get the respect they deserve.

I’ve always believed that there are very few genuinely bad characters, that almost any character can be entertaining in the hands of a good enough writer. Fabian Nicieza proved that way back in the early 90s with the first incarnation of the New Warriors. He picked up a bunch of characters that nobody cared about in solo adventures and decided to throw them all into a book together – Nova, Namorita, Firestar, Marvel Boy and Speedball. A bunch of B-listers if ever there was one. (Actually, calling Speedball “B-list” at that period was probably being generous.)

But somehow, he mixed in a magic touch that made those characters that nobody liked… likable. And interesting. And one of the best superhero books on the market. Unfortunately, no other writer managed to bring that same magic to the book. It was cancelled 25 issues after his departure, and a relaunch a few years later only lasted 10 issues. A new miniseries is scheduled for this summer, but time will tell if Zeb Wells has what it takes to make us care about these guys again. [2011 Note: He didn’t.]

A lot of writers see these second-string characters as a challenge, as real fodder for bizarre or unusual tales that they simply wouldn’t be allowed to tell with Superman or Captain America. Look at what happened when Grant Morrison took over Animal Man. A lame character with a lame power (he could duplicate the abilities of any animal in the vicinity) and managed to tell some of the most intelligent, thought-provoking comics ever published at the time. He found new, intelligent uses for the power, and beyond that, made the comic a bizarre, metafictional hit. Writing this comic pushed Morrison on his way to becoming one of the most respected writers in comics.

Now he’s doing it again with his Seven Soldiers series. He’s taken a B-list team and reimagined it with seven B-list superheroes: Shining Knight, Guardian, Zatanna, Klarion, Frankenstein, Mr. Miracle and Bulleteer (actually, I’d consider Zatanna A-list, but clearly Morrison doesn’t) and he’s again having some fun experimenting with seven independent stories that will theoretically weave together to create a larger whole. And people, for the most part, seem to be enjoying them.

Keith Giffen also had a lot of fun with the b-list, rounding up forgotten or cast-off characters like Blue Beetle, Booster Gold, Fire, Ice, Rocket Red and third-string Green Lantern Guy Gardner and making them the Justice League. He made clever, hysterical comics, too, so much that even now, over a decade later, people are lining up for new material from this creative team (including J.M. DeMatteis and Kevin Maguire) with these characters.

And come on, folks – you’ve all read Countdown to Infinite Crisis by now, right? Were it not for the respect and notoriety Giffen gave the characters all that time ago, the events of this book would have been meaningless. Instead, although the title somewhat dampens a great deal of what he created back then, it makes for a powerful, heartbreaking story about a true hero – the Blue Beetle, trying to put things right when the “A-team” has completely abandoned him. There’s a moment in that book where Maxwell Lord tells the Beetle “You were never second-string.” And the events of that issue, to many readers, proved that Max was right.

And how about characters that are created, not just as second-stringers, but as nigh knock-offs of the A-list characters? Let’s look at Mr. Majestic. An alien comes to Earth with powers and abilities far beyond those of mortal men. Gee. Where have I heard this before? I was never interested in him, because I didn’t see the point in reading about a faux Superman when I could read about the real thing.

Then last year, Dan Abnett and Andy Lanning took that ”fake” Superman and temporarily made him the real one, when Big Blue went missing in the timestream. All of a sudden… this guy was interesting. DnA (as they are sometimes collectively called) didn’t focus on what made Majestic similar to Superman, they focused on the differences, and how those differences made it difficult for him to truly replace the man of steel. He was an alien, yes, with similar powers, but he was raised on his homeworld and came to Earth as an adult, with different ideas and values than the Kansas-raised Superman. It wasn’t then that I saw the potential – Majestic isn’t a fake Superman, he’s what Superman could have been under other circumstances. Filtered through that perception, he’s a much more intriguing character. I followed that character, then, into his own miniseries and now into his ongoing, which I am enjoying quite a bit.

The same goes for Dan Slott’s new reimagining of the Great Lakes Avengers. I’m not sure what John Byrne was thinking when he created this team in the pages of West Coast Avengers, but they were never exactly played for the jokes that they really were. They wanted to take themselves seriously. It was the readers who couldn’t. Goofy characters like Mr. Immortal, Big Bertha and Flatman just didn’t have a place alongside Captain America and the She-Hulk. So what does Slott do in the new GLA miniseries? He plays it for laughs. Dark laughs, to be sure, but laughs nonetheless, and he tells the best story these characters have ever had. And in case the original team wasn’t lame enough, he’s decided to add even more loser superheroes, like Squirrel Girl, to the team.

Even a company like Archie Comics recognizes their second-string. They’ve just launched the new Tales From Riverdale Digest, which gives a spotlight to characters other than those who headline their own books – Archie, Jughead, Betty and Veronica. In this digest, their writers can have a little fun playing with Dilton or Moose or even Ms. Beazley, the Riverdale High Cafeteria Lady, should they be so inclined. (Look, you can’t rule it out. If there’s one thing I’ve learned since I began writing this column, it’s that every character is somebody’s favorite).

I think it’s good – even important – to have a “second string” of characters in any attempt to create a shared universe. First of all – it only makes logical sense. If you’re going to have people like Superman leaping tall buildings in your hometown, it’s natural to imagine that there will be lesser characters hoping to snag some of that glory for themselves. As goofy as many of the B-list characters are, their very existence tends to add a small degree of realism to comics. Second, it helps flesh out a universe and make it more full. There are tiers of superheroes, just as there are tiers of actors, or politics, or authors or musicians. And everyone, no doubt, has their own opinions as to who belongs on each tier.

And third, this is where future characters are going to come from. It’s virtually impossible, at this point, for a new character to burst onto the scene and become the new Superman or Batman. Any character who isn’t currently A-list, almost by definition, will be B-list when he’s introduced. But that B-list isn’t really that bad a place to be. You can pick up fans slowly, experiment, gain in popularity. And if the character and writer are good enough, that B-lister can eventually graduate to the A-team.

Just ask Ted Kord.

FAVORITE OF THE WEEK: April 6, 2005

As nervous as I was about the whole premise behind Green Lantern: Rebirth, Geoff Johns has totally turned me around. Issue #5, out last week after something of a hiatus, was a total home-run, not just for the great writing and fantastic art (of which both fully met my expectations), but because in this issue, Johns did something that needed to be done. And I’m going to spoil the issue a bit here, so if you haven’t read it, jump to the italicized bit at the end of the column.

My biggest concern about this comic was that DC, in catering to the Hal Jordan fans, would dismiss all the fans of Kyle Rayner. This issue proved to me that this isn’t the case. As a resurrected Hal faces off against Sinestro, ol’ purple-puss makes a crack about how he’s going to kill the remaining Green Lanterns, leaving Kyle for last.

Hal’s response is what sealed the deal. “Kyle held the torch when no one else would. When no one else could,” he said. “You will respect him.”

Somehow, that’s all I needed to hear. That the people writing the comic know and understand that’s how the Kyle fans feel about the whole thing. That was the last niggling bit that was bothering me about this whole project, and now that it’s been dealt with, I’m ready to sit back and enjoy the finish.

Man – and what a last page, huh?

Blake M. Petit is the author of the superhero comedy novel, Other People’s Heroes, the suspense novel The Beginner and the Christmas-themed eBook A Long November. He’s also the co-host, with whoever the hell is available that week, of the 2 in 1 Showcase Podcast. E-mail him at BlakeMPetit@gmail.com.

04
Sep
11

2 in 1 Showcase Episode 235: A Whole New World

The DC Universe changes this week, and Blake and Erin are there to report on it! The two talk about the conclusion of Flashpoint, the first issue of Justice League, and some of the upcoming New 52 books hitting stores in the coming weeks. In the picks this week, Blake is down with Sergio Aragones’ Funnies #2 and Doctor Who Annual 2011! Contact us with comments, suggestions, or anything else at Showcase@CXPulp.com!

Music provided by Music Alley from Mevio.

Episode 235: A Whole New World

10
Aug
11

Classic EBI #103: Old Dogs, New Tricks

Boom! Studios, the publisher that has been turning out great comics based on various Disney-owned TV shows, cartoons, and movies since 2009, recently confirmed that their production of Disney comics will end in October with their Darkwing Duck/DuckTales crossover. This isn’t really a surprise, and the assumption seems to be that the characters will be folded into Marvel Comics, which Disney purchased about six months after the Boom! deal began. So the questions I ask in today’s Everything But Imaginary are simple: What is Marvel going to do with Disney Comics? And what should Marvel do with Disney Comics?

Everything But Imaginary #410: Marvel’s Mickey Mouse Outfit

In this week’s classic EBI, we’re rolling back to February 23, 2005, when I took a look at the legacy of the Golden Age, both in characters and creators.

Everything But Imaginary #103: Old Dogs, New Tricks

This weekend, I was sitting around reading the latest issue of Comics Buyer’s Guide (which, incidentally, is still the best publication out there about comics), and I was gratified to see an ad from Heroic Publications announcing an upcoming Alter Ego trade paperback. Most of you have never heard of Alter Ego, of course. A few of you may recognize it as being a fanzine published by comic writer and editor supreme Roy Thomas about the Golden and Silver Ages of comics. Three of you, based on our Everything But Imaginary Insta-Poll Technology, seem to think it’s some sort of Greek sandwich.

But it was also a four-issue miniseries written by Thomas and drawn by Ron Harris in the mid-80s, and it’s one of my favorite little-known gems of the comic book world. In this series, published by the now-defunct First Comics, a teenager named Rob Lindsay wound up with a box of Golden Age comics in mint condition, including some he’d never heard of, and with some really bizarre stories (like characters from one publisher showing up in another publisher’s book, which was rare in the 80s and unheard of in the 40s, although these days it happens with such frequency that they’re thinking of adding an inter-company crossover bell, not unlike an ice cream truck).

One of the comics was Alter Ego, a weird tale about a super-powered hero battling an evil tryant, the Crimson Claw. A mask fell out of the comic and, thinking it was a giveaway, Rob put it on, only to be transported to another dimension where World War II was still in high gear and all of the Golden Age characters he’d read about in his grandfather’s old comics were still alive and kicking. And he himself had been transformed to Alter Ego, their leader, and the only hope of saving his world and theirs from nuclear devastation.

I really don’t know how well-received the comic was when it was first published – I discovered it a few years later at a flea market, where I got all four issues for a quarter apiece. It looked interesting, and heck, it was only a buck for the whole miniseries. I’ve read those issues dozens of times over the years. It was one of the best single dollars I’ve ever spent. I even got Thomas to autograph the first issue for me at a convention a few years ago.

One of my favorite things about the title, though, was that Thomas didn’t whip up a bunch of “new” Golden Age heroes to plug into his tale – he secured the rights to several real characters who, not being published by Marvel or DC, had faded into obscurity: Captain Combat, the Holy Terror, Skyboy, Yankee Doodle and Camille the Jungle Queen. He even dug up Lev Gleason Publishing’s Daredevil, although with Marvel using the name these days, he called him Double-Dare in the comic.

At any rate, it was a great comic, and with a trade paperback scheduled for release this month, I’d recommend anyone who digs the Golden Age of comics try to find a copy. You know. Both of you. Which brings me around to where I was going in this column – so much of the time we, as comic fans, are looking for the next big thing. The next great writer, the next great artist, the next smash hit character. And there’s nothing wrong with that. I’m sure a great many of us hope to someday be the next great writer or the next great artist. But there’s still so much life in those classic creations that people are totally missing out on! Thomas was one of the kings of mining Golden Age material for new stuff – during the same period he published Alter Ego he also was doing great stuff at DC with the All-Star Squadron and Secret Origins, which were both steeped in the Golden Age.

These days, you don’t see a lot done with Golden Age properties, except for characters who were created in the Golden Age and have remained consistently popular, like Superman and Captain America. Marvel made an effort recently with New Invaders, but it fell flat pretty quickly. Really, the only one in comics really doing much with it at all at the moment is Geoff Johns in JSA. He’s using the original incarnations of perpetually popular characters like Green Lantern and the Flash, but he’s also brought back new or updated versions of classic, lesser known heroes like Mr. Terrific, Dr. Mid-Nite, Sand and (bless him for this one) the Red Tornado.

There are smatterings of respect to the Golden Age across the rest of the DCU. The Justice League keeps the original Crimson Avenger’s uniform on display in the Watchtower, a symbol of the first superhero in their universe. Lady Blackhawk has recently joined the Birds of Prey, and the Blackhawk name is kept alive by a new elite fighter squad. The Guardian will be part of Grant Morrison’s new Seven Soldiers of Victory. There’s even a new Manhunter, at least the fourth such incarnation of the character since the original one in the Golden Age.

Perhaps even more disturbing to me than the lack of screentime Golden Age properties seem to get these days, though, is the lack of respect Golden Age creators get. We’re talking about the guys who not only invented the medium and genres we all love, but most of them got royally screwed by the publishers in the process. So while Jim Lee has gotten richer off his work with Superman and Batman, the guys who created and defined those characters have struggled. I’m not downing Lee, mind you. I’m just sad that Jerry Siegel, Joe Schuster, Bob Kane and Bill Finger (who got the rawest deal of just about anybody in the Golden Age) didn’t get the recognition they deserved while they were with us.

I try to hit a major con every year or two, and I’ve noticed something that really disturbs me. People are willing to stand in line for up to two hours for an autograph by Michael Turner or Mark Silvestri. And that’s fine – they’re both great artists and I enjoy their work. But then I’ll wander on over to the Artist’s Alley section and I’ll see guys like Mart Nodell sitting there alone, with no one coming close to shake his hand and ask for his signature.

Even sadder, I’ll bet at least 75 percent of the people who just read that paragraph don’t even know who Mart Nodell is.

He was the co-creator (with the aforementioned royally screwed Bill Finger) of a fella by the name of Green Lantern. The first one, of course, Alan Scott, but without him there would have been no Hal Jordan, no Guy Gardner, no John Stewart, no Green Lantern Corps, and Geoff Johns and Ethan Van Sciver wouldn’t currently be doing some of the best work of their careers.

If you ever see him at a con, go talk to him. He’s an interesting guy – I’ve met him twice now and I was amazed each time. He’s happy to sign anything you bring him. He even takes copies of Zero Hour #0, which prominently featured ol’ Hal and happened to have a blank white cover, and does a sketch of a Lantern in green ink. Man, how cool is that?

You see it happening to more recent creators that are getting past their prime too. You may hate what Chris Claremont is doing with X-Men these days, but the man at least deserves respect for having taken what was, at the time, a stagnant, b-list Marvel title and making it one of the flagship books of the entire industry. John Byrne’s Doom Patrol may not be your cup of tea, but he did a run on Fantastic Four that was unparalleled in its quality until Mark Waid and Mike Wieringo took over. Don’t get the new stuff if you don’t like it, but give credit where credit is due as well.

Every art form needs to be constantly looking forward, looking ahead, trying to remain interesting, exciting and revolutionary. You’ve got to be ready to make that journey in the future. But every journey needs fuel, and there’s still an awful lot of fuel to be found in the past, if only you know where to look for it.

FAVORITE OF THE WEEK: February 16, 2005

Damn you, Geoff Johns.

I didn’t want to like Green Lantern: Rebirth. In fact, I was fully prepared to hate it. I felt like the whole series was DC’s way of capitulating to a vocal minority of fans who have spent the past ten years whining about Hal Jordan like babies who had their bottles taken away from them. To be honest, I still feel that way. But the fact is, no matter why this comic was scheduled in the first place, Johns is telling a fantastic story that’s redeeming Hal and tying up decades of continuity into one tight, concise tale that appears well on the road to reestablishing the one thing I have really missed since the revamp: the Green Lantern Corps. Issue 4 of this series was the best yet, showing some great action scenes, a fantastic moment with Green Arrow that I want as a poster, and the best artwork of Ethan Van Sciver’s career. I’m loving this book.

Blake M. Petit is the author of the superhero comedy novel, Other People’s Heroes, the suspense novel The Beginner and the Christmas-themed eBook A Long November. He’s also the co-host, with whoever the hell is available that week, of the 2 in 1 Showcase Podcast. E-mail him at BlakeMPetit@gmail.com and visit him on the web at Evertime Realms. Read past columns at the Everything But Imaginary Archive Page.

20
Jul
11

Classic EBI #99: The Makings of a Universe

For years now, I’ve maintained a steadfast and unbroken tradition of not being at San Diego Comic-Con. This is not for lack of desire. So today, I take a look at the stuff happening in San Diego this year I wish I could be a part of…

Everything But Imaginary #407: What I’ll Miss in San Diego

But moving back in time, it’s January 25, 2005 and I’m taking a look at just how tight the continuity of the DC Universe has become in the last year or two. I’ll leave you guys to decide in this counts as irony or not.

Everything But Imaginary #99: The Makings of a Universe

I believe in credit where credit is due, so you’ve really got to give Stan Lee props for really creating our current concept of a superhero “universe.” Oh, superheroes had met before. All of the top National (later DC) Comics heroes had come together as the Justice Society of America in the 40s. Superman and Batman frequently appeared together in World’s Finest Comics. Even Atlas (later Marvel) had their collections of World War II-era characters like the Invaders and the All-Winner’s Squad.

But it was Stan the Man, writing approximately umpteen billion Marvel comics every month (this record would be held until Brian Michael Bendis broke into the business) that really started to forge a world with his creations. The adventures of the JSA didn’t impact the characters in their own titles, nor did the various team-ups that had happened. What Stan did, and did so well, was begin to mix events from various comics. If the Thing lost his powers in Fantastic Four, then he’d be powerless if the team happened to appear in Avengers that month. If Spider-Man was on the run from the law (in other words, if it was a day of the week ending in “y”), Foggy Nelson may have mentioned it in Daredevil. This was nowhere more evident than when Hawkeye, the Scarlet Witch and Quicksilver — villainous foes of Iron Man and the X-Men, reformed and joined the Avengers.

These days, though, Marvel has sort of lost its cohesion as a universe. Each of Spider-Man’s three titles seem to exist in their own pocket world and barely connect. Nearly two years have passed in Daredevil during Bendis’s run, while other Marvel titles have only progressed a few months. Why, Magneto took over the entire city of New York at the end of Grant Morrison’s New X-Men, and not a single other title even made reference to it. Except for comments in various titles about the events of Avengers Disassembled and the gloriously continuity-heavy She-Hulk title, it’s hard to feel like there’s a Marvel “universe” anymore.

But man, DC is trying to make up for it.

As Marvel’s titles have grown looser and looser, DC’s are getting tighter. And I’m going to warn you right now, this column is about to get spoiler-heavy for half of the books in the DC line, so if you see a title bolded you don’t want to know about, you may wanna skip ahead.

It’s easy to point to Identity Crisis as the genesis of this transformation. Like the ending or hate it, it was a huge storyline that has had an astronomical impact on the DC Universe. Just a month after the story’s conclusion, we’ve already seen fallout everywhere: the death of Robin’s father has impacted his own series, which in turn has impacted the other Batman-family books. It’s also being dealt with in Teen Titans, and dealt with extremely well. The Titans are also dealing with Lex Luthor’s battle armor, lost during that miniseries.

The apparent death of Ronnie Raymond is the very catalyst for the new Firestorm series. As if that weren’t enough, it’s sparked a storyline in Manhunter, as DC’s newest vigilante is trying to hunt the murderous Shadow Thief.

In Flash, Wally West has to cope with the fact that his uncle, the paragon of virtue Barry Allen, was one of a subset of the Justice League that agreed to tamper with the minds of their enemies — and what’s worse, has to deal with restoring an enemy who, in turn, is threatening to turn many of his reformed colleagues like Trickster, Heat Wave and the Pied Piper back to their old dark ways. In Adventures of Superman, Superman, Batman and Wonder Woman are struggling with the same revelation.

And that’s just the stuff directly from Identity Crisis.What other links are appearing among the many titles of the DC Universe lately?

• After the events of “War Games,” the Birds of Prey have recruited a new member and left Gotham City, impacting every Batman title, particularly Nightwing — because he’s still in love with Oracle. Plus, the cops of Gotham Central are even more hostile towards the caped crusader than ever.

• Speaking of Nightwing, Starfire has quit the Teen Titans to join his team, the Outsiders, to try to help him cope with all the trauma in his life as of late.

• Speaking of the Titans, they’ve linked up with two other titles. Green Arrow’s sidekick, the new Speedy, has joined the team. A few months ago, the young heroes got caught up in a time-travel adventure that wound up restarting the entire universe for the Legion of Super-Heroes, and writer Mark Waid has promised that he and Barry Kitson are doing the new Legion as the official future of the DCU — it’s up to the other writers to get them there.

• In Jeph Loeb’s Superman/Batman title, we met the all-new (yet all-classic) Supergirl, who’s about to get her own title. There’s also a rumor that she may check in with the Teen Titans herself. Plus, Loeb is currently milking DC properties as diverse as Kamandi, Cinnamon, Jonah Hex and the Freedom Fighters for the current arc in that title. He’s brought back characters that haven’t been seen in years.

• In Wonder Woman’s title, she’s gone blind after a battle with Medusa. When she guest-appeared in Adventures of Superman, not only was she still blind, but she was wearing the same blindfold. Not too hard a trick, of course, since the two books share a writer, but it’ll be more impressive in a couple of months during a promised crossover with Flash.

• Speaking of crossovers and books with the same writer, Bloodhound wound up merged with Firestorm (both books by Dan Jolley) and the Monolith lent a hand against Solomon Grundy to Hawkman and Hawkgirl (two books by Jimmy Palmiotti and Justin Gray).

“Okay, Blake,” you’re saying, “We get your point. There are a lot of crossovers. So what?” My, you can be rude sometimes, did you know that?

Here’s the point of all this.

A few months ago a group of five writers, Brad Meltzer, Judd Winick, Greg Rucka, Geoff Johns and Jeph Loeb, conducted an interview where they promsied that they were building the future of the DC Universe. And if you look at the books I’ve mentioned, you see their names all over the place, along with other talented writers like Devin Grayson, Gail Simone, Marc Andreyko, Bill Willingham and others I will feel bad later for leaving out.

Clearly, this is going to be a monumental task, even looking ahead to promised events such as DC Countdown and the enigmatic Crisis 2.

Those stories are going to be the framework of the DC Universe of the future.

What we’re seeing now, across the entire line, is the foundation. We’re seeing the hints, the clues, the groundwork. And knowing that this is what we’re seeing, we get to have all the fun of watching as everything is put together.

Some people, I understand, don’t like continuity that tight. I know that. But for those of us who do, watching as it is created before our eyes is something really really incredible. Something amazing.

Something I once may have even called Marvelous.

FAVORITE OF THE WEEK: January 19, 2005

While we’re on the subject of those truly remarkable books, I have to give credit again to Geoff Johns for turning out the best comic book of the week, Teen Titans #20. Since the murder of his father and the death of his girlfriend in agonizingly short succession, Robin has tried to repress his emotions in an effort to prevent from becoming more like Batman (which was nice and ironic, since repressing his emotions only made him more like Batman). This issue dances around some action, but at its core is a heartfelt examination of a son’s grief and his desperate attempt to continue forging his own future, and not let it be determined for him.

Blake M. Petit is the author of the superhero comedy novel, Other People’s Heroes, the suspense novel The Beginner and the Christmas-themed eBook A Long November. He’s also the co-host, with whoever the hell is available that week, of the 2 in 1 Showcase Podcast. E-mail him at BlakeMPetit@gmail.com and visit him on the web at Evertime Realms. Read past columns at the Everything But Imaginary Archive Page.

 

 

13
Jul
11

Classic EBI #98: From the Archives

The DC relaunch continues to keep people talking, myself included. In this week’s Everything But Imaginary, I look at one aspect of DC that isn’t — and shouldn’t — change… the Vertigo line.

Everything But Imaginary #406: What Purpose Vertigo?

And rolling back the clock, we’re going to January 19, 2005. I was thinking format this week, specifically hardcover, long-term format…

Everything But Imaginary #98: From the Archives

When Will Eisner passed away a few weeks ago, I got the urge to go back and re-read some of his classic Spirit comics, and the best way to do that is from the very beginning, with DC’s Spirit Archives Volume 1.

Although it has a different trade dress, the Spirit series is part of what I think deserves to be known as the best series of archival American comic books on the planet. And more and more these days, I’m thinking those archives are an invaluable thing.

I was stunned at how many people, how many current comic fans, knew little or nothing about Will Eisner. I felt the same way last year when Julius Schwartz died. The contributions men like this made to the comic book artform are immeasurable, but because comics aren’t quite considered “high” art, their names can be lost. Just about every high school student has to slag through at least one book by a Bronte sister, but how many of them recognize the works of Otto Binder, Joe Simon or Bill Everett? For that matter, how many of you reading this column, under the age of 25, can even tell me which characters these men created or revolutionized?

That’s what makes the DC Archives such a great project. Although I’d heard about the archives for years, I didn’t own any until a few years ago when DC re-offered the first Batman Archives at a severely reduced price ($20, as opposed to the usual $50). I figured this was worth picking up, and immediately realized how fantastic these archival series are. Quality reproductions of the classic DC comics, complete, in the order they were originally printed. That last bit is especially important — complete, in the order they were originally printed. These stories are no longer simply comic books, they are part of our heritage, and to abridge them in any way would be robbing ourselves.

Now DC is not the first company to put out an archival edition like this. I believe the Marvel Masterworks line preceeded it. But I believe the DC line is better, for several reasons. Marvel’s line has been halted and re-started again various times, whereas the DC line continues to expand. Marvel has changed its trade dress, while the DC books are all uniform (except for a few titles that aren’t technically DC Comics, but which DC is reprinting – we’ll get to those next). And most importantly, DC just has much, much more to offer. They’ve got all the characters you’d expect to see in archives, of course — Superman, Batman, Wonder Woman, the Justice League and so on, but DC doesn’t stop there. They constantly turn out archives for lesser-known characters like Blackhawk or Starman, different lines for Golden and Silver Age versions of the characters, and even include archival series for properties that they did not originally publish, but have earned a place in comic book history such as the T.H.U.N.D.E.R. Agents, ElfQuest and, of course, The Spirit.

The books are expensive, I know that. Fifty dollars for 200 pages of comic book is a hard price to justify. But it’s worth having the material in a higher-priced format for an archival project like this. It’s like buying a leather-bound edition of the Complete Works of William Shakespeare, knowing full well you’ll never own an original.

Plus, I’ll be honest with you guys, I have never paid full-price for a DC Archive. Unless it’s a really rare volume, you’d be sort of foolish to do so. Thanks to auction sites like eBay and various other online booksellers, you can frequently find them much, much cheaper. I think the most I’ve ever paid for a DC Archive is $32, and I own about a dozen of them, although there are dozens more that I wish to get.

Other companies, to their credit, are making an effort. Gladstone Comics spent many years on several series reprinting the work of the brilliant Carl Barks, including a Carl Barks Library series for his Uncle Scrooge comics, one for his stories from the Walt Disney’s Comics and Stories title, and even a line that just reprinted his one-page gags. The line was paperback, though, and the volumes were slim and pricey, and are now extremely difficult to find with Gladstone out of business.

Archie Comics has several archival series as well, most noteably the Archie Americana series. These trade paperbacks select the best comics from each decade and reprint them. Archie has also started doing trade paperbacks of their old superhero titles, such as the Shield, the Fly and the Mighty Crusaders.

The problem with this line, though, is that these are “best of” comics, stories carefully chrerry-picked from hundreds of comics produced. It makes for good reading, but it doesn’t make for a good archive if you leave stuff out.

Marvel’s Essential line doesn’t leave anything out, and it comes at a much more affordable price — about $15 for a phone book-sized volume of comics. It’s great for a reading copy, but again, it loses something. In this case, the artwork is reproduced in black-and-white, helping to keep the price down. That’s fine for the purpose of the book, but even though I’m no artist myself, I can tell that color artwork and black and white artwork is constructed differently. When you’re drawing something that will be colored, you use different techniques than something that stops at the inking stage, and as a result, color comics never look as good in black and white reprints as comics that were originally drawn in black and white.

Except for the DC Archives and the sporadic Marvel Masterworks, I really think that the best project currently in the works to really archive a comic is Fantagraphics’ The Complete Peanuts. In 25 volumes, this series is intended to reprint every Peanuts comic strip ever drawn, presented in their original order. That’s remarkable. Now naturally, most of us have read several Peanuts books, probably even own several. But not like this. Previous books were always selections of strips from a certain time period, Charles Schulz’s favorites, or perhaps grouped by a theme (Christmas strips, back-to-school strips, etc.). This is the first time every strip will be reprinted in order. Some of the strips, in fact, have never been reprinted before at all.

Now archives are not a way to snare new readers. No one who hasn’t read comics before is going to think to themselves, “$50 for a Plastic Man comic book? Sign me up!” And archives won’t even really help to educate the younger readers on the great comics of the past. Hopefully books like the Essential line will help with that. And personally, I long for the days when a new comic would give a few pages in the back for a reprint of a classic story. (Marvel tried this a few years ago with their “100-Page Monster” comics, but that’s another experiment that has gone defunct.)

But for people who already love classic comic book and want to study and preserve the gems of the past, these archives are priceless.

Well, technically they have a $50 tag, so they aren’t priceless. But you get the picture. So let me ask you… what series do you want to see as an archive?

FAVORITE OF THE WEEK: January 12, 2005

Fables #33 very nearly took this spot, but only a mystery that was too easy to solve held it back, making way for a comic even better. JSA #69. The work Geoff Johns is doing with this comic is phenomenal. Several Justice Society members have been hurled into the past, charged with convincing their own mentors to become heroes again, knowing that the fate of the world hangs in the balance. This is a crazy, classic superhero formula. And it still works, because it’s smart, well-written, and most of all, fun. JSA was my choice for best superhero comic of 2004. Books like this one are the reason why.

Blake M. Petit is the author of the superhero comedy novel, Other People’s Heroes, the suspense novel The Beginner and the Christmas-themed eBook A Long November. He’s also the co-host, with whoever the hell is available that week, of the 2 in 1 Showcase Podcast. E-mail him at BlakeMPetit@gmail.com and visit him on the web at Evertime Realms. Read past columns at the Everything But Imaginary Archive Page.

 




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